{"title":"Asian \u0026 Asian American Studies","description":"","products":[{"product_id":"4416","title":"Buura","description":"\u003cp\u003eAuthor: Alash Ensemble\u003c\/p\u003e\n\u003cp\u003ePublisher: Alash Ensemble (2011)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eBuura\u003c\/em\u003e is Alash's second studio album. Since the first album, Alash has traveled many miles and played lots of music for lots of people. During these travels, the music of Alash has simultaneously grown towards the future and deepened its hold on the past, like a healthy tree which deepens its roots in the earth while reaching for the sun.\u003c\/p\u003e\n\u003cp\u003eListening to Alash's music, it is not always easy to delineate where the roots end and the branches begin. In a song like \"Kosh-oi and Torgalyg,\" non-Tuvan instruments (the guitar and the udu, an African drum) clearly signal the influence of other musics. But where can you place a piece like Ayan Shirizhik's solo on the murgu (Tuvan overtone flute), which sounds both ancient and avant-garde?\u003c\/p\u003e\n\u003cp\u003eFor Alash, \"fusion\" means more than simply blending Tuvan music with other musics, although the group enjoys such collaborations and they are often very successful. Alash has a way of bringing foreign musical ideas into their songs without losing the sound and feel of the music of their Tuvan ancestors. Their growth is truly organic as they extend a unique living tradition into the future.\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eExecutive Producer: Sean Quirk\u003cbr\u003e\u003cspan\u003eRecorded and mixed by Richard Battaglia at VixMix, Nashville, TN\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by Jim DeMain of Yes Master Studios, Nashville, TN\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover: detail from \"Song of Shambhala\" (1943) by Nicholas Roerich, courtesy of State Museum of Oriental Art in Moscow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover photo of Alash by Johanna Kovitz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotos of individual Alash musicians by Peter Hasslebach\u003c\/span\u003e\u003c\/p\u003e","brand":"Woodland Pattern","offers":[{"title":"Default Title","offer_id":32499210223715,"sku":"6661861376281","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/81bBBGTRLqL._SL1425.jpg?v=1594491450"},{"product_id":"12359","title":"The Heart's Traffic","description":"\u003cp\u003eAuthor: Ching-In Chen\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eArktoi Books (2009)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Ching-In Chen's first book, \u003ci\u003eThe Heart's Traffic\u003c\/i\u003e, constructs a re-naming, a caterwaul call to arms to attend to an archipelago of hybrid identity: political, sexual and always love-persuaded. Here the father is temporary, the mother is dead-alive and girls are writing tiger-legends through sestina, haibun, and the lost letters that must be reinvented if we can understand this new American body. The author necessarily offers up her riddles without answers, her ultimatum of banishment and homecoming with good food and sweet intention. 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A second-generation Chinese-American, Sze has gathered over 70 poems by poets who have had a profound effect on Chinese culture, American poetics and Sze's own maturation as an artist. Also included is an informative insightful essay on the methods and processes involved in translating ideogrammic poetry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e“By petal, by word, by image Sze reveals the translator’s craft: he uncovers the raw spirit and linguistic skill of the poem in Chinese, and then years and a few continents later he reassembles the poem tenderly into another language, another time. The poems are exquisite.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Judges’ citation, Western States Book Award for Translation\u003c\/em\u003e\u003c\/p\u003e","brand":"CNSRT","offers":[{"title":"Default Title","offer_id":32499467550819,"sku":"9781556591532","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/9781556591532_FC_700px-wide-resize-700x1156.jpg?v=1594584487"},{"product_id":"7823","title":"The Displaced Children of Displaced Children","description":"\u003cp\u003eAuthor: Faisal Mohyuddin\u003c\/p\u003e\n\u003cp\u003ePublisher: Eyewear (2018)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMoving through past, present and future, this is a family history that journeys between America, Pakistan, modern Europe and even into space. Faisal Mohyuddin delves into the past of his parents and their neighbors in Pakistan and India in a self-consciously impossible attempt to find some way of belonging to a place that is lost. Moving from elegant ghazals of lament to stuttering, disjointed phrases of yearning, Mohyuddin portrays with restrained emotion the complexities of what it is to be displaced, geographically, spiritually, psychologically. With moments of sorrow interspersed with unsettling humor, deep familial love and celebrations of beauty, it is a story recognizable to any who have felt displaced in a new world. If the personal is political, then this is truly poetry for our times.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eThe Displaced Children of Displaced Children\u003c\/em\u003e demands your attention from its title, which speaks directly to a specific immigrant reflexivity, the way the seam of placelessness both separates and connects generations. In one poem the speaker 'forgets the Urdu \/ word for loneliness, forgets the Punjabi word for \/ loneliness, forgets the English word for loneliness.' In another, he finds himself 'holding two large rocks, \/\/ looking for something else \/ sacred to smash open.' These aren't hopeless poems, but they have known hopelessness. What a marvel it is then, this work (and it is work) to turn back toward joy, to create joy despite (or to spite) those forces that would conspire against it. Here, starlight travels centuries just to dazzle us. The son of a father becomes the father of a son. Eternity exists only in mirrors, the book says, then demonstrates. I am such an eager student of this book, this poet, and this light.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Kaveh Akbar\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Faisal Mohyuddin's debut collection speaks to the desire to forge a wholeness in a world that seems, too often, to be splitting at the seams. Written with an abiding sense of empathy, and charged with an unmistakable longing, these poems dissolve the boundaries between historical record, memory, and the imagination. Mohyuddin memorialises the suffering of the displaced, while at the same time transforming grief into song, heartache into story, and hunger into wisdom. This collection wrung out my tired heart.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Colum McCann\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"In these poems, Faisal Mohyuddin assembles a lyrical narrative using historical fact and ethereal longing as material a longing that sprouts from, or settles into, the unlikeliest crevices of the historical-personal. For every gash on the map of partition, there is a gap closing between ceramic tiles affixed on the floor by a mother as she speaks of staying close; for every good king, there is an assassin by the same name; for every assassin, a poet; and for every loss, a legend. What I admire the most in this work is how it confronts and diminishes hubris and elevates the quality of desire to echo the idiom of the mystic 'a longing with an energy and weight all its own, a longing that resides in song or sigh, in prayer or embrace, in caw \/ or coo.'\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Shadab Zeest Hashmi\u003c\/em\u003e\u003c\/p\u003e","brand":"INGMB","offers":[{"title":"Default Title","offer_id":32499491176547,"sku":"9781912477067","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/71FXizF676L.jpg?v=1594826938"},{"product_id":"25704","title":"Shin Yu Pai: Sightings: Selected Works (2000-2005)","description":"\u003cp\u003eAuthor: Shin Yu Pai\u003c\/p\u003e\n\u003cp\u003ePublisher: 1913 Press (2007)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShin Yu Pai's poetry combines bare sensitivity and precision critique. In \u003cem\u003eSightings\u003c\/em\u003e: \u003cem\u003eSelected Works\u003c\/em\u003e (2000-2005) she skillfully brings together four different poetic approaches to draw attention to the language of the commonplace and innervate tensions in the social familiar. Each project is drafted with a deft sense of position and line. Shin Yu Pai's poems are concrete objects of concern. Her eye for detail incises the subterranean erotics of gymnasiums, mass transit, and grocery stores. She transports the reader into the fissures of somatic displacement that scar the surface of everyday life. In \u003cem\u003eSightings, \u003c\/em\u003eShin Yu Pai delivers a rare optic, one capable of uncanny reflection and conveying the immediacy of feeling.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–David Michalski\u003c\/em\u003e\u003c\/p\u003e","brand":"1913","offers":[{"title":"Default Title","offer_id":32499536429155,"sku":"9780977935116","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_65df5e1f-bef6-4062-8e4c-5e2ccb011b34.png?v=1594943166"},{"product_id":"25740","title":"Silent Anatomies","description":"\u003cp\u003eAuthor: Monica Ong\u003c\/p\u003e\n\u003cp\u003ePublisher:\u003cspan\u003e Kore Press (2015)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2014 Kore Press First Book Winner, selected by Joy Harjo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eSilent Anatomies \u003c\/em\u003eis a poetic-visual hybrid that traverses the body's terrain, examining the phenomena of cultural silences. Whether it is shame obscuring the female body, the social stigma shrouding certain illnesses, or the cryptic stories of her ancestors, Monica Ong interrogates the agency of the daughter, who must decide whether or not to speak out. 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Now a Briggs-Copeland Lecturer in creative writing at Harvard University, she is the author of the prize-winning\u003cem\u003e Shizuko's Daughter\u003c\/em\u003e and four other books.\u003c\/span\u003e\u003c\/p\u003e","brand":"TIACH","offers":[{"title":"Default Title","offer_id":32499627655267,"sku":"9781882688043","price":7.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_0b2687e6-dca1-4c35-b7a1-c2f011fd6f82.png?v=1594391048"},{"product_id":"10130","title":"The Flood","description":"\u003cp\u003eAuthor: Chiwan Choi\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublisher: Tia Chucha (2010)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“When I first started working on ‘The Flood,’ the title piece from this collection of poems, I thought it was about the World, about Politics, about Race, about all the things that begin with capital letters that make up Life. And in 2005 when Hurricane Katrina came and left such destruction, opening up old social wounds and sins in the process, I thought this was my chance to be big, to be grand, to tackle the important subjects that important artists are seemingly never afraid of. I was going to make my statement. I was going to be heard. I was going to leave my mark.”\u003c\/p\u003e\n\u003cp\u003eWith this statement, Chiwan Choi begins to describe the impulses behind this most promising and powerful collection of poetry. His voice gives his poems a deep level of intimacy, while his economy of language distinguishes his work as authentic and accessible.\u003c\/p\u003e\n\u003cp\u003eThis collection is a journey to discover the poet, Chiwan, as a man, as a Korean, as a son, as a husband, as a writer. 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The writer weaves her words carefully into a wise and affecting embroidery that celebrates the senses while remaining down-to-earth and genuine. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"We see that everything is in fact miracle fruit, including this book itself\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–Andrew Hudgins\u003c\/span\u003e\u003c\/p\u003e","brand":"TUPEL","offers":[{"title":"Default Title","offer_id":32499674185827,"sku":"9780971031081","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Inventory313.jpg?v=1595607728"},{"product_id":"22412","title":"Portrait of a Young Woman","description":"\u003cp\u003eAuthor: Margie Tayone Bruce\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan data-mce-fragment=\"1\"\u003eiUniverse (2005)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA young woman's search for her true identity led her halfway around the world—to the Philippines—a country she knew nothing about; a country she could have called her own. As Marissa Maiers searches for the truth, Eva Carino succumbs to the thought that she may never see the child she gave up twenty-one years ago. On the other side of the world, the strokes of an artist's paintbrush bring back to life the very woman he is trying to let go. \u003cem\u003ePortrait of a Young Woman\u003c\/em\u003e is a delightful and refreshing tale of sacrifice, unspoken passion and enduring love during the bygone era of American military presence in the Philippines.\u003c\/span\u003e\u003c\/p\u003e","brand":"BRUCE","offers":[{"title":"Default Title","offer_id":32499692765283,"sku":"0595356397 C","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_cc656c93-3711-42eb-9c13-6f9377294ee6.jpg?v=1639093538"},{"product_id":"23350","title":"recombinant","description":"\u003cp\u003eAuthor: Ching-In Chen\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eKelsey Street Press (2017)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCan a poetry seek to examine the erasure and reconstruction of a community history? Ching-In Chen's \u003cem\u003erecombinant\u003c\/em\u003e is a work of material critique, philosophically jarring in its use of syntax, sound, the erasures held in the stillness of its white-space that again and again mimic a historical registry. Drafting and growing multiple discourses, this text urges the reader to investigate female and genderqueer lineages in the context of labor smuggling and trafficking. Its syntactical utterances create a music that is masterful in these poems' fractured words and experimental representation of page and praxis. Voices from various communities interact with each other to create what Rajagopalan Radhakrishnan calls an assertion of diasporan realities where multi-directional, heterogeneous modes of representation challenge conventional representation via photographs; newspaper articles; maps; city directories; records of immigration, birth and death; as well as scholarly research and archaeological records. \u003cem\u003erecombinant\u003c\/em\u003e is a work of insistence, a refusal of erasure, a proof of shared memory through the rewriting and remixing of historical remnant.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"The sweat of migrants, the starving bodies of impoverished workers, the they-children raised for export, the identification cards of the disobedient bodies with multiple names, the testimonies in interrogation rooms, the manufactured girl-bombs: the historical and linguistic presence, aliveness and residue of ancestral, immigrant lineages...in \u003cem\u003erecombinant\u003c\/em\u003e  these entities are synthesized into brilliantly engineered narratives that chronicle the limits of what can be held at the borders we construct around our various identities, be they bodily, linguistic, national, occupational, familial, commercial...This is an intricate, careful, impression-making, impressive novel of a poem that necessarily exposes the secret testimonies and histories of the worlds among us that our larger world wishes us to never understand or see.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e–Daniel Borzutzky\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"Promising '[n]o memory what I held in my mouth that bright morning,' Ching-In Chen's \u003cem\u003erecombinant\u003c\/em\u003e undertakes the difficult work of witnessing without false promises of consolation or recognition. Accumulating and unsettling the cartographic records and rememorabilia of lives lived and lives lost to violence in this land that is always island, \u003cem\u003erecombinant\u003c\/em\u003e maps histories of Yellow Peril, race riots, and white slavery, the latter as imaginary alibi for the former, and opens out their interlock with and interlocution of anti-Black racisms, slaveries and lynchings and ongoing colonial genocides of Indigenous peoples. How might a poem diagram destruction? What survives records or doesn't, leaves traces, ledgers or ghosts' marginalia? It is a bleak and beautiful summoning, one that discovers\/inscribes a world anew in testifying to the destruction of this one.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e–Trish Salah\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"Ching-In Chen's \u003cem\u003erecombinant\u003c\/em\u003e is an innovative and powerful collection about genealogy, migration, survival, gender, memory, and ecology. The poems unearth and recombine fragments from museum artifacts, laws, census data, and historical archives with lyric reflections and open-heart composition strategies. By the end, you will feel haunted by the ghosts and ancestors who have continued their journey in the vessel of the poet's tongue.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Craig Santos Perez\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWinner of the 2018 Lambda Literary Award for Best Transgender Poetry\u003c\/span\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499696042083,"sku":"9780932716866","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_70fa0084-3c0a-4bd5-9458-5ce6c740fd6d.png?v=1594194730"},{"product_id":"32304","title":"Yearling","description":"\u003cp\u003eAuthor: Lo Kwa \u003cspan\u003eMei-en \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: Alice James Books (2005)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eLo Kwa Mei-en's \u003ci\u003eYearling\u003c\/i\u003e explores adolescence through a deeply moving and poignantly raw lens. As the speaker ages, so too does the poetry, creating laments for the loss of friendship, the loss of species, and sometimes the loss of humanity itself. Harsh, forlorn and yet effervescent, Mei-en's lyricism perfectly captures the ethos of youth in an unsure world.\u003c\/p\u003e\n\u003cp\u003e\"Defiant and uncategorizable, Lo Kwa Mei-en's \u003ci\u003eYearling\u003c\/i\u003e, with its teeming species, battles, and passions, read like an illuminated manuscript: mysterious, visceral, awe-full. Hers are some of the most enviable poems I have ever read, and herald Mei-en as the new standard bearer for innovative structure, terrifying acknowledgment, ecstatic statement, and, I daresay, beauty.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Kathy Fagan\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"INGMB","offers":[{"title":"Default Title","offer_id":32499727990883,"sku":"9781938584107","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/71Wuq7kdwJL.jpg?v=1594144218"},{"product_id":"102","title":"Nineteen Ways of Looking at Wang Wei (With More Ways)","description":"\u003cp\u003eAuthor: Eliot Weinberger\u003c\/p\u003e\n\u003cp\u003ePublisher: New Directions Publishing Corporation (2016)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe difficulty (and necessity) of translation is concisely described in \u003c\/span\u003e\u003cem\u003eNineteen Ways of Looking at Wang Wei\u003c\/em\u003e\u003cspan\u003e, a close reading of different translations of a single poem from the Tang Dynasty--from a transliteration to Kenneth Rexroth's loose interpretation. As Octavio Paz writes in the afterword, \"Eliot Weinberger's commentary on the successive translations of Wang Wei's little poem illustrates, with succinct clarity, not only the evolution of the art of translation in the modern period but at the same time the changes in poetic sensibility.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":32499729727587,"sku":"9780811226202","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/nineteen-ways-of-looking-at-wang-wei-with-more-ways.jpg?v=1621622174"},{"product_id":"684","title":"After Projects the Resound","description":"\u003cp\u003eAuthor: Kimberly Alidio \u003c\/p\u003e\n\u003cp\u003ePublisher: Black Radish Books (2016)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"'The exhausted object have no body of work,\" says one poem in Kimberly Alidio's \u003cem\u003eAfter Projects the Resound\u003c\/em\u003e. But that's just surface. Ever lurking and in ALL CAPS even are potential poems that would affirm, 'LOL AGENCY AND THE COURAGE TO SPEAK.' From the 'howling on YouTube' to 'Igorots at St. Louis' to the 'new sardonic' to 'a heart hit twice by shrapnel,' the poems skitter over, infiltrate, radiate, revolt from, and apply 'karaoke studies' to interrogate both history and contemporary culture, especially cracks and what lurks within them. These poems are attuned to as many zeitgeists as reveal themselves. From Alidio's dissecting eyes and focused hands—the 'I [who] can sense the space around objects in the room because I'm often unnoticed'—the Filipino trait of Kapwa (interconnectedness) enables poems to arise and they bespeak: 'This is exactly what gentleness is \/\/ dragging everything up whole—.'\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Eileen R. Tabios\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"The structure of this book and its embedded themes are angled through Alidio's queer, Filipina perspective; while elevated through the nature of the found language of the project, her clear and independent voice—whether tackling expression of a corruptively perceived identity, longing for the presence in the everyday of intimacy, understanding intention in today's landscape of technology, or appreciating the struggle of objectification through narrative—offers an extraordinary sensibility in a world of chaos.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Greg Bem\u003c\/em\u003e\u003c\/p\u003e","brand":"KALI","offers":[{"title":"Default Title","offer_id":32499735822435,"sku":"9780996400183 C","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/9780996400183.jpg?v=1597419173"},{"product_id":"1452","title":"Anil's Ghost (Hardcover)","description":"\u003cp\u003eAuthor: \u003cspan\u003eMichael \u003c\/span\u003eOndaatje\u003c\/p\u003e\n\u003cp\u003ePublisher: Knopf (2000)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith his first novel since the internationally acclaimed \u003c\/span\u003e\u003cem\u003eThe English Patient\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e,\u003c\/em\u003e Michael Ondaatje gives us a work displaying all the richness of imagery and language and the piercing emotional truth that we have come to know as the hallmarks of his writing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe time is our own time. The place is Sri Lanka, the island nation formerly known as Ceylon, off the southern tip of India, a country steeped in centuries of cultural achievement and tradition—and forced into the late twentieth century by the ravages of civil war and the consequences of a country divided against itself.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eInto this maelstrom steps a young woman, Anil Tissera, born in Sri Lanka, educated in England and America, a forensic anthropologist sent by an international human rights group to work with local officials to discover the source of the organized campaigns of murder engulfing the island.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBodies are discovered. Skeletons. And particularly one, nicknamed \"Sailor.\" What follows is a story about love, about family, about identity, about the unknown enemy, about the quest to unlock the hidden past—all propelled by a riveting mystery.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUnfolding against the deeply evocative background of Sri Lanka's landscape and ancient civilization, \u003c\/span\u003e\u003cem\u003eAnil's Ghost\u003c\/em\u003e\u003cspan\u003e is a literary spellbinder—the most powerful novel we have yet had from Michael Ondaatje.\u003c\/span\u003e\u003c\/p\u003e","brand":"INGMB","offers":[{"title":"Default Title","offer_id":32499747356771,"sku":"0375410538","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Inventory341.jpg?v=1595608688"},{"product_id":"2439","title":"Ban en Banlieue","description":"\u003cp\u003eAuthor: Bhanu Kapil \u003c\/p\u003e\n\u003cp\u003ePublisher: Nightboat Books (2015)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn evocative exploration of body and politics by one of our most exciting innovative writers. 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Derived from performances in India, England and throughout the U.S., \u003cem\u003eBan en Banlieue\u003c\/em\u003e is written at the limit of somatic and civic aims.\u003c\/span\u003e\u003c\/p\u003e","brand":"UNWEN","offers":[{"title":"Default Title","offer_id":32499762528355,"sku":"9781937658243","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/81MIadUB1UL.jpg?v=1594955803"},{"product_id":"2464","title":"Barbie Chang","description":"\u003cp\u003eAuthor: Victoria Chang \u003c\/p\u003e\n\u003cp\u003ePublisher: Copper Canyon Press (2017)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn her fourth collection, Victoria Chang is at her best, performing sharp language-play and breathless turns in poems that ring vivid, humorous, and true. \u003c\/span\u003e\u003cem\u003eBarbie Chang\u003c\/em\u003e\u003cspan\u003e is an energetic social commentary whose eponymous heroine is a perpetual outsider, failing at the impossible task of fitting in with “the beautiful thin mothers at school” who “form a perfect circle.” We follow Barbie Chang on romantic misadventures with Mr. Darcy and through the humbling heartbreak of caring for ailing parents. Two sonnet sequences interrupt Barbie Chang’s narrative with first-person lyricism and urgency, revealing the great emotional undercurrents that animate these pages: love and desire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"With astringent understatement and wry economy, with nuance and intelligence and an enviable command of syntax and poetic line, Victoria Chang dissects the venerable practices of cultural piety and self-regard. She is a master of the thumbnail narrative. She can wield a dark eroticism. She is determined to tackle subject matter that is not readily subdued to the proportions of lyric. Her talent is conspicuous.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Linda Gregerson\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Chang's voice is equal parts searing, vulnerable, and terrified.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–American Poets\u003c\/em\u003e\u003c\/p\u003e","brand":"CNSRT","offers":[{"title":"Default Title","offer_id":32499762757731,"sku":"9781556595165","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_064dd169-24db-46d8-81c5-a4be72b0bf94.png?v=1593466856"},{"product_id":"2687","title":"The Bees Make Money in the Lion","description":"\u003cp\u003eAuthor: Lo Kwa \u003cspan\u003eMei-en \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eCleveland State University Poetry Center (2016)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eThe Bees Make Money in the Lion\u003c\/em\u003e is a journey across a dizzying landscape of immigrants and androids, of alien romance and elegies. Here we encounter a language that is both familiar and estranging: phones burble, voices tune by 'auto-fable,' and we are kicked 'in the essay.' Lo Kwa Mei-en is a formalist trickster: her aubades, sonnets, and pastorals are like none you've ever read before, stuttering with rapid- fire rhymes and repetitions, pulling you through unexpected swerves. Reading this remarkable collection is like 'downloading a copy of a consciousness FAQ,' finding within it a fractured yet powerful voice. 'Voltas fail' and forms falter, but Lo Kwa Mei-en's poems declare: 'here we are, unhurt nowhere, \/ editing violence until we dawn.'\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Timothy Yu\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"If rapture is a dizzy ecstasy brought on by a love no deeper than a hot mouth, then call me taken in and taken over. Lo Kwa Mei-en's \u003cem\u003eThe Bees Make Money in the Lion \u003c\/em\u003eis bawdiness and bombast, a babel of tongues locked and loaded, vowel-drunk and pledging allegiance to the bones of a lion. These downloaded colonists and conquerors masquerading as citizens romance the future, drag you to the edge by your treacherous light. I want to lick these poems from z to a, wear this sonnet crown like a riddled king of this alien kingdom and its honeyed kingdom come.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Traci Brimhall\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWinner of the 2015 CSU Poetry Center Open Book Competition, selected by Lesle Lewis, Shane McCrae, and Wendy Xu\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499765182563,"sku":"9780996316736","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/static1.squarespace.jpg?v=1594843175"},{"product_id":"4370","title":"Burnt Offerings","description":"\u003cp\u003eAuthor: Timothy Liu\u003c\/p\u003e\n\u003cp\u003ePublisher: Copper Canyon Press (1995)\u003c\/p\u003e\n\u003cp\u003eExploring the interlocking forces of sexuality and spirituality, \u003cem\u003eBurnt Offerings\u003c\/em\u003e continues the trajectory of Liu's first collection of poems, \u003cem\u003eVox Angelica\u003c\/em\u003e, which won the Norma Farber First Book Award from the Poetry Society of America. Nominated for a Lambda Book Award in Gay Men's Poetry.\u003c\/p\u003e","brand":"CNSRT","offers":[{"title":"Default Title","offer_id":32499798376547,"sku":"9781556591044","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_fc7d7428-35b2-4a7e-8220-e655db006412.png?v=1593521799"},{"product_id":"4454","title":"Ca Dao Viêt Nam: Vietnamese Folk Poetry","description":"\u003cp\u003eEditor and translator: John Balaban\u003c\/p\u003e\n\u003cp\u003ePublisher: Copper Canyon Press (2003)\u003c\/p\u003e\n\u003cp\u003eDuring the Vietnam war, John Balaban traveled the Vietnamese countryside alone, taping, transcribing, and translating oral folk poems known as \"ca dao.\" No one had ever done this before, and it was Balaban’s belief that his project would help end the war.\u003c\/p\u003e\n\u003cp\u003eThe young American poet walked up to farmers, fishermen, seamstresses, and monks and said, \"Sing me your favorite poem,\" and they did. \"Folk poetry is so much a part of everybody’s life, my request didn’t seem like such a strange proposition,\" Balaban writes.\u003c\/p\u003e\n\u003cp\u003eThe resulting collection—the first in any Western -language—became a phenomenon within the American Vietnamese community, but the book slipped out of print after the original publisher folded in the ’70s. This revised, bilingual edition includes new poems and an eloquent introduction explicating poetry’s importance in Vietnamese culture.\u003c\/p\u003e","brand":"CNSRT","offers":[{"title":"Default Title","offer_id":32499803848803,"sku":"1556591861","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_fdc176d7-1cf2-4ebf-b14c-302be4c527fc.png?v=1595862828"},{"product_id":"6051","title":"The Compleat Purge","description":"\u003cp\u003eAuthor: Trisha Low \u003c\/p\u003e\n\u003cp\u003ePublisher: Kenning Editions (2013)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eTrisha Low is just another feminist, confessional writer trying to find a good way to deal with all her literary dads. She siphons the remix culture of social media into the binge and purge cycle of an engrossing read, with the emphasis on gross. She reads the diaries of teenage girls, their blog comments and love letters; she dresses like one in performance then throws up fake blood on herself. She once surveyed the reactions of Catholic fathers to scripted confessionals she made regarding rough sex with men, secretly recorded the conversations, and transcribed the tapes. The results were anthologized by a major university press. Her first book, \u003cem\u003eThe Compleat Purge\u003c\/em\u003e, consists of the last will and testament of one Trisha Low, who seems to commit suicide annually; the legal documents accumulate into a coming-of-age story. It goes on to chronicle the sexual fantasies of indie rock fangirls, who may or may not be exorcising the effects of abuse through their blithe avatars (the guy from The Strokes, etc.). Then Trisha Low finds herself trapped in an 18th century romance novel in the most punishing way, but for whom—we’re not really sure. “How is Poetry complicit in the urge to falsely ‘heal’ societal wounds into the silent fixity of It Gets Better? What better place to look than the teen girl, whose cut wrist is an abject fuck-you; whose cute Band-Aid and its artificial ‘healing’ is really just your sentimental fantasy.”\u003c\/span\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499846611043,"sku":"9780984647552","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_5b4ebd01-d1bf-433d-935b-b228fd704820.png?v=1593546230"},{"product_id":"6571","title":"Court of the Dragon","description":"\u003cp\u003eAuthor: Paolo Javier \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: Nightboat Books (2015)\u003c\/p\u003e\n\u003cp\u003eA new book of poetry exploring domesticity, desire, and dreaming by the 2010–2014 Queens Poet Laureate. Javier's new book of long poems is both intimate and elusive, a simultaneity brought to the fore by the author's interest in the occult and intuitive processes, in oblique and plain spoken discourses. Politically and erotically charged, \u003cem\u003eCourt of the Dragon\u003c\/em\u003e eludes programmatic ideology, packaged identity politics, and confessionalism in its interrogation of the praxes of everyday living. Written over the course of a year, this striking new book conjures its future through intuition, improvisation, and magick.\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499855458403,"sku":"9781937658366","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/81lYJRu1h7L.jpg?v=1597103689"},{"product_id":"9572","title":"Farther Traveler: Poetry, Prose, Other","description":"\u003cp\u003eAuthor: Ronaldo V. Wilson\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eCounterpath Press (2015)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eFarther Traveler\u003c\/em\u003e is an expansive, complex hybrid of poetry, prose, and memoir that engages with contemporary culture, race, and sexuality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"There’s a Fanonian trumpet Fanon couldn’t imagine, a dance all his own he could neither own nor step to, Ronaldo V. Wilson’s otherwise inconceivable graph, whose beauty and power reaches new depths and new heights in \u003ci\u003eFarther Traveler\u003c\/i\u003e, an erotic history of loss that is, therefore, an erotic theory of finding, its iridescent contacts, its eruptive grammars, its fluid, fleshly, aromatic loves. In the fabric of the general catastrophe, every silver and impossible daddy, every soft and possible father, gone further and farther away, Wilson works something new for us, an encounter of which we are made wonderfully aware—texture, scene, caress.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Fred Moten\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The secret of the body, for Ronaldo V. Wilson, is that there are no secrets. As such, every drop of sweat in his new book refracts the overlap of the abject and the fleeting, the familiar and the anonymity of the body in sex and disintegration. \u003ci\u003eFarther Traveler\u003c\/i\u003e maps the fusion between losing a father who’s impossible to let go of and the excavation of what desire might mean for a life of radical possibility. For Wilson, the work of the poem—and our expectant pleasure—is to disclose what the self might become if thought could account for what the body seems given to need. And if it’s true that ‘You’ve become the body you’ve become,’ then that’s only the beginning.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Joshua Marie Wilkinson\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Ranging with promiscuous brilliance across diary, dissertation, lyric, chasm, cinema, and dream, Ronaldo V. Wilson tracks ‘instances where my body touches language,’ a protean adventure in which violation and sublimity, de Sade and Serena Williams shimmer as spectacle and twitch like muscle. Fearless son of that demented, adored father who is history, the farther traveler is the self—‘a projected composition’ constantly renewed.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Frances Richard\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003ci\u003eFarther Traveler\u003c\/i\u003e shows us, across its virtuosic pages, what the sear of queer desire and loss made legible in language feels, looks and sounds like. In reveries and elegies, including post-dissertation interventions; tributes to Daddies, among them his own father, suffering from dementia; recollections of popular culture and porn; and beguiling image-text pairings, Ronaldo V. Wilson offers a poetics capable of enacting his singular, profound blend of the creative and critical, proving yet again that he’s a lyric innovator to his sweat-matted core. ‘My oppression . . . I must make beautiful.’ A (self-)love game, superlatively won.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–John Keene\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“In his triumphant \u003ci\u003eFarther Traveler\u003c\/i\u003e, Ronaldo V. Wilson writes toward a radical poetics of discomfort and defilement, trespassing boundaries of genre and desire, revealing unvarnished truths on race and sexuality that other skittish poetry collections will not touch. What makes \u003ci\u003eFarther Traveler\u003c\/i\u003e stand apart is that it dares to be ugly. Wilson engages the black body through a spectrum of disfiguring power relations from white daddy fetish to amateur porn, from academia’s microaggressions to racial profiling. ‘Farther Traveler’ is an alarm to the system; it’s tender elegy; it’s an uncompromising, self-searching foray into the ‘raging internal chaos’ of black consciousness. In his brilliant series of poetic statements, Wilson asks how to invent a language of racial identity. With breathtaking intellect, Wilson has invented that language.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Cathy Park Hong\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499919028323,"sku":"9781933996332","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_a53a00fe-f003-4ee4-823a-086ef062ba3c.png?v=1594184362"},{"product_id":"10967","title":"Further Adventures in Monochrome","description":"\u003cp\u003eAuthor: John Yau\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"detail-bullet-label a-text-bold\"\u003ePublisher:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eCopper Canyon Press (2012)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJohn Yau engages art criticism, social theory, and syntactical dexterity to confront the problems of aging, meaning, and identity. Insisting that \"True poets and artists know where language ends, which is why they go there,\" Yau presses against the limits of language, creating poems that are at once cryptic, playful, and insightful. Included in its entirety is his groundbreaking serial poem, \"Genghis Chan: Private Eye,\" and a new series invoking the monochromatic painter Yves Klein.\u003c\/p\u003e","brand":"INGMB","offers":[{"title":"Default Title","offer_id":32499950420067,"sku":"9781556593963","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/71tLK0O1zPL.jpg?v=1598425266"},{"product_id":"11227","title":"Ghost Of","description":"\u003cp\u003eAuthor: Diana Khoi Nguyen \u003c\/p\u003e\n\u003cp\u003ePublisher: Omnidawn (2018)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eGhost Of\u003c\/em\u003e is a mourning song, not an exorcism or un-haunting of that which haunts, but attuned attention, unidirectional reaching across time, space, and distance to reach loved ones, ancestors, and strangers. By working with, in, and around the photographs that her brother left behind (from which he cut himself out before his death), Nguyen wrestles with what remains: memory, physical voids, and her family captured around an empty space.\u003c\/span\u003e\u003c\/p\u003e","brand":"UNWEN","offers":[{"title":"Default Title","offer_id":32499952124003,"sku":"9781632430526","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_c94733f0-4189-4b0a-9b61-ece8a9c33a40.png?v=1595183678"},{"product_id":"14455","title":"Intimate: An American Family Photo Album","description":"\u003cp\u003eAuthor: Paisley Rekdal \u003c\/p\u003e\n\u003cp\u003ePublisher: Tupelo Press (2012)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eIntimate\u003c\/em\u003e is a hybrid memoir and \"photo album\" that blends personal essay, historical documentary, and poetry to examine the tense relationship between self, society, and familial legacy in contemporary America. Typographically innovative, \u003cem\u003eIntimate\u003c\/em\u003e creates parallel streams, narrating the stories of Rekdal's Norwegian-American father and his mixed-race marriage, the photographer Edward S. Curtis, and Curtis's murdered Apsaroke guide, Alexander Upshaw. The result is panoramic, a completely original literary encounter with intimacy, identity, family relations, and race.\u003c\/span\u003e\u003c\/p\u003e","brand":"CDC","offers":[{"title":"Default Title","offer_id":32500035616867,"sku":"9781932195965","price":20.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_1b2a17bd-6ae6-47da-b432-15e1da284197.png?v=1626378494"},{"product_id":"19000","title":"The Narrow Road to the Interior: Poems (Hardcover)","description":"\u003cp\u003eAuthor: Kimiko Hahn\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eW.W. Norton (2006)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKimiko Hahn takes up the Japanese prose-poetry genre \u003cem\u003ezuihitsu\u003c\/em\u003e (\"running brush\") which utilizes tactics such as juxtaposition, contradiction, and broad topical variety in exploring her various identities as mother and lover, wife and poet, daughter of varied traditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"An expansive new work from a poet of rigorous intelligence, fierce anger, and deep vulnerability.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Mark Doty\u003c\/em\u003e\u003c\/p\u003e","brand":"NORTO","offers":[{"title":"Default Title","offer_id":32500144177251,"sku":"0393061892","price":23.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_ef0e1094-0f12-45a8-bcbd-38887be7c262.png?v=1595194395"},{"product_id":"19451","title":"New Weather Drafts","description":"\u003cp\u003eAuthor: Soham Patel\u003c\/p\u003e\n\u003cp\u003ePublisher: Portable Press at Yo-Yo Labs (2016)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"PATEL","offers":[{"title":"Default Title","offer_id":32500150435939,"sku":"262254 C","price":11.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_c1e6fa71-4bc4-4d8c-84de-1320eedb3469.png?v=1592970457"},{"product_id":"20037","title":"Nowhere To Arrive: Poems","description":"\u003cp\u003eAuthor: \u003cspan data-mce-fragment=\"1\"\u003eJenny \u003c\/span\u003eXie\u003c\/p\u003e\n\u003cp\u003ePublisher: Northwestern University Press (2017)\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eNowhere to Arrive\u003c\/i\u003e\u003cspan\u003e takes as its subjects the whiplash of travel, the shuttling between disparate places and climes, and an unremitting sense of dislocation. These poems court the tension between the familiar and the foreign, between the self as distinct and the self as illusory. They look plainly at the startling strangeness of varied landscapes and mindscapes, and interrogate a state of unrootedness-one thrown into relief by the speaker's years abroad in Southeast Asia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt the chapbook's center are two long poems, titled \"Phnom Penh Diptych: Wet Season\" and \"Phnom Penh Diptych: Dry Season,\" that examine the escapist narratives that draw tourists and expatriates to Cambodia, and the speaker's own privileged positioning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn a formal level, the poems in \u003c\/span\u003e\u003ci\u003eNowhere to Arrive\u003c\/i\u003e\u003cspan\u003e make room for the unsaid and that which cannot be articulated. Here, we have a vocabulary of silence alongside stark imagistic juxtapositions, poems that celebrate compression and the force of paratactic constructions. Attentiveness and concentration emerge as virtues, as the speaker surveys the vast territory of the present with a wakeful gaze.\u003c\/span\u003e\u003c\/p\u003e","brand":"UCHGP","offers":[{"title":"Default Title","offer_id":32500162363491,"sku":"9780810135086","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/71zkBWga9FL.jpg?v=1617574514"},{"product_id":"20070","title":"O BON","description":"\u003cp\u003eAuthor: Brandon Shimoda \u003c\/p\u003e\n\u003cp\u003ePublisher: Litmus Press (2011)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Shimoda's world is a hushed world—his book, a silent prayer, not to a god, but to life, the life of survivors—that one can whisper, can join the dead—that whisper turns into a ritualistic text, a celebration of witnessing, of the minute manifestations of reality.... Insinuating itself in the memory of Hiroshima and the bomb—a disaster surpassing disasters—his work is the saying of the dead who return, is a Requiem.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Etel Adnan\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32500163215459,"sku":"9781933959139","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_f9b3c4fb-cd86-4275-94c6-4ab8643ceb21.jpg?v=1639091965"},{"product_id":"22121","title":"Poems of the Black Object","description":"\u003cp\u003eAuthor: Ronaldo V. Wilson\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eFuturepoem Books (2009)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"I applaud Ronaldo Wilson's pathbreaking movement into what has never, never, in history, been said. About sexuality, in particular, these poems speak with incorrigible and raving clarity. And, always, they display intellectual curiosity, and an impatient, gorgeous readiness to make language new.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e–Wayne Koestenbaum\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"[A] warning to anyone tempted to believe that in objectification lies freedom. Livid inside an apocalyptic negative capability, these poems are constructed through their maker's deconstruction, and reading, I too, felt unmade.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e–Claudia Keelan\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Ronaldo\u003c\/em\u003e Wilson's\u003cem\u003e Poems of the Black Object\u003c\/em\u003e turns the parenthetical inside out, contents kicking and alive, person, race and being: where fate is in store in you, not for you, out there; in consciousness, and barely conscious, where consciousness is the accumulation of the scarcely discernible experiences. Wilson's poems captures states of person, the thinking being, the being thinking, the being perceived, and all the slippage between stages of person, Black and on the page, folding and unfolding layers of social construction.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e–Erica Hunt\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"The force here is in the erotic attachment between the human figures certainly—but also (and more surprisingly) between history and present-day experience. Ronaldo Wilson teases the reader with earnestness while he refracts event and experience. The effect is dazzling. The poems are panoramic. One part slave narrative, one part pillow book, \u003cem\u003ePoems of the Black Object\u003c\/em\u003e is a triumph of the social lyric: violent, tender, absurd.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e–G.E Patterson\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"For all the disturbances examined in this intensely lucid book of bodily desire, dead porn stars, and the high art of human survival, the voice of these poems manages to maintain a kind of giddy composure. Perhaps the trick of it comes through his sense that, 'pattern organizes trauma, and so does speed.' It's not so fast, the pace here; we're made to look, to see, with shrewd intention. It's that Ronaldo Wilson's writing doesn't let you get too comfortable. It shifts experience and reckoning from poem to essay, theory to epistle, these intuitive modes of a person in search of a particular poetics, darting around sharp visions that could bloody or shine on the tempestuous landscape 'the black object' emerges from.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Tisa Bryant\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32500204994659,"sku":"9780982279809","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_684dad6d-c169-4d47-ac31-ff2007f96dc9.jpg?v=1594184269"},{"product_id":"22435","title":"Portuguese","description":"\u003cp\u003eAuthor: Brandon Shimoda \u003c\/p\u003e\n\u003cp\u003ePublisher: Octopus Books (2013)\u003c\/p\u003e\n\u003cp\u003eThe poems in \u003cem\u003ePortuguese\u003c\/em\u003e began while Brandon rode city buses around Seattle, and were inspired by his fellow passengers―their voices and their minds, their faces and their bodies, their exuberances and infirmities, and the ways in which they enlivened and darkened the days at once. It was with and within these people that poetry seemed most alive. At the same time, they began as responses to the words and writings of visual artists, mostly painters, whom Brandon was reading while riding the bus, especially Etel Adnan, Eugene Delacroix, Alberto Giacometti, Paul Klee, and Joan Mitchell, all of whom appear in the book. It was with and within these people, also, that poetry seemed most alive.\u003c\/p\u003e\n\u003cp\u003eIn both senses, \u003cem\u003ePortuguese\u003c\/em\u003e is a work of color.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePortuguese\u003c\/em\u003e owes also a debt to a visit to Beirut, Lebanon (2009); six months spent in a cabin in the woods of western Maine (2010-2011); and the Japanese poets Kazuko Shiraishi, Ryuichi Tamura and Minoru Yoshioka, and their translators. It was written primarily in Seattle, Washington; Beirut, Lebanon; and Weld, Maine, though revised in Albany, California; Beacon, New York; and St. Louis, Missouri. In that sense, \u003cem\u003ePortuguese\u003c\/em\u003e is a travelogue, as well as a work of restlessness.\u003c\/p\u003e\n\u003cp\u003eThroughout writing the poems that became \u003cem\u003ePortuguese\u003c\/em\u003e, the presiding struggle was with poetry itself―the form and its impulses―voice and mind, face and body, exuberance and infirmity―as well as with the act of writing. The book actually began in the early 1980s, while on the bus to elementary school in a small town in New England, when Brandon was taunted for being “Portuguese.” In that sense, \u003cem\u003ePortuguese\u003c\/em\u003e returns its author to this moment in which he felt challenged to become what he was being called, however falsely, and despite feeling confused, flushed and afraid. In that sense, \u003cem\u003ePortuguese\u003c\/em\u003e is a work of crossdressing.\u003c\/p\u003e\n\u003cp\u003eHowever, \u003cem\u003ePortuguese\u003c\/em\u003e is both more and less than all these things. 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In this sense―and in all those above―it is an act of preservation, and therefore a work for his friends, his family, and for love.\u003cbr\u003e\u003c\/p\u003e","brand":"NORTO","offers":[{"title":"Default Title","offer_id":32500207190115,"sku":"9781935639510","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_724140ed-b787-4cf5-878d-db1a89fd46e0.png?v=1594923754"},{"product_id":"22760","title":"The Proscenium","description":"\u003cp\u003eAuthor: Vi Khi Nao\u003c\/p\u003e\n\u003cp\u003ePublisher: Ugly Duckling Presse (2019)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA woman uses the keys of a dismantled, antique typewriter to write a manuscript. She makes little progress and is able to generate only three letters of the manuscript. The letters are \u003c\/span\u003e\u003cem\u003et\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eh\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003ee\u003c\/em\u003e\u003cspan\u003e, which is the entire word for an article. \u003c\/span\u003e\u003cem\u003eThe Proscenium\u003c\/em\u003e\u003cspan\u003e is a satire on production and feminism and acts as an antithetical or opposition to male’s prolixity on the canvas of literary canon.\u003c\/span\u003e\u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32500211908707,"sku":"022120202","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_bcc846a9-b1cc-4248-82c4-200cbacddf3c.png?v=1592535289"},{"product_id":"26393","title":"Sông I Sing: Poems","description":"\u003cp\u003eAuthor: Bao Phi\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eCoffee House Press (2011)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDynamic and eye-opening, this debut by a National Poetry Slam finalist critiques an America sleepwalking through its days and explores the contradictions of race and class in America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Phi knows tenderness. Isn't bruised flesh tender? He knows love, too—it is 'like a brick through glass: \/ first a riot \/ then fire \/ then nothing.' This explosive collection mourns their proximity to hate and insists we all do better, including Phi, himself. That's the jagged song he sings til his throat goes raw.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Douglas Kearney\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003c\/span\u003e\u003ci\u003eSông I Sing \u003c\/i\u003e\u003cspan\u003ewill cleanse and free your mind; it is an American original. Phi’s voice is singularly strong, rhythmic and rooted in the particularities of the Vietnamese American experience, in the urgencies of hip-hop and the cold raw edge of the poet’s urban Midwestern roots, where being a ‘colored boy’ makes finding the rainbow almost impossible.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–David Mura\u003c\/em\u003e\u003c\/p\u003e","brand":"INGMB","offers":[{"title":"Default Title","offer_id":32500270727267,"sku":"9781566892797","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_14e7c1d0-b22b-44a4-840d-c09adb926ad6.png?v=1595996732"},{"product_id":"26554","title":"Sound\/Chest","description":"\u003cp\u003eAuthor: Amish Trivedi\u003c\/p\u003e\n\u003cp\u003ePublisher: Coven Press, LLC (2015)\u003c\/p\u003e\n\u003cp data-adtags-visited=\"true\"\u003e\"In these poems, Amish Trivedi gives us the 'surreal' as the new normal, all the mind’s dated catalogue awash in the rising waters of the present. In the barely off-stage catastrophe sending ripples through this book, what we cling to is as strange as what we seek to avoid.\"\u003c\/p\u003e\n\u003cp data-adtags-visited=\"true\"\u003e\u003cem\u003e–Rae Armantrout\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-adtags-visited=\"true\"\u003e\"How many ways are there to break and be broken down? At the bottom of \u003ci\u003eSound\/Chest, \u003c\/i\u003ethere’s always one more: these poems fray, stick, starve, erode. They’re sad poems braced for further sadness, small brinks, short falls, shorings up; they seek sustenance rather than certainty. To sound is to hear how deep something goes, to wait for an echo of touch to tell you, \u003ci\u003ethis is where the water stops. \u003c\/i\u003eWe don’t call what’s under the water 'land,' but we might call it knowledge; we might call it persistence; we might call it patience. At the bottom of \u003ci\u003eSound\/Chest, \u003c\/i\u003ethe next thing we turn over might be the thing we need.\"\u003c\/p\u003e\n\u003cp data-adtags-visited=\"true\"\u003e\u003cem\u003e–Kate Schapira\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-adtags-visited=\"true\"\u003e\"'The library is flooded, the words made surplus.' The slash in the title of Amish Trivedi’s \u003cem\u003eSound\/Chest\u003c\/em\u003e is also echoed in the sudden line-breaks that gives the otherwise conversational tone a jittery feeling. 'There \/ was some talk \/ of electrical outlets and role playing': An amazing surrealist montage as failed stand-up joke or an occult dating show about Abu Ghraib? From the farcical to the sublime: these poems keep babbling until they’ve told us just about everything we did and did not want to know about ourselves.\"\u003c\/p\u003e\n\u003cp data-adtags-visited=\"true\"\u003e\u003cem\u003e–Johannes Göransson\u003c\/em\u003e\u003c\/p\u003e","brand":"XXXXX","offers":[{"title":"Default Title","offer_id":32500272431203,"sku":"9780692346266 C","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_73c0c502-108a-4f89-83d0-86beed385d06.jpg?v=1594932107"},{"product_id":"26778","title":"Spiral Staircase: Collected Poems of Hirato Renkichi","description":"\u003cp\u003eAuthor: Hirato Renkichi \u003c\/p\u003e\n\u003cp\u003eTranslator: Sho Sugita\u003c\/p\u003e\n\u003cp\u003ePublisher: Ugly Duckling Presse (2017)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOnce called \"the Marinetti of Japan\" by David Burliuk, Hirato Renkichi produced a unique brand of Futurism from the late 1910s and early 1920s through poetry, criticism, and guerrilla performance. Contributing to the earliest productions of Japanese avant–garde poetry, his aggressive experimentation with speed, spatialization, and performability would later influence what became a lively community of Dadaist and Surrealist writers in pre–war Japan. \u003cem\u003eSpiral Staircase\u003c\/em\u003e is the first definitive volume of Renkichi's poems to appear in English. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith an introduction by Sho Sugita and an afterword by Eric Selland. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Sho Sugita must be thanked for bringing attention to Hirato Renkichi, for gathering such a generous amount of this forgotten poet's writing, and for providing translations that preserve the author's linguistic feats.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–John Bradley\u003c\/em\u003e\u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32500278001763,"sku":"9781937027667","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_406ae949-ca93-457f-982c-a9f956837f73.png?v=1594192848"},{"product_id":"28181","title":"The Genocide's Love Baby Learns to Sing","description":"\u003cp\u003eAuthor: Princess Moon\u003c\/p\u003e\n\u003cp\u003ePublisher: Bootstrap Press (2016)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe poems in\u003cem\u003e The Genocide's Love Baby Learns to Sing\u003c\/em\u003e take you on a journey starting from the birth of Princess Moon's parents and Cambodia's psychedelic rock n' roll era to our present day lives with everything in between. Reoccurring themes include war, love, death, separation, family, ecofeminism, healing, and survival.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Each poem in this book is an excavation. Princess Moon digs deep into her history and that of the world around her to unearth powerful truths about personal, generational and post-genocidal trauma, patriarchy, racism, diasporic identity and more. These dense, heavy themes are transformed masterfully into beautiful yet poignant lines that will both break and mend you simultaneously. Princess Moon is an explorer, and every reader will be grateful for the work she has done.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Jonathan Mendoza\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32500297728099,"sku":"9780988610880","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_0cc47ee6-9d98-47bf-b916-52d7f8bfba58.png?v=1600362379"},{"product_id":"29732","title":"Undercastle","description":"\u003cp\u003eAuthor: Feliz Lucia Molina\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan style=\"font-weight: 400;\"\u003eMagic Helicopter Press (2016)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003ePart Valley strip mall heaven memoir, part encyclopedia of transistor feelings, part lonely caregiver, part philosopher pen pal, and so totally the book the '90s owe the world, Feliz Lucia Molina's genre scuzzing debut \"povel\" \u003cem\u003eUndercastle\u003c\/em\u003e is a deft and defiant A-B-Up-Down combo of curiosity and intimacy that chews up all our screens and heroes and fills our breath with glint.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32500326957155,"sku":"9780984140664","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_b324dc32-c478-4ca8-9405-4f4d4e67e35e.png?v=1594170919"},{"product_id":"29736","title":"Underground Nation","description":"\u003cp\u003eAuthor: Sueyeun Juliette Lee\u003c\/p\u003e\n\u003cp\u003ePublisher: Factory School (2010)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn her second book-length collection, Sueyeun Juliette Lee suggests that suicide, K-pop, tourism, and atomic explosions have emerged as expressions of the forces upholding untenable national imaginations. Go underground with her and enter into a subterranean consideration of how history collides with human memory to generate new, unseen currents for being.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Place—both as a geographical and emotional landscape—is a primary conceit in Sueyeun Juliette Lee's brilliant second book, \u003cem\u003eUnderground National\u003c\/em\u003e. One of the more intriguing factors about Lee's poetry is the way she conflates images and language to thrust the reader into a space of indeterminacies. We are confronted with the mathematics of bodies being (mis)governed, as well as the inability to attach concrete definitions to both people and situations. As Lee's words struggle, search, prod, and probe, we are forced to decipher what it means to be human and all the codifications that come with existing in a world filled with violence, greed, and damaging political ideologies.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Steven Karl\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32500327055459,"sku":"9781600010699","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/un1.jpg?v=1595277222"},{"product_id":"323","title":"A Bestiary","description":"\u003cp\u003eAuthor: Lily Hoang\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: Cleveland State University Poetry Center (2016)\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e“Rarely have I come across tenderness, venom, and fire held so intimately, so exquisitely, as in Lily Hoang’s \u003cem\u003eA Bestiary\u003c\/em\u003e. This book would be impressive enough as a collection of finely-forged fragments, but as it weaves itself into an even more impressive whole, my hat came off. Lily Hoang writes like she has nothing to lose and everything at stake.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cem\u003e–Maggie Nelson\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e“\u003cem\u003eA Bestiary\u003c\/em\u003e is a work of great subtlety, precision, in­telligence, daring, and emotive keenness. It seems completely contemporary (by which I mean that it is unlike anything I’ve read and that it makes me want to change my own writerly procedures). With head­long, reckless, improvisatory gestures, Lily Hoang prompts us to rethink what literature today can dare to aspire to. Her intellectually magnanimous book’s position on the threshold between recognizable ‘lit­erature’ and some other vanguard form of perfor­mance\/utterance made me feel happy and stimulated and dizzy (in a rapturous way) while I was reading it.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cem\u003e–Wayne Koestenbaum\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e“The most perfect use of fragmentation, myth, lan­guage, fairytale, and terrible beauty that I have ever seen in my life. I’m swooning. My faith in what writ­ing can be has been restored.\"\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cem\u003e–Lidia Yuknavitch\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32500391673955,"sku":"9780996316743","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/A-Bestiary-_WEB-Front-Cover.jpg?v=1595997602"},{"product_id":"552","title":"adagio ma non troppo","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAuthor: Ryoko Sekiguchi\u003c\/p\u003e\n\u003cp\u003eTranslator: Lindsay Turner\u003c\/p\u003e\n\u003cp\u003eIntroduction: Sawako Nakayasu\u003c\/p\u003e\n\u003cp\u003ePublisher: Les Figues Press (2018)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003eRyoko Sekiguchi takes the letters Fernando Pessoa wrote his would-be fiancée Ophelia Queiroz as her subject matter in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eadagio ma non troppo\u003c\/em\u003e. \u003cem\u003eadagio\u003c\/em\u003e’s 36 prose blocks—appearing in Japanese, French, and English for the first time in the 2018 Les Figues Press trilingual edition—echo the 36 letters Pessoa addressed to Queiroz dated from March 1, 1920, until January 11, 1930.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSekiguchi reconceives the Lisbon Pessoa and Queiroz describe in their correspondence as a map over which rendezvous, affairs, and liaisons can be continued through writing. “Written words,” she asks, “do they erase themselves? […] or instead do all words, once read, never disappear?” Sekiguchi superimposes objects over a landscape where names carry shapes, directions, and the places to which they refer. In her Lisbon, a chair slid into daylight or set before a window punctuates time like comma in a sentence. An old couple contemplating ducks indicates a line between two points like a parasol taken from its stand announces a departure. As love establishes boundaries and relationships between people, if our objects convey our love for one another, then Sekiguchi traces the paths and perimeters lovers leave behind.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginally published in a bilingual edition containing Sekiguchi’s self-translation into the French (Le bleu du ciel éditions, 2007),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eadagio ma non troppo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebelongs in the same category as the modernist works of Franz Kafka and Pessoa—as well as the recent epistolary work of Marguerite Duras, Roland Barthes, Karl Ove Knausgaard, Maggie Nelson, and Claire-Louise Bennett—writing as a philosophic and aesthetic act that reshapes our notions of time, space, translation, and love.\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32500396589155,"sku":"9781934254707","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/51Nu8moNGIL.jpg?v=1594825076"},{"product_id":"882","title":"Alice Iris Red Horse: Selected Poems","description":"\u003cp\u003eAuthor: Yoshimasu Gozo\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eEditor: Forrest Gander\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eTranslators: Jeffrey Angles, Richard Arno, Forrest Gander, Derek Gromadzki, Sawako Nakayasu, Sayuri Okamoto, Hiroaki Sato, Eric Selland, Auston Stewart, Kyoko Yoshida, and Jordan A. Y. Smith\u003c\/p\u003e\n\u003cp\u003ePublisher: New Directions (2016)\u003c\/p\u003e\n\u003cp\u003eYoshimasu Gozo’s groundbreaking poetry has spanned over half a century since the publication of his first book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDeparture\u003c\/em\u003e, in 1964. Much of his work is highly unorthodox: it challenges the print medium and language itself, and consequently Alice Iris Red Horse is as much a book on translation as it is a book in translation. Since the late ‘60s, Gozo has collaborated with visual artists and free-jazz musicians. In the 1980s he began creating art objects engraved on copper plates and later produced photographs and video works. \u003cem\u003eAlice Iris Red Horse\u003c\/em\u003e contains translations of Gozo’s major poems, representing his entire career. Also included are illuminating interviews, reproductions of Gozo’s artworks, and photographs of his performances. Introduction and notes by Derek Gromadzki.\u003c\/p\u003e\n\u003cp\u003e\"Gozo Yoshimazu, an experimental Japanese poet, painter, musician, and shaman, is interested in breaking the written word open. A new career-spanning volume,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAlice Iris Red Horse\u003c\/em\u003e, gives a sense of his powers. . . . [His] inclusiveness includes the universe and he invites us along.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Emily Wolahan\u003c\/em\u003e\u003c\/p\u003e","brand":"NORTO","offers":[{"title":"Default Title","offer_id":32500407992419,"sku":"9780811226042","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/9780811226042.jpg?v=1596000820"},{"product_id":"1116","title":"American Dervish","description":"\u003cp\u003eAuthor: Ayad Akhtar \u003c\/p\u003e\n\u003cp\u003ePublisher: Little Brown and Company (2012)\u003c\/p\u003e\n\u003cp\u003eFrom Pulitzer Prize–winner Ayad Akhtar, a stirring and explosive novel about an American Muslim family in Wisconsin struggling with faith and belonging in the pre-9\/11 world.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHayat Shah is a young American in love for the first time. His normal life of school, baseball, and video games had previously been distinguished only by his Pakistani heritage and by the frequent chill between his parents, who fight over things he is too young to understand. Then Mina arrives, and everything changes. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eAmerican Dervish\u003c\/i\u003e\u003cspan\u003e is a brilliantly written, nuanced, and emotionally forceful look inside the interplay of religion and modern life.\u003c\/span\u003e\u003c\/p\u003e","brand":"HBG","offers":[{"title":"Default Title","offer_id":32500420018275,"sku":"9780316183307","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_04fabda5-b0d8-4389-b549-3fd4415d23e4.png?v=1595096779"},{"product_id":"1332","title":"The Anchored Angel","description":"\u003cp\u003eAuthor: Jose Garcia Villa\u003c\/p\u003e\n\u003cp\u003eEditor: Eileen Tabios\u003c\/p\u003e\n\u003cp\u003ePublisher: Kaya (1999)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis republication of Villa's writings both recovers and rediscovers the work of this fierce iconoclast for a new generation. Oscar V. Campomanes of the University of California writes: \"To say of Jose Garcia Villa that he made English 'strange' to native English speakers -- as Jean Paul Sarte once said about Frantz Fanon and French -- is no extravagant claim ... Villa hungrily embraced colonial culture even as, like Fanon, Villa sought to transform its impositions into highly novel, even unrecognizable, verbal artifacts and art forms.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis volume is bound to dramatically recast our considerations of American modenism, Asian and Filipino American literary history, and the rise of 'englishes' in colonial and postcolonial studies. Anyone interested in the least-understood cultural underside of the U.S. colonization of the Philippines or in the colonial aspect of American cultural assimilationism would do well to read and enjoy this book.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":32500426244195,"sku":"1885030282","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/files\/The_Anchored_Angel.jpg?v=1772229294"}],"url":"https:\/\/woodlandpatternbookcenter.com\/collections\/asian-asian-american.oembed?page=20","provider":"Woodland Pattern","version":"1.0","type":"link"}