{"title":"Audio","description":"","products":[{"product_id":"24288","title":"Ruins, Ruminations, and Rituals CD","description":"\u003cp\u003eAuthor: Bryon Cherry\u003c\/p\u003e\n\u003cp\u003ePublisher: Bryon Cherry (2019)\u003c\/p\u003e\n\u003cp\u003eThis is an audio version of \u003cem\u003eRuins, Ruminations, and Rituals.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBryon Cherry is a poet, musician, and alchemist. In poems he attempts to navigate the space between a solitary moment and the expanse of eternity. Born and raised in Milwaukee, WI, he is of and shaped by his own city.  Cherry is guided by the magical forces of listening and love. 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Potent with weird, funny, and singular possibilites, \u003cem\u003ePink Thunder\u003c\/em\u003e's playful and startling songs take their form entirely from the shape of the poems from which they are made. The result is a collection of musical readings both compelling and surprising. You are invited to listen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing the poems of Joshua Beckman, David Berman, Carrie St. George Comer, Gillian Conoley, Bob Hicok, Tyehimba Jess, Noelle Kocot, Dorothea Lasky, Brett Fletcher Lauer, Anthony McCann, Valzhyna Mort, Sierra Nelson, Hoa Nguyen, Travis Nichols, D. A. 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Acclaimed poet Khari B. melds together spoken word from the imagined viewpoints of Emmett Till and his murderers. 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Gardner has painstakingly edited this compilation from several live recordings into a suite of music and poetry that goes from post-rock to free jazz to minimalism and back again, with an atmosphere that is mesmerizing and riotous by turns. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eFlarf Orchestra\u003c\/em\u003e is one of several configurations from Gardner's Poetics Orchestra project, dedicated to combining the arts of music and poetry. Gardner's unique card and hand-signal conduction system expands on those used by John Zorn and Butch Morris. The players on Flarf Orchestra include indie rock guitar player Franklin Bruno (from the Mountain Goats) classical piano player John Orfe (from Alarm Will Sound), and jazz players Ehran Elisha, Avram Fefer, and Adam Lane. The nine Flarf poets include writers from all around the US as well as Icelandic writer Eiríkur Örn Nor∂dahl. 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It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to \"Don't Stop Believin'.\" It's about wrestling with histories, personal and shared. 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The world largely exists in the interstices and Rae Armantrout’s poetry makes that clear.  \u003c\/p\u003e\n\u003cp\u003eA Rae Armantrout poem is a space where no word is safe from speculation. 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Among other topics, the talk revolves around concepts of success, what it means to write a female poetry circa 2017, and the importance of always creating from a position of disobedience.\u003c\/p\u003e","brand":"FONOG","offers":[{"title":"Default Title","offer_id":32502483157091,"sku":"685349928675","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_42a4b298-ca6e-44b3-bc97-2fd4e60768e2.png?v=1592520449"},{"product_id":"28164","title":"The Black Saint and the Sinnerman","description":"\u003cp\u003eAuthor\/Musician: Harmony Holiday\u003c\/p\u003e\n\u003cp\u003ePublisher: Fonograf Editions (2018)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCharles Mingus’s classic 1963 album \u003cem\u003eThe Black Saint and the Sinner Lady\u003c\/em\u003e is swerved into Harmony Holiday’s classic 2018 album \u003cem\u003eThe Black Saint and the Sinnerman\u003c\/em\u003e. The albums are not the same, not at all. But they speak to one and other across time and language, motion and sound.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Black Saint and the Sinnerman\u003c\/em\u003e was recorded live at Machine Project in Los Angeles, CA on September 9, 2016. The album was mastered and engineered by Gus Elg at Sky Onion in Portland, OR in the Fall of 2017.\u003c\/p\u003e\n\u003cp\u003ePurchase of \u003cem\u003eThe Black Saint and the Sinnerman\u003c\/em\u003e includes a 11\"×11\" insert of Holiday’s poem “To the black female children,” as well as a download card for the entire album.\u003c\/p\u003e","brand":"FONOG","offers":[{"title":"Default Title","offer_id":32502903996515,"sku":"685349928682","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/0020239836_10.jpg?v=1594841368"},{"product_id":"stray-a-graphic-tone","title":"Stray: A Graphic Tone","description":"\u003cp\u003eAuthors: Susan Howe and Nathaniel Mackey \u003c\/p\u003e\n\u003cp\u003ePublisher: Fonograf Editions (2019)\u003c\/p\u003e\n\u003cp\u003eA collaborative release with the visual artist Shannon Ebner, \u003cem\u003eStray: A Graphic Tone\u003c\/em\u003e features the poems of Susan Howe and Nathaniel Mackey. 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I was drawn to their works for their experiments with poetic form—for their politics of poetic form, to be exact—for their poems’ stray figures and stray errant marks.”\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA gatefold LP, \u003cem\u003eStray: A Graphic Tone\u003c\/em\u003e includes original interviews and artist materials on its foldout sleeves. Find two interview excerpts below:\u003c\/p\u003e\n\u003cp\u003e“. . . sound is everything in poetry. It’s measure; the \u003cem\u003emeasure\u003c\/em\u003e is everything. Even though I have gone on about silence. This is the mystery. I don’t have a set measure, but I feel that something about the way I place words on paper amounts to a kind of dictation I’m receiving from somewhere. Every mark on paper is an acoustic mark. Sound is also, obviously, sight. It’s that instant flash of recognition that echoes and re-echoes. 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And not just talking about it; it \u003cem\u003eis\u003c\/em\u003e the mark that’s left.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Nathaniel Mackey\u003c\/em\u003e\u003c\/p\u003e","brand":"Fonograf Editions","offers":[{"title":"Default Title","offer_id":32710521749603,"sku":"680599983054","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Stray_Gatefold_STRAY-1024x980.jpg?v=1594878257"},{"product_id":"about-repulsion","title":"About Repulsion","description":"\u003cp\u003eAuthors: Annelyse Gelman and Jason Grier\u003c\/p\u003e\n\u003cp\u003ePublisher: Fonograf Editions (2019) \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhere I end is not where you begin \/ Am I more myself or am I not myself letting you in?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbout Repulsion\u003c\/em\u003e, a collaboration between poet Annelyse Gelman and programmer Jason Grier, is a suite of six songs exploring intimacy, power, and vulnerability. 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(2016)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eEsopus 23\u003c\/em\u003e features artists’ projects by Karo Akpokiere, Chuck Kelton, Stefan Kürten, Marilyn Minter, Mickalene Thomas and Jody Wood. Other contents include an essay by Karl Ove Knausgaard (presented as a removable book); 100 frames from Lotte Reininger’s 1926 animation \u003c\/span\u003e\u003ci\u003eThe Adventures of Prince Achmed\u003c\/i\u003e\u003cspan\u003e introduced by John Canemaker; two film treatments by screenwriter Hampton Fancher (\u003c\/span\u003e\u003ci\u003eBlade Runner\u003c\/i\u003e\u003cspan\u003e), based on \u003c\/span\u003e\u003ci\u003eEsopus\u003c\/i\u003e\u003cspan\u003e subscribers’ submissions; anonymous photographs from the collection of Peter Cohen; materials from MoMA’s archives on events and installations in the Museum’s garden over the past 60 years; a piece on the creative process behind the survivalist game \u003c\/span\u003e\u003ci\u003eThe Long Dark\u003c\/i\u003e\u003cspan\u003e; a new installment of a regular series, “Guarded Opinions,” for which guards from the Barnes Foundation discuss works they oversee; a comic book by George Cochrane; and a CD of new music inspired by “close calls” experienced by 15 musicians, including Jo Lawry, YC the Cynic and Lemolo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch5\u003e\u003ca href=\"https:\/\/www.esopus.org\/contents\/view\/412\"\u003e\u003c\/a\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Esopus","offers":[{"title":"Default Title","offer_id":32872254505059,"sku":"07282004","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_c421af62-45a2-48bf-8b65-6866fd0ed59d.jpg?v=1595967440"},{"product_id":"sciamachy","title":"Sciamachy","description":"\u003cp\u003eAuthor: Anne Waldman\u003c\/p\u003e\n\u003cp\u003ePublisher: Fa\u003cspan\u003est Speaking Music (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDigital and Limited Edition Vinyl released May 8, 2020\u003cbr\u003e\u003cbr\u003eSide A \u003cbr\u003eExtinction Aria pt II \u003cbr\u003eStreets of the World \u003cbr\u003eRune \u003cbr\u003e\u003cbr\u003eSide B \u003cbr\u003eMy Lover Comes Home Today \u003cbr\u003eFace Down Girl \u003cbr\u003e\u003cbr\u003eAnne Waldman: voice and text \u003cbr\u003eWilliam Parker: n’goni (2) \u003cbr\u003eLaurie Anderson: violin (3) \u003cbr\u003eDebbie Googe: baritone bass, electronics (1, 4 and 5) \u003cbr\u003eGuro Moe: electric bass and voice (1 and 4), composition (1) \u003cbr\u003eHåvard Skaset: guitar (1 and 4), composition (4) \u003cbr\u003eAmbrose Bye: synthesizer (1 and 4) \u003cbr\u003eDevin Brahja Waldman: saxophone (1, 2, 4), drums (4) \u003cbr\u003e\u003cbr\u003eRecording by Felix X Tigersonic at Smartmix Studio in London, UK; \u003cbr\u003eby Michael Coleman at Figure 8 Recording in Brooklyn, NY; \u003cbr\u003eand by Alden Penner and Ambrose Bye at Fast Speaking Music Studio, NYC. \u003cbr\u003eMixed by Devin Brahja Waldman and Alden Penner. \u003cbr\u003eMastered by Justin Randel. \u003cbr\u003eProduced by Devin Brahja Waldman. \u003cbr\u003eArtwork by Pat Steir. Insert photo by No Land, Design and art production by Alexis Myre. \u003cbr\u003eCover image: Pat Steir, “Twenty-one Musicians On A White Elephant,” 1993. \u003cbr\u003e\u003cbr\u003e\u003cem\u003eSciamachy\u003c\/em\u003e is produced in collaboration with Fast Speaking Music and the Lévy Gorvy Gallery. With special thanks to Dominique Lévy, Brett Gorvy and Begum Yesar. Texts extracted from Trickster Feminism, Voice’s Daughter of A Heart Yet To Be Born, and Extinction Aria. Thanks to Paul Slovak at Penguin, Chris Fischbach at Coffee House Press, and David Sellers at Pied Oxen Press. 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Drawing in part from the award winning poetry collection \u003cem\u003eBuck Studies\u003c\/em\u003e‘ “Loud-Assed Colored Silence” series, Douglas Kearney (words) and Val Jeanty (sounds) interweave new and old texts of original composition, samples, and improvisation to create live sound chemistry, raw energy, and better listening through playing. Pull up.\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":39676538454115,"sku":"9781734456646","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_e373ce73-d4d5-4205-b46b-53be63386ff5.png?v=1638728095"},{"product_id":"fono13-brian-laidlaw-the-family-trade-this-aster-adaptations-of-emile-nelligan-lp","title":"This Aster–Adaptations of Emile Nelligan (LP)","description":"\u003cp\u003ePerformers: Brian Laidlaw and The Family Trade\u003c\/p\u003e\n\u003cp\u003ePublisher: Fonograf Editions (2021)\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThis Aster \u003c\/i\u003eis a suite of songs based on poems by the French-Canadian poet Emile Nelligan. Nelligan was born in Montreal on Christmas Eve, 1879; he published his first poems at sixteen, and was heralded as a rising star of Canadian literature. The poet produced his entire oeuvre by the age of nineteen, and was then, at twenty, abruptly committed to a mental hospital. Nelligan remained in the asylum for the rest of his life, and never wrote again. \u003c\/p\u003e\n\u003cp\u003eA century later, poet-songwriter Brian Laidlaw was offered a Hinge Artist Residency to live and work on the grounds of a different mental hospital—the Kirkbride, in Northern Minnesota—for a stretch of several weeks, translating Nelligan’s poems from French into English, and then setting the texts to music. Working with his chamber-folk ensemble The Family Trade, the band tracked \u003ci\u003eThis Aster \u003c\/i\u003eonsite, recording everywhere from closets to cathedrals. 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Reimagining songs she initially composed as a member of the Austin alt-country and singer-songwriter scenes of the early 2000s, Strom reworks these lost songs into ambient-folk mini-epics—part grounded and earthly, part ethereal and otherworldly.\u003c\/p\u003e\n\u003cp\u003eThe follow-up to her acclaimed 2020 book and album art project, \u003cem\u003eInstrument\/Traveler's Ode\u003c\/em\u003e, \u003cem\u003eRedux\u003c\/em\u003e is a haunting song-cycle about loved ones, the natural world, and the nuances of emotional memory and Vietnamese diasporic identity.\u003c\/p\u003e","brand":"Antiquated Future","offers":[{"title":"Default Title","offer_id":39836591390819,"sku":"042220221","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/ScreenShot2022-04-22at2.50.02PM.png?v=1650657191"},{"product_id":"its-okay-honey","title":"It's Okay Honey","description":"\u003cp\u003eAuthor: Julian Talamantez Brolaski\u003c\/p\u003e\n\u003cp\u003ePublisher: True West (2023)\u003c\/p\u003e\n\u003cp\u003eA country music album (on CD) by the brilliant poet! \u003c\/p\u003e","brand":"DONATION","offers":[{"title":"Default Title","offer_id":41462473326691,"sku":"197877972834","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/files\/image_46abcbab-b444-49b3-9d1e-2ce8f9ce50d7.jpg?v=1711301525"},{"product_id":"the-art-of-flight-for-alvin-fielder","title":"The Art of Flight: For Alvin Fielder","description":"\u003cp\u003eArtists: Survival Unit III (Joe McPhee; Fred Lonberg-Holm; Michael Zerang)\u003c\/p\u003e\n\u003cp\u003ePublisher: Astral Spirits Records \/ Instigation Records (2022)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAstral Spirits and the Instigation Festival are proud to announce the first release on Instigation Records: \"The Art of Flight: For Alvin Fielder\" by Survival Unit III (Fred Lonberg-Holm (cello), Joe McPhee (tenor saxophone, pocket trumpet), Michael Zerang (percussion).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis set finds the trio breaking new ground - Lonberg-Holm going sans electronics for the first time in Survival Unit III's storied discography - while displaying the mastery of sonic shade and deft interplay that's been their hallmark over the past sixteen plus years.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBeautifully recorded at the New Orleans Jazz Museum during the 2018 Instigation Festival, the night was fittingly historic: Survival Unit III performed the middle set of a three act bill featuring Ken Vandermark's Marker (released as Roadwork 1 on Vandermark's Audiographic imprint) and the final performance of McPhee (filling in last minute for an ill Kidd Jordan) with legendary drummer and beloved AACM elder Alvin Fielder to whom this album is dedicated. 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They were certainly happy to perform again when this concert was recorded at the ArtActs Festival in St Johan Austria in early March 2020. Although their first outing was back in 2013 in Harnik’s hometown of Graz - a live concert broadcast through the Austrian National Radio\/ORF, the band has had a sporadic performance history. So the opportunity to reunite for this festival performance was already special. Little did they know what lay ahead though, with a pandemic that was actually breaking out right around them in the Alpine ski areas of Tirol, Austria, an epicenter that would soon be tied to COVID’s spread around Europe by international vacationers. This opening night of ArtActs ‘20 would be one of those last care-free times, when one could sit until the wee hours at the bar with friends, celebrating a night of music-making with laughter and cheer, and with no concern for a shared breath.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThankfully, these three took advantage of the opportunity to produce a stellar document of their performance. Astragaloi is the third release by this trio formation, after the digital-only “Wistfully” which came out in 2016 on Aerophonic, and 2020’s \"Triple Tube\" issued on cd by Not Two. While some of those records have flown under the radar because of the trio’s sparse performance schedule, that doesn’t diminish the musical simpatico that these three have enjoyed for years. Ever since Harnik’s introduction to the Chicago scene at the 2008 Umbrella Music Festival when she was a featured visiting artist, she’s actively maintained the relationships she built there, including with Rempis and Zerang. Aside from their work as a trio, all three have worked together in duo contexts since that first meeting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn Astragaloi, it may be Harnik’s wide-ranging abilities that tie things together in such an astounding way. At one moment her preparations inside the piano turn the instrument into a quietly percussive zither, while at another her full-throated insistence at the keyboard draws out the resonance of a full orchestra. Skittering, plucking, pounding, caressing. And while she has the sheer energy to keep up with Rempis’ firebreathing tendencies, she also knows how to rein him in to quieter, more abstract spaces that explore breathy nuance and pinpoint texture. Zerang meanwhile displays the singular approach that he’s developed on the drum kit, rooted in his Middle Eastern upbringing and the significant abilities as a hand percussionist that he developed early on. That approach frees him as an improviser from so many of the tropes common to “drummers,” as he pushes the instrument beyond groove to focus on color, density, articulation, dynamics, and drive, in a way that creates an uncommon unity within the group. 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Michael Zerang is a very well known percussionist, composer \u0026amp; improviser from Chicago, with an amazing jazz-based discography. He previously appeared on the Illinois Glossolalia LP (FTR 285) playing with Spires That in the Sunset Rise. Asheville-based guitarist Tashi Dorji is a generation younger than Zerang, but has been an unstoppable force since he hit the scene in 2009, playing in all manner of rock and improv situations. He has appeared on four other Feeding Tube releases, most often with his free form power duo, Manas. It’s also worth mentioning that both musicians are nice guys.\u003cbr\u003e\u003cbr\u003eBut even nice guys can get a thrilling mock battle raging, and Schiamachy is surely one for the books.\u003cbr\u003e\u003cbr\u003eRecorded at Chicago venue, The Hideout, in August 2016, the music ranges from splotchy plucking in the British plink-plonk tradition to something more akin to sophisticated post-rock noise explorations. 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