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Lewis Freedman has heretically rewritten the work of his ancestors to create an annotated index of this inherited structure, in which our contemporary drive for total finitude profanes the infinite primarily by being indistinguishable from it.\u003c\/span\u003e\u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32499363119203,"sku":"9781937027650","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_62e376b1-5cd9-4290-b57d-8f8d48089796.png?v=1594933272"},{"product_id":"32223","title":"Wrongly Bodied: Documenting Transition from Female to Male","description":"\u003cp\u003eAuthor: Clarissa Sligh\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan data-mce-fragment=\"1\"\u003eLeeway Foundation\u003c\/span\u003e (2009)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eWrongly Bodied\u003c\/em\u003e relates the stories of Jake, a contemporary white male imprisoned in a woman’s body, as he transitions from female to male, and Ellen Craft, a 19th century black slave woman who escapes to Philadelphia from Georgia by passing as a white male slave owner. Working as staff support at a small woman’s college in Denton, Texas, and in the US Army reserves, Jake had been a female soldier in Operation Desert Storm in 1991. Sligh and Jake worked together over four years to document his journey. 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This invaluable collection now makes widely available work which was previously hard to obtain or long out of print, it will delight fans as well as general readers wanting to discover more about one of the UK's most widely-celebrated poet.\u003c\/span\u003e\u003c\/p\u003e","brand":"SALT","offers":[{"title":"Default Title","offer_id":32499429998691,"sku":"9781844715084","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_595a976e-1d7b-418b-8def-e74800e046fa.png?v=1594428369"},{"product_id":"8551","title":"The Eco Language Reader","description":"\u003cp\u003eEditor: Brenda Iijima\u003c\/p\u003e\n\u003cp\u003ePublisher: Nightboat Books \/ \u003cspan\u003ePortable Press at Yo-Yo Labs\u003c\/span\u003e (2010)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn this riveting and timely collection of essays, interviews, and photographs, 17 contemporary innovative poets weigh in on pressing environmental concerns.\u003c\/p\u003e\n\u003cp\u003eHow can poetry engage with a global ecosystem under duress? How do poetic languages, forms, structures, syntaxes, and grammars contend or comply with the forces of environmental disaster? Can innovating languages forward the cause of living sustainably in a world of radical interconnectedness? In what ways do vectors of geography, race, gender, class, and culture intersect with the development of individual or collective ecopoetic projects?\u003c\/p\u003e\n\u003cp\u003eContributors include Karen Leona Anderson, Jack Collom, Tina Darragh, Marcella Durand, Laura Elrick, Brenda Iijima, Peter Larkin, Jill Magi, Tracie Morris, Catriona Mortimer-Sandilands, Julie Patton, Jed Rasula, Evelyn Reilly, Leslie Scalapino, James Sherry, Jonathan Skinner, and Tyrone Williams.\u003c\/p\u003e\n\u003cp class=\"text_firstPP\"\u003e\"The texts included in \u003cem\u003eThe Eco Language Reader\u003c\/em\u003e (edited by Brenda Iijima; Nightboat Books, 2010) are not attempts at one sort or another of a genre of “ecopoetics.” They remain usefully outside any definition. What’s given instead is an array of essays and interviews attending to poetics-at-large and the possibilities that a shared concern gathers round itself… The project began as a call for participants in a panel discussion held for the Segue Reading Series in New York, in January 2006. Its premise was the question, 'How can poetry engage with a global ecosystem under duress?'\"\u003c\/p\u003e\n\u003cp class=\"text_firstPP\"\u003e\u003cem\u003e–Patrick Dunagan\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499430654051,"sku":"9780982264546","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Eco-Language-Reader.jpg?v=1593889607"},{"product_id":"18678","title":"My Ancestors Are Reindeer Herders and I Am Melting In Extinction: Saami-American Non-Fiction, Fiction, and Poetry","description":"\u003cp\u003eAuthor: Ron Riekki\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eApprentice House (2019)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eMy Ancestors are Reindeer Herders and I am Melting in Extinction\u003c\/em\u003e, Ron Riekki presents a collection of non-fiction, short stories, and poetry about the Karelian- and Saami-American experience.\u003c\/p\u003e\n\u003cp\u003eIn true nomadic fashion, his writing takes the reader to Kuusamo, Utah, Berkeley, the Upper Peninsula of Michigan, Lake Mohave, Yosemite, Karelia, and a hazmat facility where all the animals on site have been forgotten.\u003c\/p\u003e\n\u003cp\u003eA mix of Anselm Hollo, Gregory Orr, Eric Torgersen, and Nils-Aslak Valkeapää, Riekki's writing forces the Saami-American voice to be heard, a voice that some might not even realize exists. 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Heller's essays, written over the last twenty years since his groundbreaking book on the Objectivist poets, \u003cem\u003eConviction's Net of Branches\u003c\/em\u003e, cover all of Oppen's poetry and how other poets and critics have read him. They touch on all phases of his career, from his early roots in the Objectivist tradition to his abandonment of poetry for political and social activism in the nineteen thirties and his coming back to poetry in the nineteen fifties. 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Jon, a multitalented, eccentric visionary, emerges as a brilliant, charming, irresponsible, frustrating, and ultimately tragic hero.\u003c\/p\u003e\n\u003cp\u003eThis is a saga of the rise and fall of family lines—a tale marked by bohemia, Greek poets, intellectuals, drugs, and homelessness. It is the story of eccentrics and survivors, the strength of personal vision and the nature of addiction, and what it does to families. 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Mixing narrative prose, poems, social and political theory, and found texts culled from years of visiting South African archives and libraries, \u003cem\u003eApart\u003c\/em\u003e navigates the difficult landscapes of history, shame, privilege, and grief.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Catherine Taylor's \u003cem\u003eApart\u003c\/em\u003e offers an intimate and sweeping look at the legacy of apartheid, while performing an altogether rare balance of 'lyric seduction' against 'the ugliness of corpses.' Taylor refreshingly treats white guilt and the self-conscious recognition of privilege as starting points rather than conclusions, as she plumbs the depths of history, from which, as she reminds us, 'no one is excused.' The result is edifying, original, and critically rigorous—a poetic and political vibration between 'ecstasy, shame, ecstasy, shame.'\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Maggie Nelson\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Catherine Taylor's \u003cem\u003eApart\u003c\/em\u003e is neither journalism nor memoir nor documentary poem nor lyric essay nor jeremiad—though it contains elements of them all—but a brilliant and relentless examination of conscience always in search of a literary form adequate to its mission. Embarked on the 'search for a common name' in the aftermath of South African Apartheid, Taylor's takes care on her way to gather an archive of feelings, 'signs of struggle, boredom, hope, effort, fatigue, tedium, privilege, its lack, brutality, tyranny, complicity, despair, and resistance.' If \u003cem\u003eApart\u003c\/em\u003e renders in language the affect of having an ethics, what makes Taylor's writing ultimately so persuasive as a politics is its portrait of the private citizen as 'at once ineffectual and humane, complicit and resistant, irrelevant and necessary.' Deeply attentive to the contradictory ideologies that structure our lives as historical subjects, Taylor's vision of conscientious citizenship demands that we recognize subjectivity's intrinsic subjection to power without ever losing sight of our individual agency and the necessity for independent action and inquiry. Thinking its way through the insidious, tragic inequalities of globalization, capitalism, and democracy's alleged freedoms, \u003cem\u003eApart\u003c\/em\u003e indeed succeeds in persuading its readers to disavow 'a cynicism we can't afford.'\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Brian Teare\u003c\/em\u003e\u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32499566018659,"sku":"9781933254968","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_d20602ec-c8d2-4d1b-91fc-8b91f5af8689.png?v=1593455957"},{"product_id":"5863","title":"Collected Prose","description":"\u003cp\u003eAuthor: Rae Armantrout\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSinging Horse Press (2007) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThese wide-ranging talks, essays, and interviews-beginning with \"Why Don't Women Do Language–Oriented Writing?\" and including \"Feminist Poetics and the Meaning of Clarity,\" \"Poetic Silence,\" and \"Cosmology and Me\"—are essential documents for understanding not only Rae Armantrout's poetry and poetics but her contribution to the development of language poetry in particular and contemporary poetry in general. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLike her poetry, Armantrout's prose is marked by concision, a refreshing absence of jargon, and a quizzical mind that never rests easy. \u003cem\u003eCollected Prose\u003c\/em\u003e also features \u003cem\u003eTrue\u003c\/em\u003e, Armantrout's illuminating autobiography, which details her early years in San Diego and Berkeley.\u003c\/span\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499599736931,"sku":"0935162372","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_cc8f1fba-899d-4b10-93e3-7907a41239fa.jpg?v=1634420609"},{"product_id":"8159","title":"The Dream of a Broken Field","description":"\u003cp\u003eAuthor: Diane Glancy\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eUniversity of Nebraska Press \u003c\/span\u003e(2011)\u003c\/p\u003e\n\u003cdiv\u003eThe dream of a broken field is to bear crops. The dream of a broken history is to create meaning, to find among the fragments a way to tell the story of a life. It is this dream that Diane Glancy pursues here, through essays on writing, faith, family, teaching, and retirement. Blending a poet’s vision and a storyteller’s voice, the result is at once a virtuoso work of creative nonfiction and an exploration of that genre’s outer limits by one of the foremost voices in Native American literature today.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eUneasily and yet firmly balanced between European and Native cultures—English and German on her mother’s side, Cherokee on her father’s—Glancy continues to search for a language that articulates the Native experience with both the fullness of tradition and the lapses inherent in a broken heritage. Accordingly, \u003ci\u003eThe Dream of a Broken Field\u003c\/i\u003e offers a narrative that pauses and circles, connects and changes direction and travels great distances with grace only to stop sharply for a startling insight. Writing of weekend trips and long journeys, of natural landscapes and burial mounds, of Native American cosmology and a Christian upbringing, of Native American boarding schools and indigenous writers in American universities, Glancy captures the opposing demands of a hurried life and the timeless reflections of a history forever unfolding.\u003c\/div\u003e","brand":"LONGL","offers":[{"title":"Default Title","offer_id":32499620348003,"sku":"9780803234819","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_ea946953-47de-497e-99a5-bf9e9da0de42.png?v=1595996421"},{"product_id":"23220","title":"Re: Re: Re: Essays and Drawings","description":"\u003cp\u003eAuthor: Thomas Gaudynski\u003c\/p\u003e\n\u003cp\u003ePublisher: Necessary Arts (2016)\u003c\/p\u003e\n\u003cp\u003eLiving the information life: referencing nested consecutive subjects, threads, dialogues, rejoinders, engagements. \"And another thing . . . \" Collected here are a series of first, second, their thoughts as essays and other media. The reader may find not just subject or object, signifier or signified, report or exploration, investigation or art work, artist or event, thought or practice. Why be limited to a fixed number, connection, thread, correspondence, form?\u003cem\u003e Re: Re: Re:\u003c\/em\u003e attempts to be multi-sensory.\u003c\/p\u003e","brand":"TGAUD","offers":[{"title":"Default Title","offer_id":32499695648867,"sku":"9780971226319 C","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Inventory090.jpg?v=1594912931"},{"product_id":"23632","title":"Republic of Exit 43: Outtakes \u0026 Scores from an Archaeology and Pop-Up Opera of the Corporate Dump","description":"\u003cp\u003eAuthor: Jennifer Scappettone\u003c\/p\u003e\n\u003cp\u003ePublisher: Atelos (2016)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Republic of Exit 43\u003c\/em\u003e is a verbal\/visual archaeology of the hazardous waste sites across the street from home and school, tucked behind the portal of an expressway: domains mute and seemingly inert. Composting Alice's adventures underground, verse channels unearthed disputes surrounding a noxious landfill and adjoining copper rod mill through the throats of nether and overworlds, from Eurydice to CEOs—mining landscape as retribution, baffle, legal battle and real estate speculation, deregulation, rogue digging and pastoral pipe dreams on the part of the harmed. Amidst the stupefaction of innumerable private and state ruses, these pages lay out how the entrails of postwar industry might be reclaimed toward a music of non–consensual citizenship where poetry is unregulated and fully integral.\u003cbr\u003e\u003cbr\u003e\"A book written against a copper and bacterial backdrop or cloth or hologram or site. To breach, to fluoresce: and in this way: the book performs its conductivity and tenderness as a relationship to suffering that resembles justice. I was deeply moved by Jennifer Scappettone's book. Book as voltage: the colors yellow and silver, red and black. Another color, a color we cannot see, a color there's no word for: folded many times. The pressure before the word arrives. The wet paper. How the fold decays and becomes a part of this other landscape. What is possible in this moment, in this light, at this time? Images hold one kind of memory in Scappettone's book; narrative another. The larger question of territory is placed next to the landfill, for example: the labyrinth, the space beneath or between. The air. The particles of the air. And, after all this time, the ground.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Bhanu Kapil\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499697713251,"sku":"9781891190407","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/9781891190407.jpg?v=1594845155"},{"product_id":"24279","title":"rue Wilson Monday","description":"\u003cp\u003eAuthor: Anselm Hollo\u003c\/p\u003e\n\u003cp\u003ePublisher: La Alameda Press (2000)\u003c\/p\u003e\n\u003cp\u003eAnselm Hollo's notes on \u003ci\u003erue Wilson Monday\u003c\/i\u003e: When I was invited to spend five months in France, in an old hotel long frequented by artists and writers, I decided to write something that would NOT be your typical 'sabbatical poem'—that familiar rumination, by the U.S. American academic (temporary) expatriate, 'on' the Mona Lisa, Baudelaire's grave, or 'how different all this is from back home in Missoula, Montana!'\u003c\/p\u003e\n\u003cp\u003eI believe that \u003cem\u003erue Wilson Monday\u003c\/em\u003e turned out to be something possibly more interesting: a hybrid of day book, informal sonnet sequence, and extended, 'laminated' essay-poem, with an aesthetic (dare I say lyricism?) perhaps better understood by our younger generation of poets than by their predecessors, those mid-twentieth-century traveloguists. Works I found particularly inspiring in my endeavor were Ted Berrigan's \u003cem\u003eThe Sonnets\u003c\/em\u003e and Edward Dorn's \u003cem\u003eAbhorrences—\u003c\/em\u003ebooks that will make me chuckle and weep to the end of my days.\u003c\/p\u003e\n\u003cp\u003eThe book received its title from French poet Guillaume Apollinaire's 1913 poem 'Lundi rue Christine' (Monday rue Christine), a Cubist work composed almost entirely out of verbatim speech from various conversations in a cafe.\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499699318883,"sku":"1888809221","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/9781888809220-us.jpg?v=1594845634"},{"product_id":"25863","title":"Sister Outsider: Essays \u0026 Speeches by Audre Lorde","description":"\u003cp\u003eAuthor: Audre Lorde\u003c\/p\u003e\n\u003cp\u003ePublisher: Crossing Press (2007)\u003c\/p\u003e\n\u003cp\u003eIn this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope. This commemorative edition includes a new foreword by Lorde-scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published.\u003cbr\u003e\u003c\/p\u003e","brand":"INGMB","offers":[{"title":"Default Title","offer_id":32499704070243,"sku":"9781580911863","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_c447972c-35d6-4418-afee-175cdb0b9245.jpg?v=1603492641"},{"product_id":"28014","title":"Ten Walks \/ Two Talks","description":"\u003cp\u003eAuthors: Jon Cotner and Andy Fitch\u003c\/p\u003e\n\u003cp\u003ePublisher: Ugly Duckling Presse (2010)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eTen Walks \/ Two Talks\u003c\/em\u003e combines a series of sixty-minute, sixty-sentence walks around New York City with a pair of roving dialogues—one of which takes place during a late-night ramble through Central Park. \u003c\/span\u003e\u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32499714883683,"sku":"9781933254678","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/81jc1ZISsyL.jpg?v=1594875332"},{"product_id":"3968","title":"Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants","description":"\u003cp\u003eAuthor: Robin Wall Kimmerer\u003c\/p\u003e\n\u003cp\u003ePublisher: Milkweed Editions (2013)\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDrawing on her life as an Indigenous scientist, and as a woman, Kimmerer shows how other living beings―asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass―offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In \u003ci\u003eBraiding Sweetgrass\u003c\/i\u003e, Kimmerer brings these two lenses of knowledge together to take us on 'a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise'\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Elizabeth Gilbert\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"IPS","offers":[{"title":"Default Title","offer_id":32499790250083,"sku":"9781571313560","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_8729fa2d-3f40-4859-a349-e81df5e165ad.png?v=1593472430"},{"product_id":"4643","title":"Camera","description":"\u003cp\u003eAuthor: Marcelline Delbecq \u003c\/p\u003e\n\u003cp\u003eTranslator: Emmelene Landon\u003c\/p\u003e\n\u003cp\u003ePublisher: Ugly Duckling Presse (2019)\u003c\/p\u003e\n\u003cp\u003eLimited edition out of 700 copies.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eMarcelline Delbecq’s \u003c\/span\u003e\u003cem\u003eCamera\u003c\/em\u003e\u003cspan\u003e stitches itself together from a constellation of inquiries into photography as a practice of intuition and enigma. 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With the fixity and power that looking at photographs enables, \u003c\/span\u003e\u003cem\u003eCamera\u003c\/em\u003e\u003cspan\u003e builds an awareness, like that of Chris Marker’s distinction between Russian and American filmmakers, that unravels notions of “as above, so below.”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32499808960611,"sku":"9781946433282","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Camera-GIANT-794x1024.jpg?v=1594744001"},{"product_id":"5350","title":"Choctalking on Other Realities","description":"\u003cp\u003eAuthor: LeAnne Howe\u003c\/p\u003e\n\u003cp\u003ePublisher: Aunt Lute Books (2013)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe collected stories\/essays in \u003cem\u003eChoctalking on Other Realities,\u003c\/em\u003e by Choctaw author LeAnne Howe, depict with wry humor the contradictions and absurdities that transpire in a life lived crossing cultures and borders. The result is three parts memoir, one part absurdist fiction, and one part marvelous realism. The collection begins with Howe's stint working in the bond business for a Wall Street firm as the only American Indian woman (and 'out' Democrat) in the company, then chronicles her subsequent travels, invited as an American Indian representative and guest speaker, to Indigenous gatherings and academic panels in Jordan, Jerusalem, Romania, and Japan.\u003c\/span\u003e\u003c\/p\u003e","brand":"PERSE","offers":[{"title":"Default Title","offer_id":32499827638371,"sku":"9781879960909","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_92b46542-e837-4511-91bc-7459942f1839.png?v=1594314025"},{"product_id":"5861","title":"Robert Hayden: Collected Prose","description":"\u003cp\u003eAuthor: Robert Hayden \u003c\/p\u003e\n\u003cp\u003ePublisher: University of Michigan Press (1984)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn his foreword to this volume, William Meredith says of the late poet Robert Hayden, \"It was his work to share and enlighten the American Black experience, not to diminish it by rancor. This he did by the difficult, simple method of almost flawless art, an art which finally called so loud across the chasm of race that, at last, he was heard on both sides, reminding us of our humanity.\"\u003c\/p\u003e\n\u003cp\u003eIn Hayden's perception, \"America seems destined to bring together all the people of the world. The country is already a kind of microcosm, and we are more and more international in outlook.\" The themes of universality and humanity so central to Hayden's poetry can be clearly witnessed in this collection of his prose, testimony to Robert Hayden's true contribution to American literature.\u003c\/p\u003e","brand":"CDC","offers":[{"title":"Default Title","offer_id":32499839926371,"sku":"0472063510","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/71Y7-i8NMML.jpg?v=1597289665"},{"product_id":"6158","title":"The Concentration of Attention: Stereo Photography by Hal Rammel","description":"\u003cp\u003ePhotographer: Hal Rammel\u003c\/p\u003e\n\u003cp\u003eWriter: Steve Schlei\u003c\/p\u003e\n\u003cp\u003ePublisher: Penumbra Music and Books (2018)\u003c\/p\u003e\n\u003cp\u003eFrom the author: My first experiments with 3D photography in the late 1990s exclusively used the 35mm format (35mm cameras with a slidebar attachment or with a David White Stereo Realist camera). I entered the world of pinhole photography almost simultaneous with this interest and built my first stereo pinhole camera in 1999.  In addition, around this time I also devised a means of making stereo photograms that I mounted in the conventional (vintage) stereoview card format of 3 1\/2” x 7.” To facilitate viewing these cards, I refashioned vintage stereoscopes to fit the width of modern eyeglasses.  \u003c\/p\u003e\n\u003cp\u003eIn 2017 I began working with a larger format for stereo photograms (7 1\/2” x 7 1\/2” square stereo pairs) and modified Charles Wheatstone’s designs for a reflecting stereoscope (1838) that could be used to view there photos. I’ve designed and built a handheld variation on the reflecting stereoscope for viewing these same photograms as side-by-side mounted stereo pairs.  In 2018\/2019, this work, in the realms of both cameraless and pinhole photography, has been included in the 57th Carnegie International at the Carnegie Art Museum (Pittsburg, PA) and in a solo exhibition at the Cedarburg Art Museum (Cedarburg, WI).\u003c\/p\u003e\n\u003cp\u003eA selection of my work with stereo (3D) photograms in the vintage stereoview card format has been published in the collection\u003cem\u003e The Concentration of Attention\u003c\/em\u003e (2019) with an essay on “Stereo Photography and the Art of Hal Rammel” by Steve Schlei.\u003c\/p\u003e","brand":"PNMBR","offers":[{"title":"Default Title","offer_id":32499847364707,"sku":"061120199 C","price":37.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/ConcentrationOfAttention_HR.jpg?v=1594827844"},{"product_id":"7336","title":"Dear Angel of Death","description":"\u003cp\u003eAuthor: Simone White \u003c\/p\u003e\n\u003cp\u003ePublisher: Ugly Duckling Presse (2018)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eHalf poems, half prose, \u003c\/span\u003e\u003cem\u003eDear Angel of Death\u003c\/em\u003e\u003cspan\u003e braids intimate and public thinking about forms of togetherness. Is one woman a mother, a person in an artworld, a “black”? What imaginary and real spirits are her guides? The title essay proposes disinvestment in the idea of the Music as the highest form of what blackness “is” and includes many forms: philosophical divergence on the problem of folds for black life, a close reading of Nathaniel Mackey’s never-ending novel \u003c\/span\u003e\u003cem\u003eFrom a Broken Bottle Traces of Perfume Still Emanate,\u003c\/em\u003e\u003cspan\u003e and an impassioned defense-cum-dismissal of contemporary hip hop’s convergence with capitalism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"[White] brings to her writing a range of legal, political, literary, lyrical, and lived knowledge, along with an incisiveness marked by candor and care.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ccite\u003e–Maggie Nelson\u003c\/cite\u003e\u003c\/p\u003e\n\u003cp\u003e\"I get this pinwheel relationship to wisdom \u0026amp; history when I read Simone White. I'm in her dream, but it's a remarkable solidly packed one informed by the quotidian rarity of for instance a prose disquisition on lotion and skin and haircare especially in winter. Like Dana Ward's, her work sends me searching…\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ccite\u003e–Eileen Myles\u003c\/cite\u003e\u003c\/p\u003e\n\u003cp\u003e\"Probing the relationship between blackness and displacement, White... concludes that the creation of a personal identity does not happen in a melting pot, but rather in a compressor. As she slips in and out of forms, dialects, and registers, White demonstrates that various cultural influences collide in a single individual, producing an ever-shifting foundation.\"\u003cbr\u003e\u003c\/p\u003e\n\u003ccite\u003e\u003cem\u003e–Publishers Weekly\u003c\/em\u003e\u003c\/cite\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32499871481955,"sku":"9781937027674","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Dear_Angel_of_Death_GIANT_88-683x1024.jpg?v=1593103094"},{"product_id":"7587","title":"The Desires of Mothers to Please Others in Letters","description":"\u003cp\u003eAuthor: Bernadette Mayer\u003c\/p\u003e\n\u003cp\u003ePublisher: Nightboat Books \u0026amp; SplitLevel Texts (2017)\u003c\/p\u003e\n\u003cp\u003eA reissue of Bernadette Mayer's classic fugitive intergenre text. Endlessly inclusive, \u003cem\u003eThe Desire of Mothers to Please Others in Letters\u003c\/em\u003e, first published in 1994 and long out of print, evokes the complexity of real persons as it simultaneously reinvents multiple genres: epistle, prose poem, and memoir. Written between 1979 and 1980 while pregnant with her third child, Mayer extends her imaginative letters into meditations for us all on life as it is lived in real time, with its responsibilities and manifold desires. Fierce, lyrical, intimate, and wise, both new and familiar readers, both mothers and non–mothers, will find this book beckoning again and again to offer delicious writing, timely information, consolation, and advice.\u003c\/p\u003e","brand":"IPS","offers":[{"title":"Default Title","offer_id":32499873808483,"sku":"9781937658670","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_9ffd9a1d-54f9-443a-8ebd-8dfe8c6eac6f.png?v=1594965372"},{"product_id":"9572","title":"Farther Traveler: Poetry, Prose, Other","description":"\u003cp\u003eAuthor: Ronaldo V. Wilson\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eCounterpath Press (2015)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eFarther Traveler\u003c\/em\u003e is an expansive, complex hybrid of poetry, prose, and memoir that engages with contemporary culture, race, and sexuality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"There’s a Fanonian trumpet Fanon couldn’t imagine, a dance all his own he could neither own nor step to, Ronaldo V. Wilson’s otherwise inconceivable graph, whose beauty and power reaches new depths and new heights in \u003ci\u003eFarther Traveler\u003c\/i\u003e, an erotic history of loss that is, therefore, an erotic theory of finding, its iridescent contacts, its eruptive grammars, its fluid, fleshly, aromatic loves. In the fabric of the general catastrophe, every silver and impossible daddy, every soft and possible father, gone further and farther away, Wilson works something new for us, an encounter of which we are made wonderfully aware—texture, scene, caress.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Fred Moten\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The secret of the body, for Ronaldo V. Wilson, is that there are no secrets. As such, every drop of sweat in his new book refracts the overlap of the abject and the fleeting, the familiar and the anonymity of the body in sex and disintegration. \u003ci\u003eFarther Traveler\u003c\/i\u003e maps the fusion between losing a father who’s impossible to let go of and the excavation of what desire might mean for a life of radical possibility. For Wilson, the work of the poem—and our expectant pleasure—is to disclose what the self might become if thought could account for what the body seems given to need. And if it’s true that ‘You’ve become the body you’ve become,’ then that’s only the beginning.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Joshua Marie Wilkinson\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Ranging with promiscuous brilliance across diary, dissertation, lyric, chasm, cinema, and dream, Ronaldo V. Wilson tracks ‘instances where my body touches language,’ a protean adventure in which violation and sublimity, de Sade and Serena Williams shimmer as spectacle and twitch like muscle. Fearless son of that demented, adored father who is history, the farther traveler is the self—‘a projected composition’ constantly renewed.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Frances Richard\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“\u003ci\u003eFarther Traveler\u003c\/i\u003e shows us, across its virtuosic pages, what the sear of queer desire and loss made legible in language feels, looks and sounds like. In reveries and elegies, including post-dissertation interventions; tributes to Daddies, among them his own father, suffering from dementia; recollections of popular culture and porn; and beguiling image-text pairings, Ronaldo V. Wilson offers a poetics capable of enacting his singular, profound blend of the creative and critical, proving yet again that he’s a lyric innovator to his sweat-matted core. ‘My oppression . . . I must make beautiful.’ A (self-)love game, superlatively won.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–John Keene\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“In his triumphant \u003ci\u003eFarther Traveler\u003c\/i\u003e, Ronaldo V. Wilson writes toward a radical poetics of discomfort and defilement, trespassing boundaries of genre and desire, revealing unvarnished truths on race and sexuality that other skittish poetry collections will not touch. What makes \u003ci\u003eFarther Traveler\u003c\/i\u003e stand apart is that it dares to be ugly. Wilson engages the black body through a spectrum of disfiguring power relations from white daddy fetish to amateur porn, from academia’s microaggressions to racial profiling. ‘Farther Traveler’ is an alarm to the system; it’s tender elegy; it’s an uncompromising, self-searching foray into the ‘raging internal chaos’ of black consciousness. In his brilliant series of poetic statements, Wilson asks how to invent a language of racial identity. With breathtaking intellect, Wilson has invented that language.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Cathy Park Hong\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499919028323,"sku":"9781933996332","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_a53a00fe-f003-4ee4-823a-086ef062ba3c.png?v=1594184362"},{"product_id":"11609","title":"Grace Period: Notebooks, 1998-2007","description":"\u003cp\u003eAuthor: Aaron Kunin\u003c\/p\u003e\n\u003cp\u003ePublisher: Letter Machine Editions (2013)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFull of curious knowledge, the book collects aphorisms, sketches, and fragments from ten years of life. Notes on various subjects, written hastily, using the first words that suggested themselves. Diagrams of relationships, denuded of situation, and infused with richness and depth of feeling and mental tentacle. Portraits of unidentified people by way of their handwriting, characteristic thought patterns, and tones of voice. Definitions of colloquial expressions, what they mean and how they are used. Detailed descriptions of people eating, with enough tea to float away on. Advice on love. Prayers, curses, dreams. Moral maxims. Occasional rhymes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe special beauty of incomplete form depends on unachieved potential: because they are imperfect, fragments suggest a variety of perfections. They retain traces of their original context, as well as the charm of having escaped it.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKunin's grace period started in 1998, when he moved to Baltimore; in 2007, he was in California, where he lives now. 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In a long, cumulative poem and a collection of lyric essays she explores how meaning is made and denied in and by art and language, effecting an urgent movement toward meaning with hope for no hope for arrival.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"In this stunning collection of poetry and lyric essay, Kate Colby ruminates iteratively, almost recursively over questions of scale and knowability: 'The scale of language is human, and humans do not exist on a comprehensive scale.' The title poem uses a series of 'I mean' statements ('I mean it’s major \/\/ I mean in motion \/\/ I mean pictures') in a performance of clarification, but the accumulation of contradictory meanings ('self-supplanting palimpsests') disrupts the text’s ability to mean anything stable; standalone attempts at meaning become, en masse, a conceptual inquiry into semantics. Colby grasps again and again at the ineffable or rather the almost-effable—she does not want to capture X so much as to convey X through the grasping itself, to circumscribe what can’t be expressed. At times, she achieves this so spectacularly—in 'moments of euphoric clarity'—it makes me want to cry.\"\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ccite\u003e–Elisa Gabbert\u003c\/cite\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32500006813795,"sku":"9781937027452","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_d26ac03b-1b64-494b-a159-ad51e33c0525.jpg?v=1598059799"},{"product_id":"13794","title":"The Importance of Being Iceland","description":"\u003cp\u003eAuthor: Eileen Myles\u003c\/p\u003e\n\u003cp\u003ePublisher: Semiotext(e) \/ Active Agents (2009)\u003c\/p\u003e\n\u003cp\u003ePoet and post-punk hero Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant flaneur. Like Baudelaire's gentleman stroller, Myles travels the city―wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding in the van with Sister Spit―seeing it with a poet's eye for detail and with the consciousness that writing about art and culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in \u003ci\u003eThe Importance of Being Iceland\u003c\/i\u003e make a lush document of their―and our―lives in these contemporary crowds. Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Björk, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's \u003cem\u003eSonnets\u003c\/em\u003e, and flossing.\u003cbr\u003e\u003c\/p\u003e","brand":"PRH","offers":[{"title":"Default Title","offer_id":32500018708579,"sku":"9781584350668","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_14140059-e20d-48c1-9aa9-bffd7f68881d.png?v=1594496170"},{"product_id":"14234","title":"Indians in Unexpected Places","description":"\u003cp\u003eAuthor: Philip J. Deloria\u003c\/p\u003e\n\u003cp\u003ePublisher: University Press of Kansas (2004)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDespite the passage of time, our vision of Native Americans remains locked up within powerful stereotypes. That's why some images of Indians can be so unexpected and disorienting: What is Geronimo doing sitting in a Cadillac? Why is an Indian woman in beaded buckskin sitting under a salon hairdryer? Such images startle and challenge our outdated visions, even as the latter continue to dominate relations between Native and non-Native Americans. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePhilip Deloria explores this cultural discordance to show how stereotypes and Indian experiences have competed for ascendancy in the wake of the military conquest of Native America and the nation's subsequent embrace of Native \"authenticity.\" Rewriting the story of the national encounter with modernity, Deloria provides revealing accounts of Indians doing unexpected things—singing opera, driving cars, acting in Hollywood—in ways that suggest new directions for American Indian history. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFocusing on the late nineteenth and early twentieth centuries––a time when, according to most standard American narratives, Indian people almost dropped out of history itself––Deloria argues that a great many Indians engaged the very same forces of modernization that were leading non-Indians to reevaluate their own understandings of themselves and their society. He examines longstanding stereotypes of Indians as invariably violent, suggesting that even as such views continued in American popular culture, they were also transformed by the violence at Wounded Knee. He tells how Indians came to represent themselves in Wild West shows and Hollywood films and also examines sports, music, and even Indian people's use of the automobile––an ironic counterpoint to today's highways teeming with Dakota pick-ups and Cherokee sport utility vehicles.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThroughout, Deloria shows us anomalies that resist pigeonholing and force us to rethink familiar expectations. Whether considering the Hollywood films of James Young Deer or the Hall of Fame baseball career of pitcher Charles Albert Bender, he persuasively demonstrates that a significant number of Indian people engaged in modernity—and helped shape its anxieties and its textures—at the very moment they were being defined as \"primitive.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThese \"secret histories,\" Deloria suggests, compel us to reconsider our own current expectations about what Indian people should be, how they should act, and even what they should look like. More important, he shows how such seemingly harmless (even if unconscious) expectations contribute to the racism and injustice that still haunt the experience of many Native American people today.\u003c\/span\u003e\u003c\/p\u003e","brand":"University Press of Kansas","offers":[{"title":"Default Title","offer_id":32500032831587,"sku":"9780700614592","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_44a60dcd-3f70-4900-9e88-f9dce87337fc.jpg?v=1611100614"},{"product_id":"16468","title":"Live Nude Girl: My Life as an Object (Hardcover)","description":"\u003cp\u003eAuthor: Kathleen Rooney\u003c\/p\u003e\n\u003cp\u003ePublisher: University of Arkansas Press (2012)\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eLive Nude Girl: My Life as an Object\u003c\/i\u003e\u003cspan\u003e is a lively meditation on the profession of art modeling as it has been practiced in history and as it is practiced today. Kathleen Rooney draws on her own experiences working as an artist's model, as well as the famous, notorious, and mysterious artists and models through the ages. Through a combination of personal perspective, historical anecdote, and witty prose, \u003c\/span\u003e\u003ci\u003eLive Nude Girl\u003c\/i\u003e\u003cspan\u003e reveals that both the appeal of posing nude for artists and the appeal of drawing the naked figure lie in our deeply human responses to beauty, sex, love, and death.\u003c\/span\u003e\u003c\/p\u003e","brand":"UARPR","offers":[{"title":"Default Title","offer_id":32500088307811,"sku":"1557288917","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_d389bea0-c848-4a6b-9b64-97a9d7f99c25.png?v=1595994577"},{"product_id":"17700","title":"Memories of Our Future: Selected Essays 1982-1999","description":"\u003cp\u003eAuthor: Ammiel Alcalay\u003c\/p\u003e\n\u003cp\u003ePublisher: City Lights Books (1999)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs a poet, translator, critic and scholar, Ammiel Alcalay has written for \u003c\/span\u003e\u003cem\u003eThe New York Times, The Village Voice, The New Republic\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eMiddle East Report\u003c\/em\u003e\u003cspan\u003e, as well as for such literary journals as \u003c\/span\u003e\u003cem\u003eGrand Street\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eConjunctions\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003ePaper Air\u003c\/em\u003e\u003cspan\u003e. In \u003c\/span\u003e\u003cem\u003eMemories of Our Future\u003c\/em\u003e\u003cspan\u003e, the unique intellectual and political path forged by Alcalay over the past fifteen years has now been collected in one volume. In a mix of personal narrative, political commentary and literary criticism, Alcalay surveys diverse subjects, among them Mediterranean culture, Arabic literature, the destruction of Carthage, the Israeli\/Palestinian conflict and the war in Bosnia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Ammiel Alcalay brings to any subject an acute sensitivity to writing and a sophisticated understanding of the way politics works to produce and maintain literature. 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There is no one better qualified to explore the meaning of today's 'culture wars,' locally and globally.\"\u003c\/div\u003e\n\u003cdiv class=\"ReviewBlock\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"ReviewBlock\"\u003e\u003cem\u003e–Amitav Ghosh\u003c\/em\u003e\u003c\/div\u003e","brand":"CNSRT","offers":[{"title":"Default Title","offer_id":32500120944739,"sku":"9780872863606","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_d26e7e91-db48-4fa7-aee8-fe73537e4da1.png?v=1594827318"},{"product_id":"20114","title":"Objects from a Borrowed Confession","description":"\u003cp\u003eAuthor: Julie Carr\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eAhsahta Press (2017)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith \u003cem\u003eObjects from a Borrowed Confession\u003c\/em\u003e, poet Julie Carr has undertaken an expansive reexamination, amassing a project written over the last ten years that approaches the subject of confession from within the confession itself. Carr neither mounts an apology on behalf of confessional poets (there is no apology necessary), nor does she offer readers a straightforward critical appraisal of confession in writing itself. Rather, the poet approaches her topic as a theme worthy of consideration, offering fresh insight to what it is about the confessional text that can provide catharsis for one reader just as easily as make another uncomfortable. A one-sided epistolary novella whose speaker writes to an ex-lover's ex-lover begins this volume, and Carr charges these unanswered, unanswerable letters with inquiries that permeate the book: How do we understand grief, obsession, the very nature of forgiveness? Why confess? Whom does my confession benefit? For whom do I intend it? Carr's lyrical prose guides the reader through these questions as each relates to one's perspective, navigating the relationships these texts arise from, or give rise to, by way of inhabiting shared spaces and experiences—not simply stepping into a different persona with each shift in genre. The poet's dexterous handling of these shifts between essay, epistolary, poem, and memoir, allows each movement within the book its own unique melodies, which, taken in whole, create intoxicating harmonies for the attentive listener. The result is a book emotionally complex and intellectually thrilling, brimming with crystalline prose and formal expertise from one of contemporary poetry's most distinct voices. \u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eObjects from a Borrowed Confession\u003c\/em\u003e vibrate\/s with analytical fervor, situated intimacy shared, a profound anti-generic communicability running over every edge, terribly beautifully trying to get at something. Having been given an all-but-impossible range of revelation, Julie Carr offers careful and intense imperatives for telling sung strained, estranged, touchingly, with an absolute precision of touch, hands laid on what she hands, all up in all she gives, having put her foot in it, too, dancing words with absolute flavor, preparing a table for pleasure and necessity improvised in contact, turning toward everything in turning toward you.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Fred Moten\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32500164690019,"sku":"9781934103685","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_f7700237-72aa-4891-843f-3a7333d067be.jpg?v=1594166426"},{"product_id":"20780","title":"Ordinary Light: A Memoir","description":"\u003cp\u003eAuthor: Tracy K. 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The Smith of \u003ci\u003eOrdinary Light \u003c\/i\u003eis our Emerson—the Emerson of ‘Self-Reliance.’ In her world, \u003ci\u003epossibility \u003c\/i\u003eis the key.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Hilton Als\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Engrossing in its spare, simple understatement. . . . 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For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin’s innovative observations have helped us to better understand everything from Pop to Postmodernism. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"CDC","offers":[{"title":"Default Title","offer_id":32500219478115,"sku":"9780226020976","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/51AQzQ9pXOL.jpg?v=1614200147"},{"product_id":"23465","title":"Red Shifting","description":"\u003cp\u003eAuthor: Aleksandr Skidan \u003c\/p\u003e\n\u003cp\u003eTranslators: Genya Turovskaya and Eugene Ostashevsky\u003c\/p\u003e\n\u003cp\u003ePublisher: Ugly Duckling Presse (2008)\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eRed Shifting\u003c\/i\u003e\u003cspan\u003e is the first major collection in English of avant-garde St. Petersburg author Alexander Skidan’s poetry and essays, translated by award-winning poets and translators Genya Turovskaya and Eugene Ostashevsky.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"To disappear into these beautiful, wrecked songs...is a singular, moving experience.\"\u003c\/p\u003e\n\u003cp\u003e\u003ccite\u003e\u003cspan style=\"font-style: normal;\"\u003e–\u003c\/span\u003eChristian Hawkey\u003c\/cite\u003e\u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32500230848611,"sku":"9780939010950 C","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_4528ea4e-8529-4f21-bb7f-af7638e16757.png?v=1594783183"},{"product_id":"26012","title":"Sleep's Powers","description":"\u003cp\u003eAuthor: Jacqueline Risset\u003c\/p\u003e\n\u003cp\u003eTranslator: Jennifer Moxley\u003c\/p\u003e\n\u003cp\u003ePublisher: Ugly Duckling Presse (2008)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSleep is the loam of dreams, the material in which they grow. But it is also something more: something hidden, made obscure by the accumulation of images—a sort of grand dream which, because of its intense and manifold nature, is undecipherable. Compared to sleep, dreams offer us a free, easy, almost anodyne, show. Sleep abides from the start in the interior tissue out of which we are formed. Moments of astonishment, precious passages filled with rapid, disconnected symbols—light birds like late evening swallows—a single swallow still squawking overhead, halfway to sleep. \u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e \u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32500268138595,"sku":"9781933254425","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_b8c334fe-a172-4441-a373-432cf24899b2.png?v=1594946901"},{"product_id":"27213","title":"The Straight Line: Writings on Poetry and Poets","description":"\u003cp\u003eAuthor: Ron Padgett\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eUniversity of Michigan Press (2000)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThe Straight Line\u003c\/i\u003e brings together memoir, informal talks, autobiographical essays, unconventional book reviews, instructional pieces, imaginative speculations on the nature of reading, and poems about writing. What distinguishes these pieces is Ron Padgett's refreshing sense of humor and the changing, unexpected angles on his point of view. He pokes fun at the concept of \"finding one's poetic voice,\" has a dream conversation with a Russian poet, talks to his typewriter, parodies Robert Frost, deconstructs the \u003ci\u003ehaiku\u003c\/i\u003e, finds weird word lists in the dictionary, and extols the pleasures of mistakes in writing.\u003c\/p\u003e\n\u003cp\u003eBut along with the playful wit comes Padgett's serious fascination with how words work. Essays discuss such subjects as the otherness of languages; French poets and their relationship to Cubist painters; an afternoon with the poet Edwin Denby; a tribute to Ted Berrigan; twentieth-century modernism; and suggestions for using the computer to write poetry.\u003c\/p\u003e\n\u003cp\u003eThe book concludes with pieces that Padgett has written during his thirty years as a teacher of poetry. Essays explore the unexpected relationships between poetry and dance; the practical value of using \"gimmicks\" to inspire poetry writing; and some radical and entertaining ideas for innovative ways to read creatively.\u003c\/p\u003e","brand":"FOUND","offers":[{"title":"Default Title","offer_id":32500281770083,"sku":"0472067265","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/978-0-472-06726-8-frontcover.jpg?v=1594582830"},{"product_id":"323","title":"A Bestiary","description":"\u003cp\u003eAuthor: Lily Hoang\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: Cleveland State University Poetry Center (2016)\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e“Rarely have I come across tenderness, venom, and fire held so intimately, so exquisitely, as in Lily Hoang’s \u003cem\u003eA Bestiary\u003c\/em\u003e. This book would be impressive enough as a collection of finely-forged fragments, but as it weaves itself into an even more impressive whole, my hat came off. Lily Hoang writes like she has nothing to lose and everything at stake.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cem\u003e–Maggie Nelson\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e“\u003cem\u003eA Bestiary\u003c\/em\u003e is a work of great subtlety, precision, in­telligence, daring, and emotive keenness. It seems completely contemporary (by which I mean that it is unlike anything I’ve read and that it makes me want to change my own writerly procedures). With head­long, reckless, improvisatory gestures, Lily Hoang prompts us to rethink what literature today can dare to aspire to. Her intellectually magnanimous book’s position on the threshold between recognizable ‘lit­erature’ and some other vanguard form of perfor­mance\/utterance made me feel happy and stimulated and dizzy (in a rapturous way) while I was reading it.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cem\u003e–Wayne Koestenbaum\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e“The most perfect use of fragmentation, myth, lan­guage, fairytale, and terrible beauty that I have ever seen in my life. I’m swooning. My faith in what writ­ing can be has been restored.\"\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cem\u003e–Lidia Yuknavitch\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32500391673955,"sku":"9780996316743","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/A-Bestiary-_WEB-Front-Cover.jpg?v=1595997602"},{"product_id":"832","title":"Albert York","description":"\u003cp\u003eAuthor: William Corbett \u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan data-mce-fragment=\"1\" class=\"a-list-item\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePressed Wafer (2010)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlbert York\u003c\/em\u003e is the first monograph on the little known but intensely admired American painter who died in 2009 at eighty-one. York showed at Manhattan's Davis \u0026amp; Langdale Gallery beginning in 1963 and throughout his career. His shows had good reviews; his work sold but word of his special quality has just begun to spread into the wider world. His subjects are as ordinary—cows, trees in a meadow, flowers bunched in a tomato can—as his forms and paint handling powerful. \u003c\/p\u003e","brand":"PRWFR","offers":[{"title":"Default Title","offer_id":32500406485091,"sku":"9780982410059 C","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_04b18c34-52cc-4838-b5d4-a44ded6b2386.png?v=1601311385"},{"product_id":"1193","title":"American Poets in the 21st Century: Poetics of Social Engagement","description":"\u003cp\u003eEditors: Claudia Rankine and Michael Dowdy\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWesleyan University Press (2018)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003ePoetics of Social Engagement\u003c\/em\u003e emphasizes the ways in which innovative American poets have blended art and social awareness, focusing on aesthetic experiments and investigations of ethnic, racial, gender, and class subjectivities. Rather than consider poetry as a thing apart, or as a tool for asserting identity, this volume's poets create sites, forms, and modes for entering the public sphere, contesting injustices, and reimagining the contemporary. Like the earlier anthologies in this series, this volume includes generous selections of poetry as well as illuminating poetics statements and incisive essays. This unique organization makes these books invaluable teaching tools. A companion website will present audio of each poet's work.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePoets included: \u003c\/span\u003e\u003cspan\u003eRosa Alcalá, \u003c\/span\u003e\u003cspan\u003eBrian Blanchfield, \u003c\/span\u003e\u003cspan\u003eDaniel Borzutzky, \u003c\/span\u003e\u003cspan\u003eCarmen Giménez Smith, \u003c\/span\u003e\u003cspan\u003eAllison Hedge Coke, \u003c\/span\u003e\u003cspan\u003eCathy Park Hong, \u003c\/span\u003e\u003cspan\u003eChristine Hume, \u003c\/span\u003e\u003cspan\u003eBhanu Kapil, \u003c\/span\u003e\u003cspan\u003eMauricio Kilwein Guevara, \u003c\/span\u003e\u003cspan\u003eFred Moten, \u003c\/span\u003e\u003cspan\u003eCraig Santos Perez, \u003c\/span\u003e\u003cspan\u003eBarbara Jane Reyes, \u003c\/span\u003e\u003cspan\u003eRoberto Tejada, and \u003c\/span\u003e\u003cspan\u003eEdwin Torres\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEssayists included: \u003c\/span\u003e\u003cspan\u003eJohn Alba Cutler, \u003c\/span\u003e\u003cspan\u003eChris Nealon, \u003c\/span\u003e\u003cspan\u003eKristin Dykstra, \u003c\/span\u003e\u003cspan\u003eJoyelle McSweeney, \u003c\/span\u003e\u003cspan\u003eChadwick Allen, \u003c\/span\u003e\u003cspan\u003eDanielle Pafunda, \u003c\/span\u003e\u003cspan\u003eMolly Bendall, \u003c\/span\u003e\u003cspan\u003eEunsong Kim, \u003c\/span\u003e\u003cspan\u003eMichael Dowdy, \u003c\/span\u003e\u003cspan\u003eBrent Hayes Edwards, \u003c\/span\u003e\u003cspan\u003eJ. Michael Martinez, \u003c\/span\u003e\u003cspan\u003eMartin Joseph Ponce, \u003c\/span\u003e\u003cspan\u003eDavid Colón, and \u003c\/span\u003e\u003cspan\u003eUrayoán Noel\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"UNWEN","offers":[{"title":"Default Title","offer_id":32500422574179,"sku":"9780819578303","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_43bed055-d29b-4058-a0c3-894083c50a4b.jpg?v=1614729364"},{"product_id":"1950","title":"Art of Language","description":"\u003cp\u003eAuthor: Kenneth Cox\u003c\/p\u003e\n\u003cp\u003ePublisher: Flood Editions (2016)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdited with an introduction by Jenny Penberthy, and an afterword by August Kleinzahler. This volume gathers twenty-four essays by the English critic Kenneth Cox (1916-2005) on various writers, including James Joyce, Ezra Pound, Basil Bunting, Louis Zukofsky, and Lorine Niedecker. In each case, Cox's exposition proves rigorous, idiosyncratic, drily passionate, and full of keen insights. Always, he proceeds with an \"emphasis on literature as the art of language.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"HFS","offers":[{"title":"Default Title","offer_id":32500448657507,"sku":"9780990340775","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/31xlaq70RVL._SX351_BO1_204_203_200.jpg?v=1649006861"},{"product_id":"1953","title":"The Art of Poetry","description":"\u003cp\u003eAuthor: Kenneth Koch\u003c\/p\u003e\n\u003cp\u003ePublisher: University of Michigan Press (1996)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHere, in \u003c\/span\u003e\u003ci\u003eThe Art of Poetry,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eKoch offers amusing and thought-provoking essays on the nature of the \u003c\/span\u003e\u003cspan\u003epoetic moment, from its heartfelt emergence in an elementary school classroom to its raucous display in a set of satirical cartoons drawn by the author. 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In \u003c\/span\u003e\u003ci\u003eThe Black Interior,\u003c\/i\u003e\u003cspan\u003e she examines the vital roles of such heavyweight literary figures as Gwendolyn Brooks, Langston Hughes, and Rita Dove, as well as lesser known, yet vibrant, new creative voices. She offers a reconsideration of \"afro-outré\" painter Jean-Michel Basquiat, the concept of \"race-pride\" in Jet magazine, and her take on Denzel Washington's career as a complex black male icon in a post-affirmative action era. Also available is Alexander's much heralded essay on Rodney King, Emmett Till, and the collective memory of racial violence.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlexander, who has been a professor at the University of Chicago and Smith College, and recently at Yale University, has taught and lectured on African American art and culture across the country and abroad for nearly two decades. In \u003c\/span\u003e\u003ci\u003eThe Black Interior\u003c\/i\u003e\u003cspan\u003e, she directs her scrupulous poet's eye to the urgent cultural issues of the day. This lively collection is a crucial volume for understanding current thinking on race, art, and culture in America.\u003c\/span\u003e\u003c\/p\u003e","brand":"MPS","offers":[{"title":"Default Title","offer_id":32500499349603,"sku":"9781555973933","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_fbd5794c-d0c9-45d1-8f7f-ed59555c16e0.png?v=1596639925"},{"product_id":"4515","title":"Calamities","description":"\u003cp\u003eAuthor: Renee Gladman\u003c\/p\u003e\n\u003cp\u003ePublisher: Wave Books (2016)\u003c\/p\u003e\n\u003cp\u003eA collection of linked essays concerned with the life and mind of the writer by one of the most original voices in contemporary literature. Each essay takes a day as its point of inquiry, observing the body as it moves through time, architecture, and space, gradually demanding a new logic and level of consciousness from the narrator and reader.\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32500546306147,"sku":"9781940696270","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_09b19a7f-dbc2-4e50-abe0-ebf65f76f888.png?v=1594967480"},{"product_id":"9167","title":"The Everlasting Sky: Voices of Anishinabe People","description":"\u003cp\u003eAuthor: Gerald Vizenor\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eMinnesota Historical Society Press (2001)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn his classic first book of essays, Vizenor presents a stark but vital view of reservation life in the late 1960s and early 1970s.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFocusing on the people of the northern reservations, particularly the White Earth Reservation where he grew up, Vizenor puts a human face on those desperate and politically charged times that saw frequent government intervention and the emergence of the American Indian Movement (AIM). In his trademark style, Vizenor juxtaposes these snapshots of contemporary life against images and dream sequences from Anishinabe folktales and ceremonies. 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In essayistic examinations such as the titular piece, “Introduction to a Book on Money,” and “An Address to America,” Riding seeks to articulate a higher, more poetic notion of truth and truth telling. As such, \u003cem\u003eExperts Are Puzzled\u003c\/em\u003e stands as an essential text for understanding why Riding came to reject poetry in the late 1930s. While excerpts and selections from \u003cem\u003eExperts\u003c\/em\u003e have been published before, most notably in Riding’s \u003cem\u003eProgress of Stories\u003c\/em\u003e, the entirety of the collection has not appeared in print since its initial publication by Jonathan Cape in 1930.\u003c\/p\u003e\n\u003cp\u003eIntroduction by Mark Jacobs and George Fragopoulos.\u003c\/p\u003e\n\u003cp\u003e\"It is wonderful to discover Laura Riding's all but unknown \u003cem\u003eExperts are Puzzled\u003c\/em\u003e, an oddity that is just short of being a masterpiece, wherein fiction and philosophy are inextricably and wonderfully melded. Now it is time to revive her other major prose works, notably the dazzling \u003cem\u003eProgress of Stories\u003c\/em\u003e and the historical novel, \u003cem\u003eA Trojan Ending\u003c\/em\u003e.\"\u003c\/p\u003e\n\u003cp\u003e\u003ccite\u003e–John Ashbery\u003c\/cite\u003e\u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32500750909539,"sku":"9781937027865","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_d8f18586-7679-46fb-877a-f2d61fb74c76.jpg?v=1596051885"},{"product_id":"9583","title":"Fast Speaking Woman: Chants and Essays (Expanded Edition)","description":"\u003cp\u003eAuthor: Anne Waldman\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublisher: City Lights (2001)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnne Waldman takes the opportunity with this twentieth-anniversary expanded edition to add twenty poems to this collection that brings into focus her lifelong engagement with “chant” as central to contemporary performative poetry.\u003c\/p\u003e\n\u003cp\u003eHere are spells, invocations, laments, ritual rants. Archaic beliefs in magic and ecstasy meet current notions of the power of the spoken word. Waldman writes, \"The poem is a textured energy field or modal structure. The poems for performance seem to manifest as psychological states of mind. They come together in a mental, verbal, physical, and emotional form, making their particular demands on my voice and body. I am the ‘energumen.’ The poem is the experience.\" Also included in this book are three essays on the oral tradition in poetry. One essay discusses the history and occasion of the title poem. The others treat such topics as performance art and poetic tradition, ethnopoetics, intoxication and transformation, Tibetan Buddhism, and the renewed ascendency of feminine energy in writing. \u003c\/p\u003e\n\u003cp\u003e\"Anne Waldman is one of the fastest, wisest women to run with the wolves in some time.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–The New York Times Book Review\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"IPS","offers":[{"title":"Default Title","offer_id":32500768309347,"sku":"9780872863163","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_940a18c9-873a-4eaf-b78a-ea0a5b018a23.jpg?v=1596052836"},{"product_id":"9825","title":"Finders Keepers","description":"\u003cp\u003eAuthor: Seamus Heaney \u003c\/p\u003e\n\u003cp\u003ePublisher: Gardner Books (2003)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFinders Keepers\u003c\/em\u003e is a gathering of Seamus Heaney's prose of three decades. Whether autobiographical, topical or specifically literary, these essays and lectures circle the central preoccupying questions: How should a poet properly live and write? What is his relationship to be to his own voice, his own place, his literary heritage and the contemporary world? As well as being a selection of the poet's three previous collections of prose (\"Preoccupations\", \"The Government of the Tongue\", and \"The Redress of Poetry\"), the present volume includes material from \"The Place of Writing\", a series of lectures delivered at Emory University in 1988. Also included are a rich variety of pieces not preiously collected in volume form, ranging from short newspaper articles to more extended lectures and contributions to books. 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