{"title":"Music","description":"","products":[{"product_id":"18333","title":"More Nipples","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAuthor: The Peter Brötzmann Sextet \/ Quartet\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: Atavistic Records (2000)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eOne of the great archaeological finds of recent years: Three lost tracks from the Nipples sessions. Dateline: Germany, 1969. The legendary lineup: Peter Brötzmann and Evan Parker (saxophones), Derek Bailey (guitar), Fred Van Hove (piano), Buschi Niebergall (bass), Han Bennink (drums). Over the course of two long studio sessions, Peter Brötzmann assembled one of the masterpieces of free jazz from Europe, \u003cem\u003eNipples\u003c\/em\u003e, which was reissued by the Unheard Music Series in 2000. Brötzmann has always mentioned more material, but thought it had been discarded long ago. But in 2002, FMP founder Jost Gebers discovered a reel of material, recorded by both the quartet (without Bailey and Parker) and sextet incarnations, in the FMP archive. Here, then, for the first time, is an entire record's worth of alternate pieces, including a sextet blowout featuring Parker on soprano saxophone and Bailey's guitar much more up-front than on the original LP, and two fantastic quartet pieces.\u003c\/span\u003e\u003c\/p\u003e","brand":"ATAVI","offers":[{"title":"Default Title","offer_id":32499206783075,"sku":"3528622362 C","price":15.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/735286223620_1.jpg?v=1597938379"},{"product_id":"768","title":"Agog","description":"\u003cp\u003eAuthor: Hal Rammel\u003c\/p\u003e\n\u003cp\u003ePublisher: Penumbra Music (2012)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eAgog\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eis Hal Rammel’s third collection of solo works for amplified palette, an instrument he first designed and built in 1992. All seventeen percussion pieces on this collection were recorded in realtime, without overdubs or processing, using set-ups of multiple palettes arranged as a tabletop instrument and played with a wide variety of homemade mallets. Each palette has its own unique arrangement of vertical metal and wooden rods producing a rich resonant space that varies dramatically within the selections on this new recording.\u003c\/span\u003e\u003c\/p\u003e","brand":"RAMLH","offers":[{"title":"Default Title","offer_id":32499209338979,"sku":"120346 C","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/R-6283251-1466177413-3292_jpeg.jpg?v=1593289054"},{"product_id":"4331","title":"Burdock #10","description":"\u003cp\u003eAudio issue of Milwaukee-based literary magazine, \u003cem\u003eBurdock\u003c\/em\u003e. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCompiled and Edited by Keith Gaustad\u003cbr\u003eMixed and Mastered by Ross Oldenburg\u003cbr\u003eCover Art by Jeremy Mericle\u003cbr\u003eGraphic Layout by Paul Fuhr\u003c\/p\u003e\n\u003cp\u003e1) Sailing to Byzantium \u003cspan style=\"font-weight: 400;\"\u003e— Jim Chapson\u003cbr\u003e2) The Storm — Lyra Vega\u003cbr\u003e3) Paperman — Loup\u003cbr\u003e4) The Battle At Coral Sea — Jennifer Kraft \u0026amp; Sam Rodewald\u003cbr\u003e5) Jackie Skipped a Heartbeat — James Murphy \u0026amp; John Litke\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e6) Flowers — Mario\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e7) The Air Is Thick — Hear Here\u003cbr\u003e8) untitled — Cynthia Spencer\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e9) Echolalia — Mark Adams son of Bill\u003cbr\u003e10) Fade Out — The Place to Lisbon\u003cbr\u003e11) Put Down Blues — Dan Sweetland\u003cbr\u003e12) Full Moon Walk — Sandy Weisto\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e13) Machinery's Ghost — Ross Oldenburg\u003cbr\u003e14) Blizzard — Susan Firer \u0026amp; Jim Hazard\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e15) Permeate — Jordan Lannert\u003cbr\u003e16) The Singing Bowl — The Lords of Space \u0026amp; Time\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e17) Murdock — The Demix\u003cbr\u003e18) Make It Home — JoAnn Chang\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e19) Do Not Watch — Paul Vogel\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e20) Nachtwurst — The November Criminals\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e21) Atmos Streets — ATMOS Spheres\u003cbr\u003e22) Beliefs — James Gapinski \u0026amp; The Garbage Experience\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"KGAU","offers":[{"title":"Default Title","offer_id":32499209863267,"sku":"1119110110","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Inventory111.jpg?v=1594913502"},{"product_id":"4416","title":"Buura","description":"\u003cp\u003eAuthor: Alash Ensemble\u003c\/p\u003e\n\u003cp\u003ePublisher: Alash Ensemble (2011)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eBuura\u003c\/em\u003e is Alash's second studio album. Since the first album, Alash has traveled many miles and played lots of music for lots of people. During these travels, the music of Alash has simultaneously grown towards the future and deepened its hold on the past, like a healthy tree which deepens its roots in the earth while reaching for the sun.\u003c\/p\u003e\n\u003cp\u003eListening to Alash's music, it is not always easy to delineate where the roots end and the branches begin. In a song like \"Kosh-oi and Torgalyg,\" non-Tuvan instruments (the guitar and the udu, an African drum) clearly signal the influence of other musics. But where can you place a piece like Ayan Shirizhik's solo on the murgu (Tuvan overtone flute), which sounds both ancient and avant-garde?\u003c\/p\u003e\n\u003cp\u003eFor Alash, \"fusion\" means more than simply blending Tuvan music with other musics, although the group enjoys such collaborations and they are often very successful. 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Potent with weird, funny, and singular possibilites, \u003cem\u003ePink Thunder\u003c\/em\u003e's playful and startling songs take their form entirely from the shape of the poems from which they are made. The result is a collection of musical readings both compelling and surprising. You are invited to listen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing the poems of Joshua Beckman, David Berman, Carrie St. George Comer, Gillian Conoley, Bob Hicok, Tyehimba Jess, Noelle Kocot, Dorothea Lasky, Brett Fletcher Lauer, Anthony McCann, Valzhyna Mort, Sierra Nelson, Hoa Nguyen, Travis Nichols, D. A. 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Acclaimed poet Khari B. melds together spoken word from the imagined viewpoints of Emmett Till and his murderers. The emotions of his grieving mother, Mamie Till, are expressed through the singing of renowned jazz songstress Dee Alexander.\u003c\/span\u003e\u003c\/p\u003e","brand":"DAWK","offers":[{"title":"Default Title","offer_id":32499225100387,"sku":"884501245258 C","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Inventory118.jpg?v=1594913661"},{"product_id":"345","title":"À Pied Nu","description":"\u003cp\u003eby Tandem Trio\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnouck Genthon - Violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEd Williams - Guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTom Malmendier - Percussion\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eLimited edition CD available in handmade screen printed case. 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Gardner has painstakingly edited this compilation from several live recordings into a suite of music and poetry that goes from post-rock to free jazz to minimalism and back again, with an atmosphere that is mesmerizing and riotous by turns. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eFlarf Orchestra\u003c\/em\u003e is one of several configurations from Gardner's Poetics Orchestra project, dedicated to combining the arts of music and poetry. Gardner's unique card and hand-signal conduction system expands on those used by John Zorn and Butch Morris. The players on Flarf Orchestra include indie rock guitar player Franklin Bruno (from the Mountain Goats) classical piano player John Orfe (from Alarm Will Sound), and jazz players Ehran Elisha, Avram Fefer, and Adam Lane. The nine Flarf poets include writers from all around the US as well as Icelandic writer Eiríkur Örn Nor∂dahl. The Flarf poets use collaged texts gathered from Google search results to create poetry.\u003c\/span\u003e\u003c\/p\u003e","brand":"edge","offers":[{"title":"Default Title","offer_id":32499252559971,"sku":"9781890311353","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Inventory603.jpg?v=1598625336"},{"product_id":"14881","title":"John Cage Uncaged is Still Cagey","description":"\u003cp\u003eAuthor: David Antin\u003c\/p\u003e\n\u003cp\u003ePublisher: Singing Horse Press (2005)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two texts that make up this book originated as talks Antin gave in honor of John Cage's seventy-seventh birthday. 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The book opens with \u003c\/span\u003e\u003cem\u003ethe catch of the heart and the call of romance\u003c\/em\u003e\u003cspan\u003e, as it follows a band of travelers, refugees from history, on their incessant migrations through time, place, and polity toward a truer sense of being and belonging.\u003c\/span\u003e\u003c\/p\u003e","brand":"NORTO","offers":[{"title":"Default Title","offer_id":32499576471651,"sku":"9780811224451","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_b8d6dc8a-ae56-4b37-970c-3ac4b27006d3.png?v=1594177414"},{"product_id":"10733","title":"From a Broken Bottle Traces of Perfume Still Emanate (Vol. 1–3)","description":"\u003cp\u003eAuthor: Nathaniel Mackey\u003c\/p\u003e\n\u003cp\u003ePublisher: New Directions (2010)\u003c\/p\u003e\n\u003cp\u003eThe great American jazz novel of “such exquisite rhythmic lyricism” (\u003cem\u003eBookforum\u003c\/em\u003e) by National Book Award Winner Nathaniel Mackey.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom a Broken Bottle Traces of Perfume Still Emanate: Volumes 1-3\u003c\/em\u003e\u003cspan\u003e collects the first three installments―\u003c\/span\u003e\u003cem\u003eBedouin Hornbook\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eDjbot Baghostus’s Run\u003c\/em\u003e\u003cspan\u003e, and \u003cem\u003eAtet A.D.\u003c\/em\u003e―of Nathaniel Mackey’s genre-defying work of fiction. A project that began over thirty years ago, \u003c\/span\u003e\u003cem\u003eFrom a Broken Bottle\u003c\/em\u003e\u003cspan\u003e is an epistolary novel that unfolds through N.’s intricate letters to the mysterious Angel of Dust. Unexpected, profound happenings take place as N. delves into music and art and the goings-on of his transmorphic Los Angeles-based jazz ensemble, in which he is a composer and instrumentalist. This triple-set book opens in July 1978 with a dream of a haunting Archie Shepp solo, and closes in September 1982 in a parallactic studio recording session on a glass-bottomed boat borne aloft by the music. \u003c\/span\u003e\u003c\/p\u003e","brand":"NORTO","offers":[{"title":"Default Title","offer_id":32499637452899,"sku":"9780811218443","price":20.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_69240640-50d4-4804-97bc-35f9e9f87231.png?v=1594174578"},{"product_id":"1978","title":"Artifacts: Essays on Music + Art + Design","description":"\u003cp\u003eAuthor: Thomas Gaudynski\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eNecessary Arts (2001)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusic, art, design: How are these related? How do they differ? Can the practice of one influence the practice of the others? The essays in this book grapple with these questions. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Explores convergence of visuals and sound that define a world where advertisements have more impact than art in a gallery.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003e–Shepherd Express\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"TGAUD","offers":[{"title":"Default Title","offer_id":32499755712611,"sku":"097122630XC","price":15.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_cead6102-9c1b-477a-b0d2-7b86a4e02dbd.png?v=1594017570"},{"product_id":"2516","title":"Bass Cathedral","description":"\u003cp\u003eAuthor: Nathaniel Mackey\u003c\/p\u003e\n\u003cp\u003ePublisher: New Directions (2008)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLos Angeles, October 1982: Molimo m'Atet, formerly known as the The Mystic Horn Society, is preparing to release its new album \u003c\/span\u003e\u003cem\u003eOrphic Bend\u003c\/em\u003e\u003cspan\u003e. The members of the jazz ensemble―Aunt Nancy, Djamilaa, Drennette, Lambert, N., and Penguin―are witness to a strange occurrence: while listening to their test pressing, the moment Aunt Nancy's bass solo begins a balloon emerges from the vinyl, bearing a mysterious message: \u003c\/span\u003e\u003cem\u003eI dreamt you were gone....\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThrough letters N. writes to a figure called Angel of Dust, the ever-mutating story unfolds, leaving no musician or listener untouched. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBass Cathedral\u003c\/em\u003e\u003cspan\u003e is Mackey's fourth volume in his ongoing novel with no beginning or end, \u003c\/span\u003e\u003cem\u003eFrom a Broken Bottle Traces of Perfume Still Emanate\u003c\/em\u003e\u003cspan\u003e. Thought balloons morph into mute-stereoptic emanations; N. encounters a master mouthpiece-maker; Drennette leaves Penguin dateless; Lambert's kicking it around with Melanie―much is abuzz but something else is happening to the ensemble. The music seems to be living them. N. suffers cowrie shell attacks and they are all stranded on an Orphic Shore. Socio-political forces are at play or has this always been the essence and accident of the music's resilience? And Hotel Didjeridoo must be resurrected, but how? Myth spins music spins thought spins sex―Mackey's post-bop boxless box set is, as the Utne Reader wrote, \"Avant-garde literature you can love: an evolving multivolume novel of the jazz world that plays with language and ideas the way Thelonious Monk plays with flatted fifths.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWinner of the 2006 National Book Award\u003c\/span\u003e\u003c\/p\u003e","brand":"W. W. Norton","offers":[{"title":"Default Title","offer_id":32499763445859,"sku":"9780811217200","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_3bbeb708-2498-4717-b16f-38daac25ebf4.png?v=1594177560"},{"product_id":"882","title":"Alice Iris Red Horse: Selected Poems","description":"\u003cp\u003eAuthor: Yoshimasu Gozo\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eEditor: Forrest Gander\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eTranslators: Jeffrey Angles, Richard Arno, Forrest Gander, Derek Gromadzki, Sawako Nakayasu, Sayuri Okamoto, Hiroaki Sato, Eric Selland, Auston Stewart, Kyoko Yoshida, and Jordan A. Y. Smith\u003c\/p\u003e\n\u003cp\u003ePublisher: New Directions (2016)\u003c\/p\u003e\n\u003cp\u003eYoshimasu Gozo’s groundbreaking poetry has spanned over half a century since the publication of his first book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDeparture\u003c\/em\u003e, in 1964. Much of his work is highly unorthodox: it challenges the print medium and language itself, and consequently Alice Iris Red Horse is as much a book on translation as it is a book in translation. Since the late ‘60s, Gozo has collaborated with visual artists and free-jazz musicians. In the 1980s he began creating art objects engraved on copper plates and later produced photographs and video works. \u003cem\u003eAlice Iris Red Horse\u003c\/em\u003e contains translations of Gozo’s major poems, representing his entire career. Also included are illuminating interviews, reproductions of Gozo’s artworks, and photographs of his performances. Introduction and notes by Derek Gromadzki.\u003c\/p\u003e\n\u003cp\u003e\"Gozo Yoshimazu, an experimental Japanese poet, painter, musician, and shaman, is interested in breaking the written word open. A new career-spanning volume,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAlice Iris Red Horse\u003c\/em\u003e, gives a sense of his powers. . . . [His] inclusiveness includes the universe and he invites us along.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Emily Wolahan\u003c\/em\u003e\u003c\/p\u003e","brand":"NORTO","offers":[{"title":"Default Title","offer_id":32500407992419,"sku":"9780811226042","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/9780811226042.jpg?v=1596000820"},{"product_id":"3523","title":"Blue Notes: Essays, Interviews, and Commentaries","description":"\u003cp\u003eAuthor: Yusef Komunyakaa\u003c\/p\u003e\n\u003cp\u003eEditor: \u003cspan\u003eRadiclani Clytus\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: University of Michigan Press (2000)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"ltblue\"\u003eBlue Notes \u003c\/span\u003e\u003c\/em\u003eoffers an assortment of poet Yusef Komunyakaa's writing on contemporary poetry and music. The book is arranged in four sections. The first gathers essays on the work of poets and blues and jazz musicians influential to Komunyakaa's work, from Langston Hughes and Etheridge Knight to Ma Rainey and Thelonious Monk; the second collects a gallery of Komunyakaa's poems and the poet's commentary about each of them. The third selects interviews that reveal the development of the poet's aesthetic sensibility. The final section consists of four artistic explorations that reflect the poet's current interests. Two of of these texts, \"Tenebrae\" and \"Buddy's Monologue,\" have been recently performed.\u003c\/p\u003e\n\u003cp\u003eAs editor Radiclani Clytus makes clear in the volume's introductory essay, although Komunyakaa's poetry has its roots in the stylistic innovations of early twentieth-century American modernists, his writing often reflects his understanding that a \"black\" experience should not particularize the presentation of one's art. This volume, according to the editor, is an attempt to understand Komunyakaa's critical eclecticism within the context of his own words.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Komunyakaa's story, as related in candid interviews and learned, loving tributes to writers like Langston Hughes and Etheridge Knight, is a concise and compelling education on poetry, as well as race, politics, gender issues and music....Most importantly, Komunyakaa opens his heart and mind when describing his compositional habits and techniques.... Here, in passionate and clear language, is the vital link between Komunyakaa's verse and his poetics, urgent proof that poets can still work with the body as much as the mind. Indeed, in both his prose and poetry, Komunyakaa consistently embraces the furious, sublime possibilities of the intellect and the flesh....\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Michael Shannon Friedman\u003c\/em\u003e\u003c\/p\u003e","brand":"UMIPR","offers":[{"title":"Default Title","offer_id":32500510851171,"sku":"047206651X","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_de01fde8-6b57-49d4-a0ef-9ccc8a5ab2c3.png?v=1595858682"},{"product_id":"6168","title":"Concertos","description":"\u003cp\u003eAuthor: No Collective\u003c\/p\u003e\n\u003cp\u003ePublisher: Ugly Duckling Presse (2011)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eA musical notation can either describe an event that has already happened or prescribe an event to be performed by the reader. 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A musician known only as N. writes the first of a series of letters to the enigmatic Angel of Dust. N.’s jazz sextet, Molimo m’Atet, has just rehearsed a new tune: the horn players read from \u003cem\u003eThe Egyptian Book of the Dead\u003c\/em\u003e with lips clothespinned shut, while the rest of the band struts and saunters in a cosmic hymn to the sun god Ra. N. ends this breathless session by sending the Angel of Dust a cassette tape of their rehearsal.\u003c\/p\u003e\n\u003cp\u003eOver the next nine months, N.’s epistolary narration follows the musical goings-on of the ensemble. N. suffers from what he calls “cowrie shell at- tacks”―oil spills, N.’s memory of his mother’s melancholy musical Sundays― which all becomes the source of fresh artistic invention.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"NORTO","offers":[{"title":"Default Title","offer_id":32501042184291,"sku":"9780811226608","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_223ba97f-51e9-44c3-a59d-13576f5c5a12.png?v=1594175026"},{"product_id":"25426","title":"Shadowtime","description":"\u003cp\u003eAuthor: \u003cspan\u003eCharles \u003c\/span\u003eBernstein\u003c\/p\u003e\n\u003cp\u003ePublisher: Green Integer (2005)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShadowtime\u003c\/em\u003e is a thought opera based on the work and life of the German philosopher, essayist, and cultural critic, Walter Benjamin. The libretto was written by Charles Bernstein for composer Brian Ferneyhough and had its premiere in May 2004 at the Munich Biennale, with subsequent productions at the Festival d’Automne in Paris, and the Lincoln Center Festival in New York.\u003c\/p\u003e\n\u003cp\u003eIn its seven scenes, \u003cem\u003eShadowtime\u003c\/em\u003e explores some of the major themes of Benjamin's work, including the intertwined natures of history, time, transience, timelessness, language, and melancholy; the possibilities for a transformational leftist politics; the interconnectivity of language, things, and cosmos; and the role of dialectical materiality, aura, interpretation, and translation in art. Beginning on the last evening of Benjamin's life, \u003cem\u003eShadowtime\u003c\/em\u003e projects an alternative course for what happened on that fateful night.\u003c\/p\u003e\n\u003cp\u003eOpening onto a world of shades, of ghosts, of the dead, \u003cem\u003eShadowtime\u003c\/em\u003e inhabits a period in human history in which the light flickered and then failed.\u003c\/p\u003e\n\u003cp\u003eTess Crebbin in \u003ci\u003eMusic and Vision\u003c\/i\u003e, says \"Bernstein's libretto, plain and simple, is the finest contemporary libretto that I know of.\"\u003c\/p\u003e","brand":"INGMB","offers":[{"title":"Default Title","offer_id":32501587017827,"sku":"1933382007","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/51WQN2YZ4SL.jpg?v=1598465511"},{"product_id":"26532","title":"Sound: Documents of Contemporary Art","description":"\u003cp\u003eEditor: Caleb Kelly\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: MIT Press (2011)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe \"sonic turn\" in recent art reflects a wider cultural awareness that sight no longer dominates our perception or understanding of contemporary reality. The background buzz of myriad mechanically reproduced sounds increasingly mediates our lives. Tuning into this incessant auditory stimulus, some of our most influential artists have investigated the corporeal, cultural, and political resonance of sound. In tandem with recent experimental music and technology, art has opened up to hitherto excluded dimensions of noise, silence, and the act of listening. Artists working with sound have engaged in new forms of aesthetic encounter with the city and nature, the everyday and cultural otherness, technological effects and psychological states.\u003c\/p\u003e\n\u003cp\u003eNew perspectives on sound have generated a wave of scholarship in musicology, cultural studies, and the social sciences. But the equally important rise of sound in the arts since 1960 has so far been sparsely documented. This volume is the first sourcebook to provide, through original critical writings and artists' statements, a genealogy of sonic pathways into the arts, philosophical reflections on the meanings of noise and silence, dialogues between art and music, investigations of the role of listening and acoustic space, and a comprehensive survey of sound works by international artists from the avant-garde era to the present.\u003c\/p\u003e","brand":"INGMB","offers":[{"title":"Default Title","offer_id":32501655699555,"sku":"9780262515689","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/81tRBTEMVrL.jpg?v=1599797041"},{"product_id":"3223","title":"Black Case Volume I \u0026 II: Return from Exile","description":"\u003cp\u003eAuthor: Joseph Jarman \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: Blank Forms Editions (2019)\u003c\/p\u003e\n\u003cp\u003eIn 1977, Art Ensemble of Chicago Publishing Co. published Jarman’s \u003cem\u003eBlack Case\u003c\/em\u003e, a collection of writing conceived across America and Europe between 1960 and 1975. Comprised largely of Jarman’s flowing, fiery free verse―influenced by Amus Mor, Henry Dumas, Thulani Davis, and Amiri Baraka―the book also features a manifesto for “GREAT BLACK MUSIC,” notated songs, concert program notes, Jarman’s photos, and impressions of a play by Muhal Richard Abrams. Jarman writes poetry of personal revolutionary intent, aimed at routing his audience’s consciousness towards growth and communication. He speaks with compassionate urgency of the struggles of growing up on Chicago’s South Side, of racist police brutality and profound urban alienation, and of the responsibility he feels as a creative artist to nurture beauty and community through the heliocentric music that he considers the healing force of the universe.\u003c\/p\u003e\n\u003cp\u003eA practicing Buddhist and proponent of Aikido since a 1958 awakening saved him from the traumatic mental isolation of his time dropped by the US army into southeast Asia, Jarman sings praise for the self-awareness realization possible through the martial arts. With cosmic breath as its leitmotif, his poetry both encourages and embodies a complete relinquishing of ego. While some of the poems contained within \u003cem\u003eBlack Case\u003c\/em\u003e have already been immortalized via performances on classic records by Jarman and Art Ensemble of Chicago, its republication in print form breathes new life into a forgotten document of the Black Arts Movement.\u003c\/p\u003e","brand":"IPS","offers":[{"title":"Default Title","offer_id":32502063235171,"sku":"9781733723534","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_d1657a4b-5c0c-4f5e-923f-744d2f53f6c4.png?v=1597879837"},{"product_id":"7689","title":"Diary: How to Improve the World (You Will Only Make Matters Worse)","description":"\u003cp\u003eAuthor: John Cage \u003c\/p\u003e\n\u003cp\u003ePublisher: Siglio (2019)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNow available in an expanded paperback edition, \u003c\/span\u003e\u003ci\u003eDiary\u003c\/i\u003e\u003cspan\u003e registers Cage’s assessment of the times in which he lived as well as his often uncanny portents about the world we live in now. With a great sense of play as well as purpose, Cage traverses vast territory, from the domestic minutiae of everyday life to ideas about how to feed the world. He used chance operations to determine not only the word count and the application of various typefaces but also the number of letters per line, the patterns of indentation, and―in the case of Part Three, originally published by Something Else Press―color. The unusual visual variances on the page become almost musical as language takes on a physical and aural presence.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile Cage used chance operations to expand the possibilities of creating and shaping his work beyond the limitations of individual taste, \u003c\/span\u003e\u003ci\u003eDiary\u003c\/i\u003e\u003cspan\u003e nonetheless accumulates into a complex reflection of Cage’s sensibilities as a thinker and citizen of the world, illuminating his social and political awareness, as well as his idealism and sense of humor: it becomes an oblique but indelible portrait of one the most influential figures of the 20th-century American avant-garde.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCollecting all eight parts into a single volume, coeditors Joe Biel and Richard Kraft also used chance operations to render the entire text in various combinations of red and blue (used by Dick Higgins and Alison Knowles for Part Three) as well as to apply a single set of 18 fonts to the entire work. 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Or is it that \u003cem\u003eThe Feel Trio\u003c\/em\u003e are Cecil Taylor, Tony Oxley and William Parker? See, that's the amazing problem and chance, right there! In the wake and air and light of \u003cem\u003eThe Feel Trio\u003c\/em\u003e, what it bears and what propels them, which is everything in particular, \u003cem\u003eThe Feel Trio\u003c\/em\u003e tries to put some things together. Alabama runs through those things like nobody's business. I kept trying to visit the uncounted space James Brown forms around the one. To celebrate the varieties of black devotion. But coalition can't be too easy; it's in our nature not to come naturally lyrically, beautifully violently. The organizing principles, in our extramusical tailor's retrofit of fitting, sharp as a tack from the tone worlds of east by southeast of Sheffield, the Bronx's compassionate project\/s and fly, flaired, flared Corona: listen to everything, relax the shape, approach with love, be worthy of a \u003c\/span\u003e\u003cspan\u003elovely t! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"To start with the obvious, \u003c\/span\u003e\u003ci\u003eThe Feel Trio\u003c\/i\u003e\u003cspan\u003e is a book in three parts and a book about parts. That does mean piano, bass, and drums (the trio Moten acknowledges: Cecil Taylor, William Parker, and Tony Oxley). But it can also mean \u003c\/span\u003e\u003ci\u003emaybe you’re not from these parts\u003c\/i\u003e\u003cspan\u003e, so you might have to listen for a while before you get enough of a handle on it to take it with you. In fact, Moten’s work seems to claim a place for composition as listening, the way a musical improvisation engulfs and builds upon its own sounds. As a reader, you might find yourself tripping (in both senses) on the reverb of a phrase even after the music of the line has carried you elsewhere.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Elizabeth Willis\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e2014 National Book Award Finalist\u003c\/p\u003e\n\u003cp\u003eWinner of the California Book Award in Poetry\u003c\/p\u003e","brand":"Fonograf Editions","offers":[{"title":"Default Title","offer_id":32502273736803,"sku":"9780988713710","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_e5206c9c-9393-44bc-8c7b-4ad6a8fecca1.png?v=1597072402"},{"product_id":"28164","title":"The Black Saint and the Sinnerman","description":"\u003cp\u003eAuthor\/Musician: Harmony Holiday\u003c\/p\u003e\n\u003cp\u003ePublisher: Fonograf Editions (2018)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCharles Mingus’s classic 1963 album \u003cem\u003eThe Black Saint and the Sinner Lady\u003c\/em\u003e is swerved into Harmony Holiday’s classic 2018 album \u003cem\u003eThe Black Saint and the Sinnerman\u003c\/em\u003e. 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The album was mastered and engineered by Gus Elg at Sky Onion in Portland, OR in the Fall of 2017.\u003c\/p\u003e\n\u003cp\u003ePurchase of \u003cem\u003eThe Black Saint and the Sinnerman\u003c\/em\u003e includes a 11\"×11\" insert of Holiday’s poem “To the black female children,” as well as a download card for the entire album.\u003c\/p\u003e","brand":"FONOG","offers":[{"title":"Default Title","offer_id":32502903996515,"sku":"685349928682","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/0020239836_10.jpg?v=1594841368"},{"product_id":"12984","title":"Horse Sings from Cloud by Pauline Oliveros","description":"\u003cp\u003eAuthor: Pauline Oliveros\u003c\/p\u003e\n\u003cp\u003ePublisher: Black Mesa Press and Woodland Pattern Book Center (1984)\u003c\/p\u003e\n\u003cp\u003eDimensions: 6\" x 19.75\"\u003c\/p\u003e\n\u003cp\u003eEdition of 200\u003c\/p\u003e","brand":"WP","offers":[{"title":"Default Title","offer_id":32503117250659,"sku":"XXXXXX2729","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Broadsides015.jpg?v=1633457483"},{"product_id":"17191","title":"Mammoth Night by Clark Coolidge","description":"\u003cp\u003eAuthor: Clark Coolidge\u003c\/p\u003e\n\u003cp\u003ePublisher: Chax Press and Woodland Pattern Book Center (1987)\u003c\/p\u003e\n\u003cp\u003eDimensions: 7.25 x 16\"\u003c\/p\u003e\n\u003cp\u003eEdition of 185\u003c\/p\u003e","brand":"CHAXP","offers":[{"title":"Default Title","offer_id":32503118823523,"sku":"XXXXXXcool","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Broadsides026.jpg?v=1633461656"},{"product_id":"23847","title":"The Rhododendron by David Cope (Unsigned)","description":"\u003cp\u003eAuthor: David Cope\u003c\/p\u003e\n\u003cp\u003ePublisher: Woodland Pattern Book Center (2014)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 7.5 x 11\"\u003c\/span\u003e\u003c\/p\u003e","brand":"WP","offers":[{"title":"Default Title","offer_id":32503135174755,"sku":"209121","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Broadsides24.jpg?v=1592933798"},{"product_id":"1261","title":"The Amplified Palette: A History in Pictures","description":"\u003cp\u003eAuthor: Hal Rammel\u003c\/p\u003e\n\u003cp\u003ePhotographs: Tim Ladwig, Debra E. Levie, Gina Litherland, Wilhelm Matthies, and Hal Rammel \u003c\/p\u003e\n\u003cp\u003ePublisher: Penumbra Music \u0026amp; Books (2016)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eThe Amplified Palette: A History in Pictures\u003c\/em\u003e\u003cspan\u003e (Penumbra Music, 2016) celebrates the 25th anniversary of the invention and exploration of this unique musical instrument first designed and built by Hal Rammel in 1991. The amplified palette is a thin wooden board fashioned in the shape of an artist’s palette and outfitted with a contact mic and numerous vertically-mounted wood and metal rods and played with a variety of uniquely designed bows and mallets. The amplified palette produces an astonishing array of sounds as noted in Christopher Burns introductory essay: “Onomatopoeia can’t do the palettes justice: grunting, crying, keening, chiming, pealing, clanging, sawing, sizzling, and scraping barely begin to suggest the range of timbres, or to express their depth and intricacy.”\u003c\/span\u003e\u003c\/p\u003e","brand":"RAMLH","offers":[{"title":"Default Title","offer_id":32503182458979,"sku":"814260 C","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Inventory_Chapbook_566.jpg?v=1668978553"},{"product_id":"253","title":"5000 Musical Terms","description":"\u003cp\u003eAuthor: Damon Krukowski\u003c\/p\u003e\n\u003cp\u003ePublisher: Burning Deck (1995)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Damon Krukowski weaves found text into masterful textures. Poems that read like the entries of an encyclopedia questioning itself. Although sometimes ironic the overriding quality of is an archaic tongue, an archaism that sounds fresh\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003cem\u003eThe Boston Book Review\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32503225319523,"sku":"XXXXXX2181","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/ScreenShot2022-07-07at12.35.07PM.png?v=1657215358"},{"product_id":"about-repulsion","title":"About Repulsion","description":"\u003cp\u003eAuthors: Annelyse Gelman and Jason Grier\u003c\/p\u003e\n\u003cp\u003ePublisher: Fonograf Editions (2019) \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhere I end is not where you begin \/ Am I more myself or am I not myself letting you in?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbout Repulsion\u003c\/em\u003e, a collaboration between poet Annelyse Gelman and programmer Jason Grier, is a suite of six songs exploring intimacy, power, and vulnerability. Two songs, \"Maxes\" and \"Does It Make You Feel Alive To Sing,\" are featured on the actual record and a digital download card for all six songs is included with each EP purchase. Alongside samples from poets Max Ritvo, Brigit Pegeen Kelly, and Carl Phillips, each track on \u003cem\u003eAbout Repulsion\u003c\/em\u003e has been wrung through an intensive production mechanism: lead hooks sung by algorithms, rattled ice, overloaded CPU chips, and field recordings from everywhere from a strip mall Guitar Center in Texas to a remote seaside church in Arnis, the smallest town in Germany.\u003c\/p\u003e","brand":"Fonograf Editions","offers":[{"title":"Default Title","offer_id":32710534529123,"sku":"680585379663","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_3cb65a9a-e4f4-4d79-a03b-6e5bb0a3071f.jpg?v=1592522196"},{"product_id":"espopus-25-spring-2018","title":"ESOPUS #25 | Spring 2018","description":"\u003cp\u003eEditor: Tod Lippy\u003c\/p\u003e\n\u003cp\u003ePublisher: The Esopus Foundation, LTD. (2018)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 25th issue of the award-winning arts annual includes artist's projects by Noriko Ambe, Paolo Arao, Tina Barney, John Edmonds, Elizabeth Ferry and Anish Kapoor; Francine Prose's reflections on an early Renaissance painting at the Metropolitan Museum (incorporating a poem by Zbigniew Herbert); brand-new installments of the regular series \"Guarded Opinions,\" \"Modern Artifacts\" and “Public Access” (featuring never-before-seen items from the Vladimir Nabokov papers in the New York Public Library’s esteemed Berg Collection); materials reproduced in facsimile from the Ludlow Santo Domingo collection of psychedelia at Harvard University; lyrics and artworks by Lonnie Holley; and an audio compilation featuring musicians such as Andrew Silberman (The Antlers), Will Oldham, and Katie von Schleicher, who have created a series of new songs inspired by jokes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch5\u003e\u003ca href=\"https:\/\/www.esopus.org\/contents\/view\/412\"\u003e\u003c\/a\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Esopus","offers":[{"title":"Default Title","offer_id":32872215380067,"sku":"07282001","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_71e7688e-2f45-43fb-9e43-f3f719d7a634.jpg?v=1595966886"},{"product_id":"espopus-24-spring-2017","title":"ESOPUS #24 | Spring 2017","description":"\u003cp\u003eEditor: Tod Lippy\u003c\/p\u003e\n\u003cp\u003ePublisher: The Esopus Foundation, LTD. (2017)\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eEsopus\u003c\/i\u003e\u003cspan\u003e 24 includes long-form artists’ projects by Carlos Amorales, Ted Barker, Hayden Dunham, Marco Maggi, Tony Tasset, and Jane and Louise Wilson. Other contents include an interview with translator Ann Goldstein (perhaps best known for her English translation of Elena Ferrante’s novels), who will also translate submissions in Italian from \u003c\/span\u003e\u003ci\u003eEsopus\u003c\/i\u003e\u003cspan\u003e readers for the issue’s subscriber invitational; never-before-published photographs from the early 1970s by Arthur Tress; a piece on the stunning quilts of Ernest B. Haight (1899–1992); a new installment of our regular series, “Modern Artifacts,” featuring archival material from The Museum of Modern Art archives reproduced in facsimile; as well as the first appearance of “Public Access,” a new series copresented with the New York Public Library which features items from the Library’s Carl H. Pforzheimer Collection of Shelley and His Circle. The issue includes a themed CD of brand-new music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch5\u003e\u003ca href=\"https:\/\/www.esopus.org\/contents\/view\/412\"\u003e\u003c\/a\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Esopus","offers":[{"title":"Default Title","offer_id":32872218984547,"sku":"07282002","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_b5dc4cd1-f1ec-4561-9843-ac6c72662634.png?v=1595967150"},{"product_id":"espopus-23-spring-2016","title":"ESOPUS #23 | Spring 2016","description":"\u003cp\u003eEditor: Tod Lippy\u003c\/p\u003e\n\u003cp\u003ePublisher: The Esopus Foundation, LTD. (2016)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eEsopus 23\u003c\/em\u003e features artists’ projects by Karo Akpokiere, Chuck Kelton, Stefan Kürten, Marilyn Minter, Mickalene Thomas and Jody Wood. Other contents include an essay by Karl Ove Knausgaard (presented as a removable book); 100 frames from Lotte Reininger’s 1926 animation \u003c\/span\u003e\u003ci\u003eThe Adventures of Prince Achmed\u003c\/i\u003e\u003cspan\u003e introduced by John Canemaker; two film treatments by screenwriter Hampton Fancher (\u003c\/span\u003e\u003ci\u003eBlade Runner\u003c\/i\u003e\u003cspan\u003e), based on \u003c\/span\u003e\u003ci\u003eEsopus\u003c\/i\u003e\u003cspan\u003e subscribers’ submissions; anonymous photographs from the collection of Peter Cohen; materials from MoMA’s archives on events and installations in the Museum’s garden over the past 60 years; a piece on the creative process behind the survivalist game \u003c\/span\u003e\u003ci\u003eThe Long Dark\u003c\/i\u003e\u003cspan\u003e; a new installment of a regular series, “Guarded Opinions,” for which guards from the Barnes Foundation discuss works they oversee; a comic book by George Cochrane; and a CD of new music inspired by “close calls” experienced by 15 musicians, including Jo Lawry, YC the Cynic and Lemolo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch5\u003e\u003ca href=\"https:\/\/www.esopus.org\/contents\/view\/412\"\u003e\u003c\/a\u003e\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Esopus","offers":[{"title":"Default Title","offer_id":32872254505059,"sku":"07282004","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_c421af62-45a2-48bf-8b65-6866fd0ed59d.jpg?v=1595967440"},{"product_id":"sciamachy","title":"Sciamachy","description":"\u003cp\u003eAuthor: Anne Waldman\u003c\/p\u003e\n\u003cp\u003ePublisher: Fa\u003cspan\u003est Speaking Music (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDigital and Limited Edition Vinyl released May 8, 2020\u003cbr\u003e\u003cbr\u003eSide A \u003cbr\u003eExtinction Aria pt II \u003cbr\u003eStreets of the World \u003cbr\u003eRune \u003cbr\u003e\u003cbr\u003eSide B \u003cbr\u003eMy Lover Comes Home Today \u003cbr\u003eFace Down Girl \u003cbr\u003e\u003cbr\u003eAnne Waldman: voice and text \u003cbr\u003eWilliam Parker: n’goni (2) \u003cbr\u003eLaurie Anderson: violin (3) \u003cbr\u003eDebbie Googe: baritone bass, electronics (1, 4 and 5) \u003cbr\u003eGuro Moe: electric bass and voice (1 and 4), composition (1) \u003cbr\u003eHåvard Skaset: guitar (1 and 4), composition (4) \u003cbr\u003eAmbrose Bye: synthesizer (1 and 4) \u003cbr\u003eDevin Brahja Waldman: saxophone (1, 2, 4), drums (4) \u003cbr\u003e\u003cbr\u003eRecording by Felix X Tigersonic at Smartmix Studio in London, UK; \u003cbr\u003eby Michael Coleman at Figure 8 Recording in Brooklyn, NY; \u003cbr\u003eand by Alden Penner and Ambrose Bye at Fast Speaking Music Studio, NYC. \u003cbr\u003eMixed by Devin Brahja Waldman and Alden Penner. \u003cbr\u003eMastered by Justin Randel. \u003cbr\u003eProduced by Devin Brahja Waldman. \u003cbr\u003eArtwork by Pat Steir. Insert photo by No Land, Design and art production by Alexis Myre. \u003cbr\u003eCover image: Pat Steir, “Twenty-one Musicians On A White Elephant,” 1993. \u003cbr\u003e\u003cbr\u003e\u003cem\u003eSciamachy\u003c\/em\u003e is produced in collaboration with Fast Speaking Music and the Lévy Gorvy Gallery. With special thanks to Dominique Lévy, Brett Gorvy and Begum Yesar. Texts extracted from Trickster Feminism, Voice’s Daughter of A Heart Yet To Be Born, and Extinction Aria. Thanks to Paul Slovak at Penguin, Chris Fischbach at Coffee House Press, and David Sellers at Pied Oxen Press. Thanks also to Shahzad Ismaily, Erika Hodges, Zoe Brezsny, Emma Gomis, Ecstatic Peace, and Ed Bowes. \u003cbr\u003e\u003cbr\u003eThis album is dedicated to Pat Steir for the breadth and depth of her work. \u003cbr\u003eIn loving memory of Vanessa Bley.\u003c\/p\u003e\n\u003cp\u003e“Exquisitely potent, a psychic shield for our times.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Patti Smith \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Poet, musicians, artists, eternal lovers, we now meet to reanimate the word\/world. That shadow vibration, free-gender energy, it is the warrior adepts. Anne Waldman has the microphone, the bird call, the caw caw caw, the force of nature. \u003cem\u003eSciamachy\u003c\/em\u003e is her sonic lamp n’ sword raised high. Occupy the future!” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003cem\u003eThurston Moore\u003c\/em\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“This is astonishing—an incantation, a ritual dance, an ensorcellment, an ekstasis. It’s one of the most powerful things poet Anne Waldman has ever done, and the music is mesmerizing.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003cem\u003eJonathan Cott\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Fast Speaking Music","offers":[{"title":"Default Title","offer_id":32902259703907,"sku":"08042020","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/a1732438704_10.jpg?v=1596579793"},{"product_id":"maybe-the-sweet-honey-pours","title":"Maybe the Sweet Honey Pours (Hardcover)","description":"\u003cp\u003eAuthor: Paolo Javier\u003c\/p\u003e\n\u003cp\u003ePublisher: Nion Editions (2018)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvolving from a libretto for performance with Listening Center originally commissioned by the High Line, \u003cem\u003eMaybe the Sweet Honey Pours\u003c\/em\u003e is made up of new poems that fold into a longer work drafted across several train rides from NYC to Toronto, Canada. Its present form resembles the seriality of Ted Berrigan, Frances Chung, Lorine Niedecker, and Stephen Jonas' poems. Overtly, \u003cem data-mce-fragment=\"1\"\u003eMaybe the Sweet Honey Pours\u003c\/em\u003e is a love poem about hitting the re-set button, and rhapsodizing about Wong Kar Wai's \u003c\/span\u003e\u003cem\u003eHappy Together\u003c\/em\u003e\u003cspan\u003e while mourning the loss of musical icons David Bowie, Phife Dawg, and Prince. 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The interviews provide a rare look at Takayanagi’s eccentric practice and personality, both long under-recognized by audiences outside (and often, inside) of Japan. In this respect, the interviews speak to the goals of Blank Forms’ publication enterprise, that is, to expand upon our work in performance programming, record production, and archival preservation, and to foster new dialogues on vanguard art and music from the past 50-plus years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe postwar Japanese history that Takayanagi describes also surfaces in this publication’s opening piece, a poetictribute by the writer and artist Louise Landes Levi to one of Takayanagi’s contemporaries, the poet Kazuko Shiraishi. \u003cem\u003eAspirations of Madness\u003c\/em\u003e includes a second Levi poem as well, “A Deep River,” written while at La Monte Young and Marian Zazeela’s Dream House in 2003, while Charles Curtis was rehearsing \u003cem\u003eJust Charles and Cello in the Romantic Chord\u003c\/em\u003e, a composition by Young that Blank Forms plans to present in Spring 2020. Complementing this tradition of Japanese free improvisation and poetry is the republication of a 1977 interview with Joseph Jarman, the great composer, poet, and multi-instrumentalist. The interview took place a few months after the publication of Jarman’s book \u003cem\u003eBlack Case Volume I \u0026amp; II: Return from Exile\u003c\/em\u003e, a collection of writings from 1960 to 1977 that Blank Forms had the honor of publishing in a new edition in Fall 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eWe also feature Charles Stein’s introduction to \u003cem\u003eBeing = Space x Action\u003c\/em\u003e, a crucial supplement to another recent Blank Forms publication, \u003cem\u003ePoësy Matters and Other Matters\u003c\/em\u003e by Catherine Christer Hennix. In its specificity and rarity of focus, Stein’s text offers valuable information on a vibrant artistic network of the recent past, as well as an extended look at the evolution of Hennix’s complex practice. Further along, \u003cem\u003eAspirations of Madness\u003c\/em\u003e features an excerpt from \u003cem\u003eThe Tree of Music\u003c\/em\u003e, a cross-cultural treatise by the Russian musicologist Genrich “Henry” Orlov, the English translation of which has never been published before. \u003cem\u003eThe Tree of Music\u003c\/em\u003e is a sweeping philosophical study of global music and cultures with universalist and spiritualist ambitions, excerpts of which are here selected and introduced by the composer and pianist Leo Svirsky. \u003cem\u003eAspirations of Madness\u003c\/em\u003e closes with one of Maryanne Amacher’s final pieces of writing, “The Agreement,” from 2009. The text takes the form of a letter between Amacher and the Open Ended Group, with whom she had planned to collaborate on her final, unfinished project, \u003cem\u003eLagrange: A Four Part Mini Series\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"IPS","offers":[{"title":"Default Title","offer_id":32950856843363,"sku":"9781733723541","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_f70b72d2-497e-44f6-b532-64844cd9ba8b.jpg?v=1598724895"},{"product_id":"kalimba","title":"Kalimba","description":"\u003cp\u003eAuthor: Petero Kalulé\u003c\/p\u003e\n\u003cp\u003ePublisher: Guillemot Press (2019)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eKalimba\u003c\/em\u003e is the wonderful debut collection of Petero Kalulé, a Ugandan poet, composer and multi-instrumentalist currently completing a PhD in law at Queen Mary University of London.\u003c\/p\u003e\n\u003cp class=\"\" id=\"yui_3_17_2_1_1598543504254_435\"\u003eMeant to be performed with flute, bells, saxophone and thumb piano, \u003cem\u003eKalimba\u003c\/em\u003e is a playful, musical collection that weighs language, history, dreamwork and presence.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eKalimba\u003c\/em\u003e\u003cspan\u003e is printed on Mohawk Superfine and Fedrigoni papers, section sewn, with a cover image by Ria Gunton. \u003c\/span\u003eThe idea for this book was to turn the book itself into a \u003cem\u003eKalimba\u003c\/em\u003e, complete with acoustic hole. The ‘acoustic hole’ was cut out using a die and a 1920s Thompson letterpress.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\"Petero Kalulé’s \u003cem\u003eKalimba\u003c\/em\u003e is part of a movement of poetic breath taking place; an aesthetic embodied and grounded in historical geographies and cultural location. A poetics working within, through and, perhaps, against a lyric tradition. To read \u003cem\u003eKalimba\u003c\/em\u003e is really to listen to a set of sonic languages that mediate social thought.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Kashif Sharma-Patel\u003c\/em\u003e\u003c\/p\u003e","brand":"Guillemot Press","offers":[{"title":"Default Title","offer_id":32964396613731,"sku":"082120201","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_e60fb305-e192-47d4-8a61-6d540b776a43.jpg?v=1598053032"},{"product_id":"poesy-matters-other-matters","title":"Poësy Matters and Other Matters","description":"\u003cp\u003eAuthors: Catherine Christer Hennix and Henry Flynt\u003c\/p\u003e\n\u003cp\u003eEditor: Lawrence Krumpf\u003c\/p\u003e\n\u003cp\u003ePublisher: Blank Forms (2019)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis two-volume set, \u003cem\u003ePoesy Matters and Other Matters\u003c\/em\u003e, presents selected texts by the Swedish polymath Catherine Christer Hennix. Volume one, \u003cem\u003ePoesy Matters\u003c\/em\u003e, is divided into two sections: poetry and drama, with each section also containing pieces of commentary by Hennix or her longtime collaborator Henry Flynt. Volume two, \u003cem\u003eOther Matters\u003c\/em\u003e, is divided into two sections: first, program notes and essays about a wide range of topics (including music, psychoanalysis, and mathematics), and second, a reproduction of Hennix’s 1989 work The Yellow Book. The first comprehensive publication of Hennix’s written work, \u003cem\u003ePoesy Matters and Other Matters\u003c\/em\u003e illustrates the singular depth and variety of her contributions to contemporary music, art, literature, and mathematics. Best known as a composer, Catherine Christer Hennix has, throughout her fifty-plus-year career, produced innovative work in the fields of not just minimal and computer music, but psychoanalytic theory, intuition mathematics, poetry, and prose as well. The texts in \u003cem\u003ePoesy Matters and Other Matters\u003c\/em\u003e reflect Hennix’s diverse training as well as her long-standing personal interests in Lacanian psychoanalysis and Japanese and Middle Eastern poetic forms, resulting in a rich, diffuse collection of writings that reveal one of the avant-garde’s most implacable, not to mention overlooked, creative minds.\u003c\/span\u003e\u003c\/p\u003e","brand":"IPS","offers":[{"title":"Default Title","offer_id":33328583147619,"sku":"9781733723503","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_6c41f24a-2824-41d9-be4d-42c5841882de.jpg?v=1607810041"},{"product_id":"maryanne-amacher-selected-writings-and-interviews-hardcover","title":"Maryanne Amacher: Selected Writings and Interviews (Hardcover)","description":"\u003cp\u003eArtist and Author: Maryanne Amacher\u003c\/p\u003e\n\u003cp\u003eEditors: Amy Cimini and Bill Dietz\u003c\/p\u003e\n\u003cp\u003ePublisher: Blank Forms Editions (2021)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eMaryanne Amacher (1938-2009) was a composer of large-scale fixed-duration sound installations and a highly original thinker in the areas of perception, sound spatialization and aural architecture. She is frequently cited as a pioneer of what has come to be called “sound art,” although her thought and work challenges assumptions about the limitations of that genre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eMaryanne Amacher: Selected Writings and Interviews\u003c\/i\u003e\u003cspan\u003e represents the first ever book-length collection devoted to the composer, whose life and work are as vast as they are as yet unknown. From personal notes and letters to program notes, manifestos and unrealized project proposals, the documents are framed by longer interviews with Amacher that discuss corresponding periods of her life. Because Amacher worked across nearly every imaginable media format, this book will be of tremendous interest to theorists and practitioners in media and communications, urban design, contemporary art history, music studies, sound studies, film, radio, art criticism and performance studies.\u003c\/span\u003e\u003c\/p\u003e","brand":"IPS","offers":[{"title":"Default Title","offer_id":33365810937955,"sku":"9781733723572","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_60ccd06d-e130-487d-b3ec-eb805eb27bcc.jpg?v=1609888460"},{"product_id":"instrument","title":"Instrument","description":"\u003cp\u003eAuthor: Dao Strom\u003c\/p\u003e\n\u003cp\u003ePublisher: Fonograf Editions (2020)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eDao Strom's \u003cem\u003eInstrument\u003c\/em\u003e is an experiment in multimodal poetics-inhabiting a synergistic blend of poetry, music, and visual art: the artist's three forms of \"voice.\" Born in Vietnam and leaving the country at the age of two for Northern California, Strom's life and work speaks to fragmentation-of\/within selves, histories, cultures, groups of people, and places-yet within this configuring lies her art's fluid mastery. Combining color photography, personal biography and gripping, restless poetry, \u003cem data-mce-fragment=\"1\"\u003eInstrument\u003c\/em\u003e represents a unique melding of literature and art. The poems are augmented by an album, \u003c\/span\u003e\u003cem\u003eTraveler's Ode\u003c\/em\u003e\u003cspan\u003e, of ambient and folk-tinged songs featuring ethereal assemblages of sung-poetry, vocal layering, spare guitar and piano, and field sounds from sources such as rivers, sea, jungle, birds. \u003c\/span\u003e\u003cem\u003eTraveler's Ode\u003c\/em\u003e\u003cspan\u003e is a collaborative release between Fonograf Ed. and Antiquated Future.\u003c\/span\u003e\u003c\/p\u003e","brand":"IPS","offers":[{"title":"Default Title","offer_id":39264872431715,"sku":"9781734456622","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_9c9f823c-ba9f-4d7e-acc4-2eb3fd7e2d59.jpg?v=1615067214"},{"product_id":"sonorama-listening-to-the-view-from-the-train","title":"Sonorama: Listening to the View from the Train","description":"\u003cp\u003eAuthor: Claudia Molitor\u003c\/p\u003e\n\u003cp\u003ePublisher: Uniformbooks (2019)\u003c\/p\u003e\n\u003cp\u003eLocated on the train journey between London St. Pancras and Margate, \u003cem\u003eSonorama\u003c\/em\u003e is an audio work by composer Claudia Molitor that offers sounds and voices for the otherwise silent view from the train. The work is downloadable as an app for listening with headphones.\u003c\/p\u003e\n\u003cp\u003eImagining the journey itself as the ‘score’ Molitor has composed a cycle of works and collected interviews, readings and archival material which respond to both the present, and the history of the route. With each track relating to a different point or area on the line, the work has been informed through a collaboration with historian David Hendy and the British Library. The tracks imagine topics as diverse as visio-centricity, Roman history and hop-picking, with a variety of contributors such as flautist Jan Hendrickse, saxophonist Evan Parker and writer Charlotte Higgins.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSonorama: Listening to the view from the train\u003c\/em\u003e, is a companion to the audio experience. It reproduces the complete graphic score of Molitor’s interpretation of the journey, locating the thinking behind the composition and the selection of other material.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.sonorama.org.uk\/\" target=\"tab\"\u003eStream the audio work\u003c\/a\u003e\u003c\/p\u003e","brand":"UNIFO","offers":[{"title":"Default Title","offer_id":39458957131875,"sku":"9781910010037","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/ScreenShot2021-07-01at3.42.09PM.png?v=1625172145"},{"product_id":"f0no9-douglas-kearney-val-jeanty-fodderlp","title":"Fodder (LP)","description":"\u003cp\u003eArtists: Douglas Kearney and Val Jeanty\u003c\/p\u003e\n\u003cp\u003ePublisher: Fonograf Editions (2021)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eRecorded live in Portland, OR on August 9, 2019, \u003cem\u003eFodder \u003c\/em\u003esplinters the sounds you were looking at on paper into the document you can hear through speakers. \u0026amp;\/or vice versa. Drawing in part from the award winning poetry collection \u003cem\u003eBuck Studies\u003c\/em\u003e‘ “Loud-Assed Colored Silence” series, Douglas Kearney (words) and Val Jeanty (sounds) interweave new and old texts of original composition, samples, and improvisation to create live sound chemistry, raw energy, and better listening through playing. Pull up.\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":39676538454115,"sku":"9781734456646","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_e373ce73-d4d5-4205-b46b-53be63386ff5.png?v=1638728095"},{"product_id":"fono13-brian-laidlaw-the-family-trade-this-aster-adaptations-of-emile-nelligan-lp","title":"This Aster–Adaptations of Emile Nelligan (LP)","description":"\u003cp\u003ePerformers: Brian Laidlaw and The Family Trade\u003c\/p\u003e\n\u003cp\u003ePublisher: Fonograf Editions (2021)\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThis Aster \u003c\/i\u003eis a suite of songs based on poems by the French-Canadian poet Emile Nelligan. Nelligan was born in Montreal on Christmas Eve, 1879; he published his first poems at sixteen, and was heralded as a rising star of Canadian literature. The poet produced his entire oeuvre by the age of nineteen, and was then, at twenty, abruptly committed to a mental hospital. Nelligan remained in the asylum for the rest of his life, and never wrote again. \u003c\/p\u003e\n\u003cp\u003eA century later, poet-songwriter Brian Laidlaw was offered a Hinge Artist Residency to live and work on the grounds of a different mental hospital—the Kirkbride, in Northern Minnesota—for a stretch of several weeks, translating Nelligan’s poems from French into English, and then setting the texts to music. Working with his chamber-folk ensemble The Family Trade, the band tracked \u003ci\u003eThis Aster \u003c\/i\u003eonsite, recording everywhere from closets to cathedrals. The resulting tracks—full of haunted choirs, sweeping strings, and apocalyptic trumpets—are an attempt to capture in English-language music the stirring effects that Nelligan himself created in his original French-language poetry.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThis Aster\u003c\/i\u003e dwells in the perpetual autumn of that remarkable work: a soundscape of ghosts and snowfall, love and loss, and the golden rattle of falling leaves.\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":39676539404387,"sku":"687700120001","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_6a1d5031-efea-4128-acf8-0eee85223705.png?v=1638728547"},{"product_id":"buddhist-bubblegum-esotericism-in-the-creative-process-of-arthur-russel","title":"Buddhist Bubblegum: Esotericism in the Creative Process of Arthur Russell","description":"\u003cp\u003eAuthor: Matt Marble \u003c\/p\u003e\n\u003cp\u003ePublisher: Coolgrove (2021)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eRaised in the cornfields of Oskaloosa, Iowa, Arthur Russell (1951-1992) would become a visionary cellist, singer, composer, and producer in Lower Manhattan's \"Downtown\" arts scene during the 1970s and 80s. Russell's enigmatic music blended and transcended genres as disparate as Indian raga, Americana folk, avant-garde composition, and disco. He actively infused popular music into Manhattan's avant-garde art scene, while bringing a Buddhist-inspired experimentalism into American popular music. As poet Allen Ginsberg recalled, \"His ambition seemed to be to write popular music, or bubblegum music, but Buddhist bubblegum; to transmit the dharma through the most elemental form...\"\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing Russell's premature death due to AIDS at age 40, composer Philip Glass reflected, \"Arthur was very, very ahead of his time.\" And while a few of his dance singles would remain underground classics, Russell's work would be significantly neglected for over a decade. However, through the archival releases of Audika Records, a documentary film (\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eWild Combination\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e) and a biography (\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eHold On to Your Dreams\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e), Russell's fearless creativity and radical vulnerability have found an admiring audience in the 21st century. Today, celebrated artists—from Kanye West to Rosalía and Peter Broderick—as well as emerging musical generations are breathing new life into Russell's music and praising his name. Nevertheless, he has remained as mysterious as he has become accessible.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eBuddhist Bubblegum\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e dives deep into the mystery of Arthur Russell and offers an unprecedented exploration into his lifelong Vajrayana Buddhist practice. Author Matt Marble charts Russell's spiritual path, from his early life as a Buddhist monk on a Bay Area commune to his maturing engagement with Japanese Shingon and Indo-Tibetan Vajrayana traditions in Manhattan. Along the way, we learn how Russell creatively adopted traditional methods of mantra, mandala, meditation, astrology, numerology, and more. Through extensive archival research, personal interviews, and musical score analysis, Marble highlights Russell's major works and shows how esotericism and aesthetic theory strategically guided his creative process. The writing is supplemented throughout with numerous archival images, featuring Russell's original scores, notebooks, and photographs. Marble's work is indebted to the Arthur Russell Estate\/NYPL, Audika Records\/Steve Knutson, Tom Lee, and Russell's friends and collaborators, as well as to the pioneering work of biographers Tim Lawrence and Matt Wolf. Hailed by the \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eNew York Times\u003c\/span\u003e\u003cspan\u003e as \"groundbreaking work,” \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBuddhist Bubblegum\u003c\/span\u003e\u003cspan\u003e reveals how one of America's most visionary artists uniquely fused spiritual and musical disciplines.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":39758361526371,"sku":"9781887276306","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_8030390b-2fba-42d2-a438-71e574106fa5.jpg?v=1645303688"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/collections\/image_1c4b5d81-f198-4ba3-ab48-ed1479f7fd04.png?v=1714677954","url":"https:\/\/woodlandpatternbookcenter.com\/collections\/music-1.oembed?page=6","provider":"Woodland Pattern","version":"1.0","type":"link"}