Author: Renata Adler
Publisher: NYRB Classics (2013)
When Speedboat burst on the scene in the late ’70s, it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it.
A touchstone over the years for writers as different as David Foster Wallace and Elizabeth Hardwick, Speedboat returns to enthrall a new generation of readers.
“Speedboat is as vital a document of the last half of the American century as Slouching Towards Bethlehem and The Death and Life of Great American Cities. Right down to its final, just-right sentence, it’s—well, it will literally knock your socks off.”
“This novel is a semi-plotless investigation of contemporary life, both actual and intellectual, in which every sentence gleams and winks and lifts boulders. It is vital and dazzling and will never, never go out of style.”
"These are not works of realism—they have a dreamlike quality—but they contain as much reality as a Balzac novel does. It's just that their reality is incantatory, sparse, periodically blazing. ... one of the more penetrating and oddly hypnotizing books I know; reading it is like being in a snowstorm. ...If all you get from "Speedboat" and "Pitch Dark" is a shudder of pleasure and self-recognition, you are probably not reading deeply enough. Welcome Back, Renata Adler."