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Working as staff support at a small woman’s college in Denton, Texas, and in the US Army reserves, Jake had been a female soldier in Operation Desert Storm in 1991. Sligh and Jake worked together over four years to document his journey. What results is a book of photographs and texts that take us inside what became a highly transformative journey for the photographed and the photographer.\u003c\/span\u003e\u003c\/p\u003e","brand":"SLIGH","offers":[{"title":"Default Title","offer_id":32499380813923,"sku":"9781607439325","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/1_WronglyBodied_Cover_3x2_04499cb8-a9fa-4ff6-8cc0-eacfddc62be1.jpg?v=1600886749"},{"product_id":"31417","title":"Why Did the Chicken Cross the Road? Original Jokes About The Suburban and the Poor Farm by Artists Who Have Exhibited There","description":"\u003cp\u003eEditor: Michelle Grabner\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003ePoor Farm Press (2012)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn exhibition catalog to a project at Yale School of Art in Fall 2012.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLimited edition of 1000.\u003c\/span\u003e\u003c\/p\u003e","brand":"DONAT","offers":[{"title":"Default Title","offer_id":32499420954723,"sku":"209183","price":7.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_c18cf126-5074-48fe-9139-8b4e4bfd5ae2.jpg?v=1594195662"},{"product_id":"14881","title":"John Cage Uncaged is Still Cagey","description":"\u003cp\u003eAuthor: David Antin\u003c\/p\u003e\n\u003cp\u003ePublisher: Singing Horse Press (2005)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two texts that make up this book originated as talks Antin gave in honor of John Cage's seventy-seventh birthday. Using Cage's poem \"Composition as Process\" as a point of departure, Antin explores a way of understanding how structure in art and life provides us not with a rigid blueprint for determining behavior but with the ability \"to attend to no matter what eventuality\" with spontaneity and grace. \u003c\/span\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499447070819,"sku":"093516233X","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_89b31e99-b072-4408-b646-4397c5560ad1.png?v=1594562310"},{"product_id":"22353","title":"Poor and Needy: An Exhibition on Art, Migration, and Debt","description":"\u003cp class=\"font_8\"\u003e\u003cspan\u003eCurators: \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eLise Haller Baggesen and Yvette Brackman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003e\u003cspan class=\"wixGuard\"\u003eArtists\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cspan\u003eRashayla Marie Brown, \u003c\/span\u003e\u003cspan\u003eKirsten Dufour \/ Mobil Kultur Bureau, \u003c\/span\u003e\u003cspan\u003eJim Duignan \/ Stockyard Institute, \u003c\/span\u003e\u003cspan\u003eMichelle Eistrup, \u003c\/span\u003e\u003cspan\u003eAnja Franke, \u003c\/span\u003e\u003cspan\u003eNanna Lysholt Hansen, \u003c\/span\u003e\u003cspan\u003eHannah Heilmann, \u003c\/span\u003e\u003cspan\u003eAnni Holm, \u003c\/span\u003e\u003cspan\u003eUlla Hvejsel, \u003c\/span\u003e\u003cspan\u003eHenrik Plenge Jakobsen, \u003c\/span\u003e\u003cspan\u003eJenny Kendler, \u003c\/span\u003e\u003cspan\u003eKurt Finsten \/ Krabbesholm Højskole, \u003c\/span\u003e\u003cspan\u003eKirsten Leenaars, S\u003c\/span\u003e\u003cspan\u003eofia Leiby, \u003c\/span\u003e\u003cspan\u003eTony Lewis, \u003c\/span\u003e\u003cspan\u003eJosh Mittelman, \u003c\/span\u003e\u003cspan\u003eMatt Morris, \u003c\/span\u003e\u003cspan\u003eSkovsnogen, \u003c\/span\u003e\u003cspan\u003eEdra Soto, \u003c\/span\u003e\u003cspan\u003eThe Third Rail, and \u003c\/span\u003e\u003cspan\u003eAndrew Yang \u0026amp; Christa Donner \/ Cultural ReProducers. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePublishers: Poor Farm Press and Krabbeshiolm Højskole (2016)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eI\u003c\/span\u003e\u003cspan\u003enspired by Emma Lazarus’ poem “The New Colossus,” engraved on the base of the Statue of Liberty in New York, \u003cem\u003ePoor \u0026amp; Needy\u003c\/em\u003e explored various economies of creative compassion. At the Poor Farm, housed in a former debtors farm in rural Wisconsin, \u003cem\u003ePoor \u0026amp; Needy\u003c\/em\u003e engaged its site to reflect on ideas related to cooperation, migration, and debt. For the Great Poor Farm Experiment VIII, in the summer of 2016, the \u003c\/span\u003e\u003cspan\u003eexhibition occupied two floors of the Poor Farm with an upstairs “biblioteque” and basement “discoteque,” to underscore how these issues must be actuated both in the archive and in the club, to capture our hearts as well our minds.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003e\u003cspan class=\"wixGuard\"\u003e​\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eMigration implies collaboration, and the need to recognize our interconnectedness, to address systems of oppression, domination, or discrimination. Debt and economic liberalization turns the previously mentioned social and political movement(s) into profitable economical entities within debt relations. As artists we rely on each other to forge bonds and collaborations, but what does it mean to be in debt; to whom are we indebted, and who will hold us accountable—society, community, the canon, a legally binding contract, or merely our own moral code?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003e\u003cem\u003ePoor \u0026amp; Needy \u003c\/em\u003ebrings together a disparate group of artists from Scandinavia and from the American Midwest, using landscape, locality and (shared) history to examine artistic ecologies in various forms, from artist-run spaces, collaborations, and publications, to the cooperative continuum between people in nature.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003e\u003cspan class=\"wixGuard\"\u003e​\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eFollowing the Great Poor Farm Experiment VIII, the exhibition and symposium travelled to Krabbesholm, DK in fall 2017. 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His word pictures are the ransom note we write to death.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e–\u003cem\u003eMichael William Doyle\u003c\/em\u003e\u003c\/p\u003e","brand":"LKOCH","offers":[{"title":"Default Title","offer_id":32499475742819,"sku":"9780981562049 C","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/ScreenShot2022-11-04at5.07.08PM.png?v=1667599634"},{"product_id":"13564","title":"I Work from Home","description":"\u003cp\u003eAuthor: Michelle Grabner\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eMousse Publishing (2014)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003ci\u003eI Work from Home\u003c\/i\u003e\u003cspan\u003e is a survey monograph on American painter Michelle Grabner (born 1962), presenting over 100 works from the past 20 years. 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It collects work made during travels around Europe, Asia, and the Americas, for friends, collaborators, and ghosts.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"DONAT","offers":[{"title":"Default Title","offer_id":32499595444323,"sku":"9780692585290","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_1abdf472-9113-46c9-b07e-7ba038ca277a.png?v=1593522399"},{"product_id":"9163","title":"Events Film Cannot Withstand","description":"\u003cp\u003eAuthor: Zach Savich\u003c\/p\u003e\n\u003cp\u003ePublisher: Rescue Press (2011)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"I want to write you a beautiful book of prose, against not least the before-too-long loss of tongue and sense and all sun-defiant hues on the river bend, and none of us able to say or touch or see, soon enough, soon enough, aground, to give you this my voice today nevertheless, withstanding, nevertheless, given everything, for you, a clear note from a complicated bell,\" begins Zach Savich in his first book of prose. 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With subjects ranging from a fed-up dude hurling a Big Gulp at a Tesla parked on Glendale Boulevard to the unique soul playing the melodica in his driver's-seat-cum-rehearsal-space, Tippet's photography documents the surreal, everyday happenings that permeate the neighborhood he calls home.\u003cbr\u003e\u003c\/p\u003e","brand":"OSCLP","offers":[{"title":"Default Title","offer_id":32499647840355,"sku":"850010804040 C","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_60d671c4-8c47-4782-af93-d9501e3ff4e6.jpg?v=1606864647"},{"product_id":"16536","title":"Loading","description":"\u003cp\u003eAuthor: Anselm Berrigan \u003c\/p\u003e\n\u003cp\u003eArtist: \u003cspan\u003eJonathan Allen \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: Brooklyn Arts Press (2013)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“With each new invention, from the printing press to Google Glass, our expectations for communication swell. Allen incorporates traces of information exchange into his works with written words and coding found in print materials and the interweaving of spoken poetry into his animation. His architecturally inspired images, themselves built in layers, also call to mind the human compulsion to control our surroundings. We amass so much data that we build physical structures to house information—seen in the library of Loading and the server stacks of Pre-listserv. Inherently intangible numbers and letters now shape physical space; works such as Watching and You \u0026amp; your Signals \u0026amp; codes reveal that, in addition to our homes and offices, we now exist in equally real spaces assembled from pixels and code.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Art Daily\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Who’s crowd-sourcing, funding, and promoting who? What constitutes the latest media buy-out, or sell-out, by inflated multinationals, and to what form of state or private surveillance are you prey? What Berrigan most wants to know, and, in \u003cem\u003eLoading\u003c\/em\u003e, finds (however insufficient or bitter—'We like a bilingual hinge about now \/ you can get some suckle from a \/ local armoirery too, goddamnit'—a discovery) is his own hunger, admittance of apocalyptic boredom, and complicity in the systems (disaster capitalism, language) to which there appears to be no 'outside —subsumptions both formal and real, subverted only by the sliver of hope in art’s autonomy from 'same.' Berrigan and Allen hold up a mirror up to the reader, demanding an answer to the question of what script you’re following–Oedipal, neoliberal, hetero\/queer, marital–and who’s funding you.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Coldfront Magazine\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499665600611,"sku":"9781936767281","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_6fae4e8b-0bf1-4600-8481-b3b78cd83b97.png?v=1594771185"},{"product_id":"23220","title":"Re: Re: Re: Essays and Drawings","description":"\u003cp\u003eAuthor: Thomas Gaudynski\u003c\/p\u003e\n\u003cp\u003ePublisher: Necessary Arts (2016)\u003c\/p\u003e\n\u003cp\u003eLiving the information life: referencing nested consecutive subjects, threads, dialogues, rejoinders, engagements. \"And another thing . . . \" Collected here are a series of first, second, their thoughts as essays and other media. The reader may find not just subject or object, signifier or signified, report or exploration, investigation or art work, artist or event, thought or practice. Why be limited to a fixed number, connection, thread, correspondence, form?\u003cem\u003e Re: Re: Re:\u003c\/em\u003e attempts to be multi-sensory.\u003c\/p\u003e","brand":"TGAUD","offers":[{"title":"Default Title","offer_id":32499695648867,"sku":"9780971226319 C","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/Inventory090.jpg?v=1594912931"},{"product_id":"23632","title":"Republic of Exit 43: Outtakes \u0026 Scores from an Archaeology and Pop-Up Opera of the Corporate Dump","description":"\u003cp\u003eAuthor: Jennifer Scappettone\u003c\/p\u003e\n\u003cp\u003ePublisher: Atelos (2016)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Republic of Exit 43\u003c\/em\u003e is a verbal\/visual archaeology of the hazardous waste sites across the street from home and school, tucked behind the portal of an expressway: domains mute and seemingly inert. Composting Alice's adventures underground, verse channels unearthed disputes surrounding a noxious landfill and adjoining copper rod mill through the throats of nether and overworlds, from Eurydice to CEOs—mining landscape as retribution, baffle, legal battle and real estate speculation, deregulation, rogue digging and pastoral pipe dreams on the part of the harmed. Amidst the stupefaction of innumerable private and state ruses, these pages lay out how the entrails of postwar industry might be reclaimed toward a music of non–consensual citizenship where poetry is unregulated and fully integral.\u003cbr\u003e\u003cbr\u003e\"A book written against a copper and bacterial backdrop or cloth or hologram or site. To breach, to fluoresce: and in this way: the book performs its conductivity and tenderness as a relationship to suffering that resembles justice. I was deeply moved by Jennifer Scappettone's book. Book as voltage: the colors yellow and silver, red and black. Another color, a color we cannot see, a color there's no word for: folded many times. The pressure before the word arrives. The wet paper. How the fold decays and becomes a part of this other landscape. What is possible in this moment, in this light, at this time? Images hold one kind of memory in Scappettone's book; narrative another. The larger question of territory is placed next to the landfill, for example: the labyrinth, the space beneath or between. The air. The particles of the air. And, after all this time, the ground.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Bhanu Kapil\u003c\/em\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499697713251,"sku":"9781891190407","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/9781891190407.jpg?v=1594845155"},{"product_id":"24358","title":"Saborami","description":"\u003cp\u003eAuthor and Artist: Cecelia Vicuña\u003c\/p\u003e\n\u003cp\u003ePublisher: ChainLinks (2011)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e First published in 1973, two months after the military coup in Chile, Cecilia Vicuña's \u003cem\u003eSaborami \u003c\/em\u003eis a document of the times and the way in which history can change art. It is filled with the urgent hope that art, too, can change history. Put together when Vicuña was just twenty-five years old, the poems, paintings, and objects of \u003cem\u003eSaborami\u003c\/em\u003e enact a complex and multidimensional conversation. The meanings of the works (which were created over a seven year period) shifted radically after the events of September 11, 1973. Their meanings continue to shift and resonate in light of political events today. This recreation of the original \u003cem\u003eSaborami\u003c\/em\u003e is published with a new afterword Vicuña wrote especially for this edition.\u003c\/span\u003e\u003c\/p\u003e","brand":"SPD","offers":[{"title":"Default Title","offer_id":32499700072547,"sku":"9781930068506","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_20dcc791-ff34-44cb-ac7b-17550591ea51.png?v=1594615204"},{"product_id":"1978","title":"Artifacts: Essays on Music + Art + Design","description":"\u003cp\u003eAuthor: Thomas Gaudynski\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan\u003eNecessary Arts (2001)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusic, art, design: How are these related? How do they differ? Can the practice of one influence the practice of the others? The essays in this book grapple with these questions. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Explores convergence of visuals and sound that define a world where advertisements have more impact than art in a gallery.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003e–Shepherd Express\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"TGAUD","offers":[{"title":"Default Title","offer_id":32499755712611,"sku":"097122630XC","price":15.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_cead6102-9c1b-477a-b0d2-7b86a4e02dbd.png?v=1594017570"},{"product_id":"4643","title":"Camera","description":"\u003cp\u003eAuthor: Marcelline Delbecq \u003c\/p\u003e\n\u003cp\u003eTranslator: Emmelene Landon\u003c\/p\u003e\n\u003cp\u003ePublisher: Ugly Duckling Presse (2019)\u003c\/p\u003e\n\u003cp\u003eLimited edition out of 700 copies.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eMarcelline Delbecq’s \u003c\/span\u003e\u003cem\u003eCamera\u003c\/em\u003e\u003cspan\u003e stitches itself together from a constellation of inquiries into photography as a practice of intuition and enigma. Delbecq interlaces works of film, photography, and writing to open a dialogue with herself, investigating photography’s impulse to reach outward. \u003c\/span\u003e\u003cem\u003eCamera\u003c\/em\u003e\u003cspan\u003e forges an interplay between movement—the kind that lingers behind visual objects—and stillness, implicating a theory of the image as an interpretative, embodied act. 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I entered the world of pinhole photography almost simultaneous with this interest and built my first stereo pinhole camera in 1999.  In addition, around this time I also devised a means of making stereo photograms that I mounted in the conventional (vintage) stereoview card format of 3 1\/2” x 7.” To facilitate viewing these cards, I refashioned vintage stereoscopes to fit the width of modern eyeglasses.  \u003c\/p\u003e\n\u003cp\u003eIn 2017 I began working with a larger format for stereo photograms (7 1\/2” x 7 1\/2” square stereo pairs) and modified Charles Wheatstone’s designs for a reflecting stereoscope (1838) that could be used to view there photos. I’ve designed and built a handheld variation on the reflecting stereoscope for viewing these same photograms as side-by-side mounted stereo pairs.  In 2018\/2019, this work, in the realms of both cameraless and pinhole photography, has been included in the 57th Carnegie International at the Carnegie Art Museum (Pittsburg, PA) and in a solo exhibition at the Cedarburg Art Museum (Cedarburg, WI).\u003c\/p\u003e\n\u003cp\u003eA selection of my work with stereo (3D) photograms in the vintage stereoview card format has been published in the collection\u003cem\u003e The Concentration of Attention\u003c\/em\u003e (2019) with an essay on “Stereo Photography and the Art of Hal Rammel” by Steve Schlei.\u003c\/p\u003e","brand":"PNMBR","offers":[{"title":"Default Title","offer_id":32499847364707,"sku":"061120199 C","price":37.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/ConcentrationOfAttention_HR.jpg?v=1594827844"},{"product_id":"7125","title":"Dark Arcana: Afterimage or Glow","description":"\u003cp\u003eAuthor: Anne Waldman\u003c\/p\u003e\n\u003cp\u003ePublisher: Heaven Bone Press (2003)\u003c\/p\u003e\n\u003cp\u003eThe full color cover photo and the inside black and white photography are by social activist, photographer, and rock legend Patti Smith.\u003c\/p\u003e\n\u003cp\u003eThis is one of Waldman’s most important poems; a feverish inspection of the damage still being wrought by the Vietnam War on a society struggling to preserve its unique culture and natural beauty. Patti Smith’s photographs which accompany the text, fit so well, and accentuate the passionate ironies of the poem. Patti and husband Oliver Ray had traveled through Vietnam and captured some extraordinary images. Waldman even dedicates the poem to them.\u003c\/p\u003e","brand":"HVNBO","offers":[{"title":"Default Title","offer_id":32499863978083,"sku":"1891930028","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/1986.jpg?v=1620397665"},{"product_id":"8696","title":"Electric Arches","description":"\u003cp\u003eAuthor: Eve L. Ewing \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ePublisher: Haymarket Books (2017)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eElectric Arches\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an imaginative exploration of Black girlhood and womanhood through poetry, visual art, and narrative prose.\u003c\/p\u003e\n\u003cp\u003eBlending stark realism with the surreal and fantastic, Eve L. Ewing’s narrative takes us from the streets of 1990s Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances―blues legend Koko Taylor is a tall-tale hero; LeBron James travels through time and encounters his teenage self. She identifies everyday objects―hair moisturizer, a spiral notebook―as precious icons.\u003c\/p\u003e\n\u003cp\u003eHer visual art is spare, playful, and poignant―a cereal box decoder ring that allows the wearer to understand what Black girls are saying; a teacher’s angry, subversive message scrawled on the chalkboard.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eElectric Arches\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003einvites fresh conversations about race, gender, the city, identity, and the joy and pain of growing up.\u003c\/p\u003e\n\u003cp\u003e\"A precision that is both beautiful and deeply uncomfortable ... [a] profound act of love for family, a city, and its children.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–NPR\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\"While reading, I found myself continually thinking, \u003cem\u003eI had no idea you could make poetry do that\u003c\/em\u003e, followed by,\u003cem\u003e thank God she has done this\u003c\/em\u003e.\" \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e–Tracy K. Smith\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"This is one of the maps to our survival.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–Ross Gay\u003c\/em\u003e\u003c\/p\u003e","brand":"INGMB","offers":[{"title":"Default Title","offer_id":32499898810467,"sku":"9781608468560","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_f97b5f05-1c1c-4c9f-8154-69701c33531a.png?v=1593712572"},{"product_id":"8798","title":"Emergency INDEX: An Annual Document of Performance Practice | Vol. 6","description":"\u003cp\u003eEditors: Yelena Gluzman, Sophia Cleary, and Katie Gaydos\u003c\/p\u003e\n\u003cp\u003ePublisher: Ugly Duckling Presse (2017)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe pages of \u003cem\u003eEmergency Index \u003c\/em\u003eare open to all who work with performance. In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, \u003cem\u003eIndex\u003c\/em\u003e reveals the breathtaking variety of practices used in performance work today. Each volume features a comprehensive index of key terms used by contributors in describing and discussing their own work. Begun in 2011, \u003cem\u003eIndex \u003c\/em\u003eis a lens for seeing the field of contemporary performance from the ground up.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"This is a bible of performance art activity. And if you are, like I am, a believer in performance art and the value of this ephemeral art activity to change the hearts and minds and consciousness of people, then you need to have this bible in your life. The end.\"\u003c\/p\u003e\n\u003cp\u003e\u003ccite\u003e–Martha Wilson\u003c\/cite\u003e\u003c\/p\u003e\n\u003cp\u003e\"We've been seeing performance art materialize around us, but without feeling that there was a context for such ideas. Artists have been doing such pieces for a long time without much recognition that in fact their ideas are related. Now, with Emergency INDEX, we get the sense of a magical secret shared among many artists. Emergency INDEX is a profoundly important publication. It guides us to a new place.\"\u003ccite\u003e\u003cbr\u003e\u003c\/cite\u003e\u003ccite\u003e\u003c\/cite\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ccite\u003e–Robert Ashley\u003c\/cite\u003e\u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32499903692899,"sku":"9781937027988","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_ffcf8296-e769-4e4f-9147-eefbcc9ab837.png?v=1595450439"},{"product_id":"8802","title":"Emergency INDEX: An Annual Document of Performance Practice | Vol. 3","description":"\u003cp\u003eEditors: Yelena Gluzman and Sophia Cleary\u003c\/p\u003e\n\u003cp\u003ePublisher: Ugly Duckling Prese (2014)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe pages of \u003cem\u003eEmergency Index \u003c\/em\u003eare open to all who work with performance. In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, \u003cem\u003eIndex\u003c\/em\u003e reveals the breathtaking variety of practices used in performance work today. Each volume features a comprehensive index of key terms used by contributors in describing and discussing their own work. Begun in 2011, \u003cem\u003eIndex \u003c\/em\u003eis a lens for seeing the field of contemporary performance from the ground up.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"This is a bible of performance art activity. And if you are, like I am, a believer in performance art and the value of this ephemeral art activity to change the hearts and minds and consciousness of people, then you need to have this bible in your life. The end.\u003c\/p\u003e\n\u003cp\u003e\u003ccite\u003e–Martha Wilson\u003c\/cite\u003e\u003c\/p\u003e\n\u003cp\u003e\"We've been seeing performance art materialize around us, but without feeling that there was a context for such ideas. Artists have been doing such pieces for a long time without much recognition that in fact their ideas are related. Now, with Emergency INDEX, we get the sense of a magical secret shared among many artists. Emergency INDEX is a profoundly important publication. It guides us to a new place.\"\u003ccite\u003e\u003cbr\u003e\u003c\/cite\u003e\u003ccite\u003e\u003c\/cite\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ccite\u003e–Robert Ashley\u003c\/cite\u003e\u003c\/p\u003e","brand":"UGLYD","offers":[{"title":"Default Title","offer_id":32499903758435,"sku":"9781937027506","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_71c6a331-db5f-4f80-936e-9272bf2f1967.jpg?v=1595388293"},{"product_id":"10531","title":"Frank O'Hara: Poet Among Painters","description":"\u003cp\u003eAuthor: \u003cspan\u003eMarjorie \u003c\/span\u003ePerloff\u003c\/p\u003e\n\u003cp\u003ePublisher: University of Chicago Press (1998)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrawing extensively upon the poet’s unpublished manuscripts—poems, journals, essays, and letters—as well as all his published works, Marjorie Perloff presents Frank O’Hara as one of the central poets of the postwar period and an important critic of the visual arts. Perloff traces the poet’s development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new Introduction addressing O’Hara’s homosexuality, his attitudes toward racism, and changes in poetic climate covering the past few decades. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"A groundbreaking study. [This book] is a genuine work of criticism. . . . Through Marjorie Perloff’s book we see an O’Hara perhaps only his closer associates saw before: a poet fully aware of the traditions and techniques of his craft who, in a life tragically foreshortened, produced an adventurous if somewhat erratic body of American verse.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003ci\u003eChronicle of Higher Education\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Perloff is a reliable, well-informed, discreet, sensitive . . . guide. . . . She is impressive in the way she deals with O’Hara’s relationship to painters and paintings, and she does give first-rate readings of four major poems.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003ci\u003eNew York Times Book Review\u003c\/i\u003e\u003c\/p\u003e","brand":"UCHGP","offers":[{"title":"Default Title","offer_id":32499937476707,"sku":"0226660591","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/71e23wfjwaL.jpg?v=1598467179"},{"product_id":"13794","title":"The Importance of Being Iceland","description":"\u003cp\u003eAuthor: Eileen Myles\u003c\/p\u003e\n\u003cp\u003ePublisher: Semiotext(e) \/ Active Agents (2009)\u003c\/p\u003e\n\u003cp\u003ePoet and post-punk hero Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant flaneur. Like Baudelaire's gentleman stroller, Myles travels the city―wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding in the van with Sister Spit―seeing it with a poet's eye for detail and with the consciousness that writing about art and culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in \u003ci\u003eThe Importance of Being Iceland\u003c\/i\u003e make a lush document of their―and our―lives in these contemporary crowds. Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Björk, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's \u003cem\u003eSonnets\u003c\/em\u003e, and flossing.\u003cbr\u003e\u003c\/p\u003e","brand":"PRH","offers":[{"title":"Default Title","offer_id":32500018708579,"sku":"9781584350668","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_14140059-e20d-48c1-9aa9-bffd7f68881d.png?v=1594496170"},{"product_id":"14323","title":"Inner Passage","description":"\u003cp\u003eAuthor: Bob \"Koshin\" Hanson\u003c\/p\u003e\n\u003cp\u003ePublisher: \u003cspan data-mce-fragment=\"1\"\u003eCreateSpace Independent Publishing Platform (2011)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Inner Passage\u003c\/em\u003e is a book of poetry and photographs created by ko shin Bob Hanson. It is a reflection of his journey, and the gift that his life, family and friends have been for him along the way. In fact, some of his poet colleagues have created poems for this collection. Enjoy. Listen to your muse and write a poem, tell a story, dance and have fun!\u003c\/span\u003e\u003c\/p\u003e","brand":"KOSHI","offers":[{"title":"Default Title","offer_id":32500033650787,"sku":"9781467947961 C","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/ScreenShot2023-01-28at3.23.11PM.png?v=1674940997"},{"product_id":"14423","title":"Intermedia, Fluxus and the Something Else Press: Selected Writings by Dick Higgins","description":"\u003cp\u003eAuthor: Dick Higgins\u003c\/p\u003e\n\u003cp\u003eEditors: \u003cspan\u003eSteve Clay and Ken Friedman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublisher: Siglio Press (2018)\u003c\/p\u003e\n\u003cp\u003eThere are few art-world figures as influential—and as little known—as Dick Higgins (1938-1998), co-founder of Fluxus, “polyartist,” poet, scholar, theorist, composer, performer and, not least, the publisher of the Something Else Press. In 1965 he restored the term “intermedia” to the English language, giving it new dimension to recognize the dissolution of boundaries, the expansion of liminal spaces between traditional modes of art making, and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many—as a participant and instigator of Happenings, as writer and composer straddling traditional and vanguard forms, among others—but it was the Something Else Press (1963-1974) that redefined how “the book” could inhabit that energized, in-between space.\u003c\/p\u003e\n\u003cp\u003eSomething Else Press was as much a critical statement and radical experiment as it was a collection of books by some of the most luminary artists and writers of the twentieth century: Gertrude Stein, John Cage, Ray Johnson, Dieter Roth, Bern Porter, Emmett Williams, Robert Filliou, George Brecht, among many others. Along with his Great Bear pamphlet series and the Something Else Press newsletter, Higgins exploited and subverted conventional book production and marketing strategies to get unconventional and avant-garde works into the hands of new and often unsuspecting readers.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by Steve Clay and Ken Friedman, \u003c\/span\u003e\u003cem\u003eIntermedia, Fluxus and the Something Else Press: Selected Writings\u003c\/em\u003e by Dick Higgins\u003cspan\u003e is a judiciously curated and indispensable compendium of essays, theoretical writings and narrative prose by Higgins that dives deep into the ever-influential ideas that he explored in theory and practice. (It also includes a substantial, highly illustrated Something Else Press checklist including Higgins’ jacket and catalog copy about the books he published.) Clay and Friedman have chosen works that illuminate his voracious intellectual appetite, encyclopedic body of knowledge, and playful yet rigorous experimentation in a selection that includes many writings long out-of-print or difficult to find.\u003c\/span\u003e\u003c\/p\u003e","brand":"IPS","offers":[{"title":"Default Title","offer_id":32500035125347,"sku":"9781938221200","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0278\/8655\/1139\/products\/image_c2c2f892-7eb8-4f2b-9be8-27a53ccb688a.png?v=1595604738"},{"product_id":"14455","title":"Intimate: An American Family Photo Album","description":"\u003cp\u003eAuthor: Paisley Rekdal \u003c\/p\u003e\n\u003cp\u003ePublisher: Tupelo Press (2012)\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eIntimate\u003c\/em\u003e is a hybrid memoir and \"photo album\" that blends personal essay, historical documentary, and poetry to examine the tense relationship between self, society, and familial legacy in contemporary America. 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My shop location was 308 Bowery (the south window at the Bowery Poetry Club), and my hours of operation were Tuesday through Thursday 11:00AM-2:00PM, from May 5 through May 27. The words and letters were either chosen by the individual customers or arrived at with my assistance. I would then hand-write or print the letter, word, or phrase. Single letters were sold for 50 cents and single words for one dollar. As the sole proprietor of the store, I invited people to stop by for a chat and shop for words. 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In this artist’s book, Chilean-born artist and poet Cecilia Vicuña weaves personal and ancestral memory while summoning the collective power to confront the economic disparities and environmental crises of the 21st\u003cspan\u003e \u003c\/span\u003ecentury.\u003c\/p\u003e\n\u003cp\u003eCollecting the detritus that washes up on shore, Vicuña assembles out of the refuse tiny\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eprecarios\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ebasuritas\u003c\/em\u003e—little sculptures held together with nothing more than string and wire, which she sometimes makes as offerings to be reclaimed by the sea. These acts of creation and erasure mirror the ways in which her work inhabits and enlivens the liminal spaces between the remembered and forgotten, the revered and the discarded, the material and the dematerialized.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eAbout to Happen\u003c\/i\u003e, which accompanies an exhibition at the Contemporary Arts Center, traces a decades-long practice that has refused categorical distinctions and thrived within the confluences of conceptual art, land art, feminist art, performance and poetry. 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The eight collections that have appeared in America have influenced many of our best younger poets.... Šalamun's poems pull you in, as well as seduce you into reading more closely and slowly. The language, particularly from line to line, keeps changing, like the world.... 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