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Author: Joan Naviyuk Kane

Publisher: University of Pittsburgh Press (2013)

Hyperboreal originates from diasporas. It attempts to make sense of change and to prepare for cultural, climate, and political turns that are sure to continue. The poems originate from the hope that our lives may be enriched by the expression of and reflection on the cultural strengths inherent to indigenous culture. It concerns King Island, the ancestral home of the author’s family until the federal government’s Bureau of Indian Affairs forcibly and permanently relocated its residents. The poems work towards the assembly of an identity, both collective and singular, that is capable of looking forward from the recollection and impact of an entire community’s relocation to distant and arbitrary urban centers. Through language, Hyperboreal grants forum to issues of displacement, lack of access to traditional lands and resources and loss of family that King Island people—and all Inuit—are contending with.
"Kane's lyric voice is terse, lapidary; each of these poems is, as John Taggart would have it, a 'room for listening.' There is an immense and insistent stillness here, 'From / the forest / the wind / has all revised' to the 'dreams inlaid with rigid marrow.' These are songs of 'intaction,' of that which endures, poised against 'the / long fermata of dusk / and its promised repetition.'"
–G.C. Waldrep

“I am mesmerized by these poems, their sonorous pathways across time and place; how they absorb and let me linger awhile in their stark beauty. Joan Kane has created a genuine indigenous poetic, irreducible, a point of reorigination and new beginnings. Hyperboreal will be remembered and celebrated.”

–Sherwin Bitsui