Mess And Mess And

Author: Douglas Kearney

Publisher: Noemi Press (2015)

Douglas Kearney writes, "If my writing makes a mess of things, it's not to flee understanding, but to map (mis-)understanding as a verb." The map's guide is Mess And Mess And, in which Kearney defines the terms that member his poetics, taking even prefixes as a call for semantic inquiry. Within are essays that explore "the Negrotesque," gloss specific poems and poetry collections, the inspirations (from life, literature, and otherwise) he drew upon when putting his pen to the page—as well as studies and drafts from his journals. Simultaneously playful and cutting, Kearney's collection interrogates that which inspires, troubles, and recurs in his work, the mess(es) there.

"The joy in reading Mess And Mess And comes from the way Douglas Kearney's writing performs and transforms the sensations of the historic, imagined and real black body into a kind of jive signification system of pun, gesture and resistance through time, space, etymology, gloss. Jive meaning: some mess, some movements, some secrets glyphed behind the hand, continually decoding and decoying the code. "Here, the body shifts to its proxy, language," as Kearney creates his own methods for naming and theorizing not just creative process but the experience of art and utterance as a relationship with the various phenomena of living, dying and getting free. Evoking the heady erotics of Nathaniel Mackey and the critical interventions of Adrian Piper, Douglas Kearney's meticulous and playful ars poetica illustrates the unseen dimensions of what makes his work necessarily graphic, totally vulnerable and admirably outrageous."

–Tisa Bryant

". . .An old-new analexical word search and blackword research project, an anamessianic mess for the end of time that no one can tell us how to use, Mess And Mess And is Miss Ann's apocalypse, Amos 'n' Andy's undermanumission, Douglas Kearney's antimassapiece."

–Fred Moten

"This book is a Mess. It's a theory of Black cultural production that does its work by refusing to be straight(ened) up. It's Doug doing his do(o). Dig it. Like a mess of greens, this Mess is gritty to start with, but you know it's going to be goooood. Dig in. It won't read itself—but it might read you."

–Evie Shockley