Refractive Africa

Refractive Africa

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Author: Will Alexander

Publisher: New Directions (2021)

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo—two writers whose luminous art suffered “colonial wrath through refraction.” A tribute to the Congo forms the bridge and brisé vole of the book: the Congo as “charged aural colony” and “primal interconnection,” a “subliminal psychic force” with a colonial and postcolonial history dominated by the Occident. Will Alexander’s improvisatory cosmicity pushes poetic language to the point of most resistanceincantatory and swirling with magical laterality and recovery.

"Since the 1980s, the Los Angeles-based Alexander has mixed politics with mesmeric, oracular lines. Here, three long poems evoke colonial Africa."

–Greg Cowles

"As we spin toward planetary suicide at the hands of oily capitalizers, it will be the prophetic words of poets such as Will Alexander, with their imaginal radiance, which hold any hope of lighting the way to a true alchemical amnesty and new modes of being."

–Dorothy Wang
"It is tempting to label Alexander a surrealist or experimentalist, but he is truly a singular voice."
–Citation for the Jackson Poetry Prize