Sacrament of Bodies

Sacrament of Bodies

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Author: Romeo Oriogun

Publisher: University of Nebraska Press (2020)

In this groundbreaking collection of poems, Sacrament of Bodies, Romeo Oriogun fearlessly interrogates how a queer man in Nigeria can heal in a society where everything is designed to prevent such restoration. With honesty, precision, tenderness of detail, and a light touch, Oriogun explores grief and how the body finds survival through migration.

"It is inevitable that Sacrament of Bodies will become an influential work in contemporary poetry from Africa, especially with its centering of queer people. In Oriogun’s journey, it feels like a book he needed to write. Where a weaker hand might falter under the sensitivity of such a subject, his is assured."

Emmanuel Esomnofu

"In African poetry, where queer poetry still appears on the margins, Sacrament of Bodies harnesses the expression and truth that appeals to those of us who feel the need to shout and have raw conversations about the rights of queer people."

–Tikondwe Kaphagawani Chimkowola

"It doesn’t take a reader long to be captured by Romeo Oriogun's compelling voice, a voice which seems equal parts observer, prophet, and reformer—a voice possessing the strength to rejoice amid trauma or to create visions of any ruling tyrannical force as if it were glass, to be seen through or reflected."

–Jordan Charlton

Sacrament of Bodies is a very special book. But why? Because Romeo Oriogun has developed a style that is both personal and mythical, because these poems are sensual and spiritual at once, because they give us both a story and a song, a shout and a whisper. ‘I have learnt to love every broken thing,’ Oriogun tells us. I find that Oriogun’s tension between the high style of a sermon and the earthiness of love songs gives these poems a particularly memorable touch. It is memorable also because it is able to give us a journey (through time, through forgetting, through elegy, through exile) that is both a story of a real man in real time and an incantation, a speaking in tongues. But it is his music that finally sways me, it’s music that lifts it all, that makes out of truth-telling a song. The music works here because Oriogun is a master of incantation: ‘I danced,’ he tells us, ‘as if I knew every song had a door.’ Indeed. I love this beautiful, heart-wrenching, passionate book.”

–Ilya Kaminsky

2021 Lambda Literary Awards Finalist